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She was cool, attractive—a real society lady—and she was in trouble. Benny Cooperman, a private eye with a hard head and a tender heart, was ready to help her in any way he could. But when her husband commits suicide the day Benny begins his investigation, the detective realizes he’s no longer dealing with a simple “family affair.” Probing into the curious circumstances surrounding the death, Benny soon finds himself in the midst of a few more suicides—or murders. Book 1 in the Benny Cooperman Mystery series.
In The Perversion of Virtue, suicide researcher Thomas Joiner explores the nature of murder-suicide and offers a unique new theory to explain this nearly unexplainable act: that 'true' murder-suicides always involve the wrongheaded invocation of one of four interpersonal virtues.
Each year, about 33 percent of all women and 3 percent of all men murdered in the United States, are killed by a so-called intimate, a spouse, partner, or lover. Nationwide, murder by an intimate is the number one cause of death for pregnant women. And murder by an intimate is not just an American problem. A European task force recently found domestic violence accounts for 25 percent of all homicides in London, and 35 percent across England and Wales. In this timely book, van Wormer and Roberts describe the problem, and what they have seen and heard on the front lines with both women and men who have escaped domestic violence that was escalating toward deadly levels. The text examines not only the psychology of the batterer but of domestic murder, and domestic murder-suicide. Drawn from the experience and insights of these two widely-known social workers, the text includes a safety plan for those at risk and a chapter providing narratives of women in prison for killing their abusive husband or partner. Drawing on the experience and insights of these two widely-known social workers, Death by Domestic Violence separates domestic violence myths and facts, explains the traumatic bonding that occurs between batterer and victim, and details how one facet of the solution could be school-based interventions and education. The book culminates with recommendations for further reduction of harm and a safety plan for those at risk.
The goal of this book is to fully explore what the author refers to as 'the near epidemic levels of suicide and homicide-suicide' among law enforcement officers, and ultimately to offer recommendations and best practices with which to better address the problem. The book begins by discussing suicide in some depth, for one has to know suicide, unequivocally, to understand a suicidal or homicidal-suicidal officer. Suicide and homicide-suicide are complex, multi-determined events - the result of an interplay of individual, relational, social, cultural and environmental factors. The complexity of causation necessitates a parallel complexity of knowledge. There are at least two avenues to understanding: the nomothetic (general) approach, which deals with generalizations using empirical, statistical and demographic methods or techniques; and the idiographic (specific) approach, which typically involves the intense study of individuals. This book explores both. Attempting to be mindful of the needs of the office on the street, the mental health provider, the administrator, the forensic specialist, and the survivors of these needless tragedies, the belief is that by amalgamating the concerns of a diverse audience, we can meet the challenge of identifying at-risk individuals and situations, and saving lives.
What is the relationship between capitalism and mental health? Through an exhilarating mix of philosophical and psychoanalytical theory and reportage - from the suicide epidemic in Korea to the wave of American mass murders - the prominent Italian thinker Franco Berardi Bifo traces the social roots of the mental malaise of our age. His darkest and most unsettling book to date, Berardi proposes dystopian irony as a strategy to disentangle ourselves from the deadly embrace of the neoliberalism.
The story begins with a film called suicide. It revolves around a death camouflaged by the mysteries of suicide and murder. The plot deepens as Samar, one of their friends, dies on the day of the film’s release. Slowly the film starts casting its reflections in the real life of its makers from multiple perspectives. Samar’s tragic demise too gets shrouded in the web of murder and suicide affecting the lives of each one of them unraveling their and deepest and darkest secrets to one another. But Subhankar takes them all to a journey far back in time from where the story of their film originated. A journey that will take them through the philosophies of life and death and change everything forever. This Novel is a unique trilogy where three different stories are intricately woven into a single book. 
