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Winner of the 2017 Nightboat Prize for Poetry
Best American Experimental Writing 2018, guest-edited by Myung Mi Kim, is the fourth edition of the critically acclaimed anthology series compiling an exciting mix of fiction, poetry, non-fiction, and genre-defying work. Featuring a diverse roster of writers and artists culled from both established authors—like Mei-mei Berssenbrugge, Don Mee Choi, Mónica de la Torre, Layli Long Soldier, and Simone White—as well as new and unexpected voices, including Clickhole.com, BAX 2018 presents an expansive view of today’s experimental and high-energy writing practices. A perfect gift for discerning readers as well as an important classroom tool, Best American Experimental Writing 2018 is a vital addition to the American literary landscape.
A philosophical and epigrammatic meditation on a body immersed in language, history and place, refracted through film, photography and architecture
Groundbreaking poems in Asian American feminist literature Fierce, raw, and unapologetic, Janice Mirikitani’s poetry and prose are as vibrant and resonant today as when these two collections were first published in 1978 and 1987. Now back in print in one volume, Awake in the River and Shedding Silence epitomizes Mirikitani’s singular voice—one that is brash, sexual, politically outspoken, and unconcerned with pandering to mainstream audiences. An influential artist and activist, Mirikitani has advanced the causes of women of color feminisms, global anti-imperialism, and Afro-Asian solidarity for more than fifty years. Her writings confront sexualized violence, anti-Asian racism, the intergenerational trauma of incarceration, the dangers of passivity, and internalized oppression, while also illuminating the power of awakening from silence and fighting for justice. Connecting Japanese American discrimination with broader struggles from the local to the global, Awake in the River and Shedding Silence showcases how the renowned poet found power in speaking out.
A debut collection of love poems that resist subjection and ask how we might live together outside of capitalism, providing for each other through intimate acts of care and struggle
Poetry. LGBT Studies. Politics. Ecopoetics. Covers letterpressed by the author. Mycelium is the largest organism on the planet. It is the collective root structure from which all mushrooms emerge. It lives three inches under the ground and can span for thousands of acres. Any of its threads can connect to the collective body at any point. ALMOST ANY SHIT WILL DO pulls language from mycelium studies to investigate the underground of political unrest, from its emergence as riots to the single moment of impact: a body in protest thrown to the ground by the cop. How can we mark the shifting boundary between the individual and the movement in the midst of a riot? It is in the continuous attempt to define these terms that we begin to articulate the utopia that is always already happening, three inches below the surface. "This is the space of the underground, where the intersection evidences the site of violence as a weight that pulls our attention via contours in the grid. Here, the lines bend around the individual and extend that body into the multitude: the movement, ALMOST ANY SHIT WILL DO is a statement of rage, where, when pushed to the edge, we might learn the most from a silent source the ultimate Other." JH Phrydas"
A moving poetic account of grief and record of post-traumatic stress after the loss of a parent.
The greatly anticipated second volume by an innovative and acclaimed talent
Offers a new reading of the history of the colonization of North America and the dispossession of its indigenous peoples.
A heart-rending meditation on aging, grief, and the universal experience of facing deathShifting the Silence does just that, breaks the social taboo around writing and speaking about our own deaths. In short unrelenting paragraphs, Adnan enumerates her personal struggle to conceptualize the breadth of her own life at 95, the process of aging, and the knowledge of her own inevitable death. The personal is continuously projected outwards and mirrored back through ruminations on climate catastrophe, California wildfires, the on-going war in Syria, planned missions to Mars, and the view of the sea from Adnan's window in Brittany in a poignant often painful interplay between the interior and the cosmic.