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Between 1750 and his death in 1781, the Marquis de Marigny?brother of Madame de Pompadour, courtier to Louis XV, and one of eighteenth-century France's important patrons of art and architecture?amassed a collection that was broad in scope, progressive in taste, and exceptional in quality and provenance. This book offers a transcription of the exhaustive inventory of Marigny's estate together with an essay in which Alden R. Gordon not only sketches Marigny's life and times but also re-creates the interiors and grounds where the paintings, statues, books, household goods, and other property listed in the inventory were displayed and used. Also included are plans of Marigny's last four residences; lists of heirs, paintings, and auction sales; transcriptions of shipping manifests and sales catalogs; indexes; and a glossary.
"The documents gathered in this volume cut a winding path through the tumultuous final thirty-three months of Leibniz's life, from March 1714 to his death on 14 November 1716. The disputes with Newton and his followers over the discovery of the calculus and, later, over the issues in natural philosophy and theology that came to dominate Leibniz's correspondence with Samuel Clarke certainly loom large in the story of these years. But as the title of this volume is intended to convey, the letters exchanged between Leibniz and Caroline of Brandenburg-Ansbach, Electoral Princess of Braunschweig-Luneburg and later Princess of Wales, also figure prominently in their telling, and I have included their complete extant correspondence from 1714 to 1716. These letters are of particular interest inasmuch as they provide valuable insights into how and why Leibniz's correspondence with Clarke arose, and why it developed as it did, with Caroline in the role of influential go-between; whence the title, The Leibniz-Caroline-Clarke Correspondence. But there is more; for these letters provide a window into the evolving personal relationship between Leibniz and Caroline. Much of the early correspondence between Leibniz and Caroline after her arrival in England is filled with thoughtful and engaging exchanges about philosophy, literature, and politics, about people Caroline was meeting in England, about those known by Leibniz far and wide, about the new royal family in England, headed by George I (Georg Ludwig of Braunschweig-Luneburg), as well as gossip about affairs of state in both England and Europe at large. Beyond the interest they hold for Leibniz scholars in particular, many of these exchanges should also be of interest to historians of early 18th-century England and Europe, and especially to those interested in the period immediately preceding and following the Hanoverian succession to the throne of England. But even quite early on in their correspondence Leibniz seemed to sense a threat to his relationship with Caroline, and a worrisome paranoia began to creep into some of his letters to her, letters in which he expressed concerns about her continuing allegiance to him now that she had been installed in England amongst his rivals. As the correspondence progressed, Leibniz's paranoia only deepened; but it was nevertheless prophetic of a tragic truth to come. For the letters exchanged between Leibniz and Caroline document the rather sad story of the slow but steady erosion of Caroline's loyalty to Leibniz after she departed Hanover on 12 October 1714 and landed in England at Margate in Kent on 22 October as the new Princess of Wales and future Queen of England. In 1727 the Scottish poet James Thomson penned A Poem Sacred to the Memory of Sir Isaac Newton, calling him "our philosophic sun," and it was by force of the political and cultural mass of this sun that Caroline was eventually, and inexorably, drawn into its orbit, and away from Leibniz"
From the Cloister to the State examines the French order of Fontevraud, one of the largest monastic networks under female leadership in medieval and early modern Europe. Founded in 1100 and comprised of both monks and nuns, the order had grown to consist of at least seventy-eight priories by the late Middle Ages. Endowed with vast territorial possessions throughout western France, Fontevraud became one of the most powerful religious institutions in the country. However, unaware of its institutional might and economic wealth, scholars have tended to focus on Fontevraud’s seemingly unusual gender hierarchy, while bypassing inquiries on practices of abbatial authority in Fontevraud and beyond. This book reveals medieval Fontevraud as an aristocratic cloister where noble women governed. It also discusses the value of Fontevraud’s extensive network for the geopolitical ambitions of the dukes of Brittany, the counts of Bourbon-Vendôme, and, during the Wars of Religion, the kings of France. In addition to Fontevraud’s political role during the Wars of Religion, the book also examines the order’s reforms implemented by Marie de Bretagne and her successors Renée and Louise de Bourbon-Vendôme. These Bourbon abbesses centralized the order’s administration, cut the ties between priories and local aristocratic families, and successfully established the Bourbon-Vendômes as the only patrons of the vast and wealthy network. This book is essential reading for scholars and students of medieval and early modern history, as well as those interested in political history and the history of religion.
The essays in this volume show that Versailles was not the static creation of one man, but a hugely complex cultural space; a centre of power, but also of life, love, anxiety, creation, and an enduring palimpsest of aspirations, desires, and ruptures. The splendour of the Château and the masterpieces of art and design that it contains mask a more complex and sometimes more sordid history of human struggle and achievement. The case studies presented by the contributors to this book cannot provide a comprehensive account of the Palace of Versailles and its domains, the life within its walls, its visitors, and the art and architecture that it has inspired from the seventeenth century to the present day: from the palace of the Sun King to the Penthouse of Donald Trump. However, this innovative collection will reshape-or even radically redefine-our understanding of the palace of Versailles and its posterity.
The medieval court historian Jean Froissart is famous today for writing the ‘Chronicles’, a voluminous and detailed account of the fourteenth century, which concerns the “honourable adventures and feats of arms” of the Hundred Years’ War. As a scholar, Froissart lived among the nobility of several European courts and he travelled widely. His ‘Chronicles’ remains the most important document of feudal times in Europe and the best contemporary exposition of chivalric and courtly ideals. Delphi’s Medieval Library provides eReaders with rare and precious works of the Middle Ages, with noted English translations and the original texts. This eBook presents Froissart’s ‘Chronicles’, with multiple translations, illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Froissart's life and works * Features the two translations of the ‘Chronicles’, as well as the original French text * Concise introduction to Froissart’s work * Excellent formatting of the texts * Easily locate the chapters you want to read with individual contents tables * Lord Berners’ celebrated translation (edited by G. C. Macaulay), widely regarded as one of the greatest translations of the English language * Includes Thomas Johnes’ comprehensive 1848 translation, first time in digital print * Features two bonus biographies — discover Froissart’s medieval world CONTENTS: The Translations The Chronicles: Lord Berners’ Translation, 1535 The Chronicles: Thomas Johnes’ Translation, 1848 The Original Text Contents of the French Text The Biographies Jean Froissart (1911) by Walter Besant Jean Froissart (1913) by Louis René Bréhier
Things change. Broken and restored, reused and remade, objects transcend their earliest functions, locations, and appearances. While every era witnesses change, the eighteenth century experienced artistic, economic, and demographic transformations that exerted unique pressures on material cultures around the world. Locating material objects at the heart of such phenomena, Material Cultures of the Global Eighteenth Century expands beyond Eurocentric perspectives to discover the mobile, transcultural nature of eighteenth-century art worlds. From porcelain to betel leaves, Chumash hats to natural history cabinets, this book examines how objects embody imperialism, knowledge, and resistance in various ways. By embracing things both elite and everyday, this volume investigates physical and technological manipulations of objects while attending to the human agents who shaped them in an era of accelerating global contact and conquest. Featuring ten essays, the volume foregrounds diverse scholarly approaches to chart new directions for art history and cultural history. Ranging from California to China, Bengal to Britain, Material Cultures of the Global Eighteenth Century illuminates the transformations within and between artistic media, follows natural and human-made things as they migrate across territories, and reveals how objects catalyzed change in the transoceanic worlds of the early modern period.