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This book deals with film adaptations of literary works created in Communist Czechoslovakia between 1954 and 1969, such as The Fabulous World of Jules Verne (Zeman 1958), Marketa Lazarová (Vláčil 1967), and The Joke (Jireš 1969). Bubeníček treats a historically significant period around which myths and misinformation have arisen. The book is broad in scope and examines aesthetic, political, social, and cultural issues. It sets out to disprove the notion that the state-controlled film industry behind the Iron Curtain produced only aesthetically uniform works pandering to official ideology. Bubeníček’s main aim is to show how the political situation of Communist Czechoslovakia moulded the film adaptations created there, but also how these same works, in turn, shaped the sociocultural conditions of the 1950s and the 1960s.
In the age of globalization, digitization, and media convergence, traditional hierarchies between media are breaking down. This book offers new approaches to understanding the politics and their underlying ideologies that are reshaping our global media landscape, including questions of audience participation and transmedia storytelling.
In this fully updated second edition, award-winning film director and Slamdance Film Festival co-founder Dan Mirvish gives you soup-to-nuts, cradle-to-grave advice on every aspect of the filmmaking lifestyle and craft. He drops advice on playing the Hollywood game, and shows you how to finance, cast, shoot and show your indie feature, documentary, episodic series, short film, student film, web video or big-budget blockbuster. Once labeled a "cheerful subversive" by The New York Times, Mirvish shares lessons he's learned personally from film luminaries Robert Altman, Christopher Nolan, Emma Thomas, Steven Soderbergh, Rian Johnson, Whit Stillman, Harold Ramis, Lynn Shelton, John Carpenter, Ava DuVernay, the Russo Brothers, Bong Joon-ho, Sean Baker and more. This revised edition includes brand new chapters on filming during a global pandemic finding investors and crowdfunding backers whether and where to go to film school how to get a big Hollywood agent self-distributing your film, even to airlines casting an Oscar®-winner as your lead actor and turning your garage into a 1980s New York subway Visit the extensive companion website at www.DanMirvish.com for in-depth supplemental videos, behind-the-scenes footage from Dan's films and bonus materials.
Edwards explores how Josephus in Antiquities adapts the scriptural stories of Joseph and Esther in unexpected ways as models for accounts of more recent Jewish figures. Terming this practice “subversive adaptation,” Edwards contextualizes it within Greco-Roman literary culture and employs the concept of “discourses of exemplarity” to show how Josephus used narratives about past figures to engage Roman elites in moral reflection and pragmatic decision-making. This book supplies analysis of frequently overlooked accounts as well as Josephus’ broader literary strategies, and shows how ancient Jews appropriated imperial historiographical conventions and forms of discourse while countering Greco-Roman claims of cultural superiority.
This indispensable monograph synthesizes current debates and offers a new historical and literary analysis of the book of Deuteronomy "In this exciting addition to the Anchor Yale Bible Reference Library, Stackert offers something genuinely new: he brilliantly weaves together biblical scholarship, cuneiform literature, and contemporary literary theory. This clearly written and engaging volume examines how the concept of scripture shaped ancient readers' understanding of Deuteronomy."--Bernard M. Levinson, University of Minnesota The book of Deuteronomy introduces and develops many of the essential ideas, events, and texts of both Judaism and Christianity, and it has thus been a resource--and in some instances even a starting point--for investigations of themes and concepts beyond it. In this volume, Jeffrey Stackert deftly guides the reader through major topics in the interpretation of Deuteronomy and its relationship to the other four pentateuchal books. Considering subjects such as the relationship between law and narrative, the role of Deuteronomy in Israel's history, its composition and reception history, the influence of cuneiform legal and treaty traditions, textual and archaeological evidence from the Levant and Mesopotamia, and the status of Deuteronomy within the larger biblical canon, this book introduces ongoing debates surrounding the book of Deuteronomy and offers a contemporary evaluation of the latest textual and material evidence.
This comprehensive and original survey of Russian theater in the twentieth century and into the twenty-first encompasses the major productions of directors such as Meyerhold, Stanislavsky, Tovostonogov, Dodin, and Liubimov that drew from Russian and world literature. It is based on a close analysis of adaptations of literary works by Pushkin, Dostoevsky, Gogol, Blok, Bulgakov, Sholokhov, Rasputin, Abramov, and many others."The Modern Russian Stage" is the result of more than two decades of research as well as the author's professional experience working with the Russian director Yuri Liubimov in Moscow and London. The book traces the transformation of literary works into the brilliant stagecraft that characterizes Russian theater. It uses the perspective of theater performances to engage all the important movements of modern Russian culture, including modernism, socialist realism, post-moderninsm, and the creative renaissance of the first decades since the Soviet regime's collapse.
Was Deuteronomy created to be a subversive text based on Assyian treaties? In this new book Crouch focuses on Deuteronomy’s subversive intent, asking what would be required in order for Deuteronomy to successfully subvert either a specific Assyrian source or Assyrian ideology more generally. The book reconsiders the nature of the relationship between Deuteronomy and Assyria, Deuteronomy’s relationship to ancient Near Eastern and biblical treaty and loyalty oath traditions, and the relevance of Deuteronomy’s treaty affinities to discussions of its date. Features: A thorough investigation of the nature and requirements of subversion A focused examination of the context in which Deuteronomy would have functioned An appendix focused on redactional questions related to Deuteronoy 13 and 28
"This newly updated, user friendly encyclopedia explains concepts, aims and current requirements in all aspects of the primary English curriculum and is an invaluable reference for all training and practising teachers. Now in its fourth edition, entries have been updated to take account of new research and thinking and now reflect the requirements of the new Primary National Curriculum and particularly The Communication, Language and Literacy Development element. The approach is critical but constructive and supportive of the reflective practitioner in developing sound subject knowledge and good classroom practice. The encyclopedia includes: - over 600 entries, including new entries on English in the Early Years, bilingualism, SEN, the use of the internet, synthetic phonics and many more - short definitions of key concepts - succinct explanations of current UK requirements - extended entries on major topics such as speaking and listening, reading, writing, drama, poetry, bilingualism and children's literature - input on new literacies and new kinds of texts for children - discussion of current issues and some input on the history of English teaching in the primary years - gender and literacy - important references for each topic, advice on further reading and accounts of recent research findings - a Who's Who of Primary English and lists of essential texts, updated for this new edition. This encyclopedia will be ideal for student teachers on BA and PGCE courses preparing for work in primary schools and primary school teachers"--
Projecting forward in time from the processes of design and construction that are so often the focus of architectural discourse, Consuming Architecture examines the variety of ways in which buildings are consumed after they have been produced, focusing in particular on processes of occupation, appropriation and interpretation. Drawing on contributions by architects, historians, anthropologists, literary critics, artists, film-makers, photographers and journalists, it shows how the consumption of architecture is a dynamic and creative act that involves the creation and negotiation of meanings and values by different stakeholders and that can be expressed in different voices. In so doing, it challenges ideas of what constitutes architecture, architectural discourse and architectural education, how we understand and think about it, and who can claim ownership of it. Consuming Architecture is aimed at students in architectural education and will also be of interest to students and researchers from disciplines that deal with architecture in terms of consumption and material culture.
This book considers videogames as spaces of political philosophy. Emerging from a negotiation between designers, player and computer, they prompt us to rethink life in common and imagine alternatives to the status quo. Several case studies on science fictional videogames from Japan serve to demonstrate this potential for thought-provoking play.