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Subversive Itinerary investigates the theoretical evolution of the influential political theorist Gad Horowitz, as well as the historical impact of his ideas on Canadian life and letters. Bringing together dynamic new works by both established and emerging scholars, along with three new articles by Horowitz himself, this volume examines the concepts he developed and extends his approach beyond the current historical moment. The book includes a history of Horowitz's engagements as a public intellectual through appraisals of his early, mid, and late-career contributions, from the sixties to the present day. Along the way, the contributors present innovative new work in Canadian political thought, continental theory, Jewish philosophy, Buddhism, and radical general semantics. Subversive Itinerary demonstrates how Horowitz's itinerary delivers invaluable tools for understanding issues of critical importance today.
In Partisan Odysseys, Nelson Wiseman sets out to survey the history of Canada’s political parties. Uncovering distinctive motifs and events in Canadian party politics from pre-Confederation to the present, Wiseman shows how parties have adjusted, adapted, and reinvented themselves in response to significant social and economic changes as well as how parties have, in turn, shaped or reinforced these social forces. The book begins by tracing the rise of four different types of parties in the nineteenth century; by the end of the century, the Conservative and Liberal parties that continue to this day were firmly established. The book also explores nationalism, minority governments, third parties, and the reconfiguration of party positions. Wiseman concludes by examining changes in the way Canada’s ever-evolving parties have operated and the rise of the modern party as a nimble, enterprising institution compared to its historical antecedent. Substantial yet accessible, Partisan Odysseys will enlighten students, scholars, and general readers alike.
Ugliness or unsightliness is much more than a quality or property of an individual’s appearance—it has long functioned as a social category that demarcates access to social, cultural, and political spaces and capital. The editors of and authors in this collection harness intersectional and interdisciplinary approaches in order to examine ugliness as a political category that is deployed to uphold established notions of worth and entitlement. On the Politics of Ugliness identifies and challenges the harmful effects that labels and feelings of ugliness have on individuals and the socio-political order. It explores ugliness in relation to the intersectional processes of racialization, colonization and settler colonialism, gender-making, ableism, heteronormativity, and fatphobia. On the Politics of Ugliness asks that we fight against visual injustice and imagine new ways of seeing.

Hearings

United States. Congress. House. Committee on Un-American Activities

Published: 1963

Total Pages: 872


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This interdisciplinary volume offers a range of studies spanning the various historical, political, legal, and cultural features of social justice in Iran, and proposes that the present-day realities of life in Iran could not be farther from the promises of the Iranian Revolution. The ideals of social justice and participatory democracy that galvanized a resilient nation in 1979 have been abandoned as an avaricious ruling elite has privatized the economy, abandoned social programs and subsidy payments for the poor, and suppressed the struggles of women, workers, students, and minorities for equality. At its core, Iran’s Struggles for Social Justice seeks to educate and to develop a new discourse on social justice in Iran.
Marriage and couple therapists see clients with broken relationships and bonds all the time; those who were once madly in love can grow indifferent, people change, and couples go into sessions feeling depressed, traumatized, and sometimes abused by their partners. Joan Lachkar examines the vicissitudes of love relations by taking into account aspects of aggression, cruelty, sadism, envy, and other primitive defenses lurking in the shadows of love and intimacy. Each chapter revolves around a specific situational conflict, with guidelines and treatment suggestions offered to the therapist. Numerous vignettes and detailed descriptions of theoretical technique, methodology, and diagnostic distinctions are included throughout the book to help readers see theory in action. The theoretical concepts drawn on include psychoanalysis, object relations, self-psychology, attachment theory, DBT, mindfulness, and others, with a heavy emphasis on listening and non-verbal and verbal communication throughout.
In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997 respectively) for work made on video. This fin-de-siecle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental film-makers. Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form's technical challenges, the hope of political impact, or the desire to re-invigorate such time-honoured subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain - a tradition that has been only intermittently written about until now. This major new book is the first comprehensive history of artists' film and video in Britain. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart. Written by the leading authority in the field, A History of Artists' Film and Video in Britain, 1897-2004 brings to light the range and diversity of British artists' work in these mediums as well as the artist-run organisations that have supported the art-form's development. In so doing it greatly enlarges the scope of any understanding of 'British cinema' and demonstrates the crucial importance of the moving image to British art history.
According to Bruce Redford, the Tour offered a heady combination of aesthetic, social political, and sexual experience, and it provided its alumni with a life-long source of cultural and political authority. Yet from the beginning the Tour was also viewed with deep suspicion: it was feared that the very experiences that completed the British gentleman might well undo him.
Based on anthropological fieldwork in the 1990s, this book provides an ethnographic perspective in its examination of the politics and policies of cultural tourism as they were played out under the Indonesian New Order regime. The successful New Order tourism policy ensured that tourism development both contributed to, and benefited from, increasing economic prosperity and a long stretch of political stability. However, that success has come at a price; the policy to encourage mainly 'high-quality' tourism revolved around carefully constructed and controlled tourist experiences that have led to local inequalities. The failure of this policy is analysed in a detailed case study of the city of Yogyakarta.
Updated and reorganized to offer the best collection of state-of-the-art readings on the role of critical theory in contemporary art, this second edition of Theory in Contemporary Art since 1985 brings together scholarly essays, artists’ statements, and art reproductions to capture the vibrancy and dissonance that define today’s art scene. Incorporates new and updated topics that have become central to art theory and practice over the past decade New and updated chapters cover such topics as: international biennials, historicizing of the term “contemporary art”, aesthetics, art and politics, feminism and pornography, ecology and art, the Middle East and conflict studies, Eastern European art and politics, gender and war, and technology Features a thematic reconfiguration of sections and new introductions to make readings user–friendly Extensively illustrated throughout with an expanded color-plate section New contributions to this edition include those by Alexander Alberro, Claire Bishop, T.J. Demos, Anthony Downey, Liam Gillick, Marina Gr?iniæ, Mary Kelly, Chantal Mouffe, Beatriz Preciado, Jacques Ranciere, Blake Stimson, and Chin-Tao Wu.