Bozeman's work appeals to sociologists, criminologists, psychiatrists and forensic linguists. His thesis is three-fold: to explore emergent themes in suicides and murder confessions, to determine whether Durkheim's suicide typologies might also be applicable to homicide (heretofore untested), and to expand upon the "forces of production" and "forces of direction" in the stream analogy of overall violence to include the coincident rise of both forces in what the author refers to as the stream-flood analogy. Findings support the integrated approach to the study of suicide and homicide. The most exciting revelation in the book is that evidence of the value of Durkheim's suicide typologies were, in fact, present in the language of homicide offenders.
A tangled web of family dysfunction, fatal attraction, and greed wends its way from the elegant Southern mansions of old Montgomery, Alabama, to the New Age salons of Boulder and rural, windswept Wyoming in Drifting Into Darkness, a true saga of bloodshed and betrayal. Two grisly murders—a brutal double parricide—a suicide, and a fourth death under suspicious circumstances. Drifting Into Darkness is a tangled tale of family dysfunction, fatal attraction, and greed, a saga that wends its way from the elegant Southern mansions of Montgomery, Alabama, to the New Age salons of Boulder, Colorado, to rural, windswept Wyoming. On Thanksgiving weekend in 2004, philanthropists Charlotte and Brent Springford Sr.―a wealthy, socially prominent Montgomery couple―were brutally beaten to death with an ax handle, echoing the infamous case of Lizzie Borden. Suspicion quickly fell on the Springfords' gifted but troubled son Brent Jr., who would be tried and sentenced to life without parole. But a mystery remained: Who was the mysterious, elusive woman who claimed to be a Native American shaman that investigators believed manipulated Brent into this murder? Journalists solving murders is a time-tested trope in movies, mysteries, and on television. But cops and cop reporters know that rarely happens in real life. Except when it does. Veteran crime reporter Mark I. Pinsky, who covered the sensational cases of serial killer Ted Bundy and Green Beret Dr. Jeffrey MacDonald, broke the cardinal rule of journalism by involving himself in the story. Pinsky’s extensive research prompted investigators to invite him to join their dogged pursuit of justice. His access to unique and heart-breaking behind-the-scenes material enables him to take readers with him into the troubled, tortured minds of the case's main players.
In the quiet town of Gig Harbor, Washington, well-liked police chief David Brame, distraught over his impending divorce, shoots his wife to death in front of their two children, and then kills himself, shocking residents and opening an investigation that revealed Brame's true nature. Original.
The only forensic psychiatrist writing suspense, Keith Ablow is being hailed as the heir to Thomas Harris. Keith Ablow's novels delve deep into that dark and deadly place that Ablow, one of the nation's leading forensic psychiatrists, knows best: the psyche of a killer. Ablow has explored the catacombs of the criminal mind to find out what makes them tick, and he brings that expertise to his new novel, a chilling and emotionally compelling story of the lengths to which one man will go to leave his own life behind. In Murder Suicide, Ablow and his alter-ego, Dr. Frank Clevenger, return to take on a murder case like no other. John Snow is a brilliant inventor who has made millions from his genius in aeronautics. He has everything a man could desire: wealth, family, even a beautiful mistress. But he also has a brain disease, a rare form of epilepsy, that threatens his most valuable possession -- his mind. Only one doctor may be able to cure it surgically, but at a terrible cost, one that Snow reveals to no one: Snow will have no memory whatsoever of his past - of its emotional entanglements or its secrets. He will be abandoning everyone he has ever known. But the night before he is scheduled to undergo the operation, he is found near the Massachusetts General Hospital, dead of a gunshot wound. Did he commit suicide, as the police suspect - or was he murdered? Forensic psychiatrist Dr. Frank Clevenger delves into Snow's complex past and tortured relationships to unlock the identity of Snow's killer: Was it the wife who can never forgive what he's done to their child and their marriage, the son who loathes him, the beautiful mistress who loves him so deeply but can never have him, or the business partner intent on taking control of his inventions? Only Frank Clevenger can unlock the door to Snow's startling past. And only Keith Ablow can take readers even further into the mind of a killer.