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IT IS THE YEAR 2064, and Washington, D.C., is divided into the Rich and the Poor. The Rich bathe in their luxuries and chastise those that they believe are below them. And the Poor have been forced to endure their morbid lives ever since the end of the nationwide war, with no light seeming to peer at the end of the tunnel. As quiet and respectful as they are, they also resent every nook and cranny of D.C., of the haughty Rich, and of the self-imposed President Remington, who is willing to do whatever it takes to bring the country out of its everlasting economic despair. And as much as they want to rebel and fight for a better life, they know they will be shot and killed if they dared to do so. Blaire Cohen is a nineteen-year-old Poor woman who despises how the Poor are treated daily. She and her family labor for the government, mining from the crack of dawn to dusk. Everyday she dreams of escaping the atrocious city with her family, willing to give them the life they deserve. But that is until she gets kidnapped by a mystifying organization determined to destroy the treacherous government . . . and determined for her to join, too. Blaire begins to embark on a life oozing with the unknown. Dangerous decisions are present at every corner she encounters, and she must choose wisely, for the wrong one will lead to imminent consequences. Perfect for fans of Suzanne Collins and Veronica Roth, book one of this heart-pounding dystopian series will have you at the edge of your seat until the very last page. Disclaimer: This novel includes intense action, violence, and language that may be sensitive to some readers. Please read with caution.
Based on access to secret documents and interviews with many of the participants, Subversion as Foreign Policy is an extraordinary account of civil war in Indonesia provoked by President Eisenhower and Secretary of State John Foster Dulles, and resulting in the killing of thousands of Indonesians and the destruction of much of the country's air force and navy. "This startling new book reveals a covert intervention by the United States in Indonesia in the late 1950s involving, among other things, the supply of thousands of weapons, the creation and deployment of a secret CIA air force and logistical support from the Seventh Fleet. The intervention occurred on such a massive scale that it is difficult to believe it has been kept almost totally secret from the American public for nearly 40 years. And this CIA operation proved to be even more disastrous than the Bay of Pigs". -- San Francisco Chronicle "An exemplary study of an ignominious chapter of the Cold War in Southeast Asia". -- Journal of Asian Studies "Subversion as Foreign Policy is a remarkable book.... The Kahins have provided a rare insight into the workings of U.S. policy towards Indonesia, both clandestine and official". -- London Times Literary Supplement
“One should either wear a work of art, or be a work of art,” Oscar Wilde once declared. In The Invention of Oscar Wilde, Nicholas Frankel explores Wilde’s self-creation as a “work of art” and a carefully constructed cultural icon. Frankel takes readers on a journey through Wilde’s inventive, provocative life, from his Irish origins—and their public erasure—through his challenges to traditional concepts of masculinity and male sexuality, his marriage and his affairs with young men, including his great love Lord Alfred Douglas, to his criminal conviction and final years of exile in France. Along the way, Frankel takes a deep look at Wilde’s writings, paradoxical wit, and intellectual convictions.
An intriguing look at vintage perfume's powerful past, including reviews of more than 300 scents, with stunning period advertisements throughout.
The late Edmond Jabes was a major voice in French poetry in the latter half of this century. An Egyptian Jew, he was haunted by the question of place and the loss of place in relation to writing. He focused on the space of the book, seeing it as the true space in which exile and the promised land meet in poetry and in question. Jabes's mode of expression has been variously described: a new and mysterious kind of literary work - as dazzling as it is difficult to define, cascading aphorisms, a theater of voices in a labyrinth of forms. The manner of his writing embodies the meaning of his writing. Jabes's book is a manifesto not only of his own poetry, but of the most advanced critical poetry written during this century, one in which he engages in dialogue with some of its outstanding philosophers (Blanchot, Levinas, and Derrida)
* Gets right to what you need to know; Covers advanced topics not documented in other books. * Eases transition from other Version Control systems. * Explains how to integrate Subversion with common development tools; Shows you how to embed Subversion in your own programs. * Rooney is one of the Subversion developers.
Drawing on more than thirty novels by nineteen writers, Fables of Subversion is both a survey of mid-twentieth century American fiction and a study of how these novels challenged the conventions of satire. Steven Weisenburger focuses on the rise of a radically subversive mode of satire from 1930 to 1980. This postmodern satire, says Weisenburger, stands in crucial opposition to corrective, normative satire, which has served a legitimizing function by generating, through ridicule, a consensus on values. Weisenburger argues that satire in this generative mode does not participate in the oppositional, subversive work of much twentieth-century art. Chapters focus on theories of satire, early subversions of satiric conventions by Nathanael West, Flannery O'Connor, and John Hawkes, the flowering of "Black Humor" fictions of the sixties, and the forms of political and encyclopedic satire prominent throughout the period. Many of the writers included here, such as Vladimir Nabokov, William Gaddis, Kurt Vonnegut, Robert Coover, and Thomas Pynchon, are acknowledged masters of contemporary humor. Others, such as Mary McCarthy, Chester Himes, James Purdy, Charles Wright, and Ishmael Reed, have not previously been considered in this context. Posing a seminal challenge to existing theories of satire, Fables of Subversion explores the iconoclastic energies of the new satires as a driving force in late modern and post-modern novel writing.
Check out the author's video to find out more about the book: https://vimeo.com/124247409 This book provides a comprehensive critique of the current Creative City paradigm, with a capital ‘C’, and argues for a creative city with a small ‘c’ via a theoretical exploration of urban subversion. The book argues that the Creative City (with a capital 'C') is a systemic requirement of neoliberal capitalist urban development and part of the wider policy framework of ‘creativity’ that includes the creative industries and the creative class, and also has inequalities and injustices in-built. The book argues that the Creative City does stimulate creativity, but through a reaction to it, not as part of it. Creative City policies speak of having mechanisms to stimulate individual, collective or civic creativity, yet through a theoretical exploration of urban subversion, the book argues that to be 'truly' creative is to be radically different from those creative practices that the Creative City caters for. Moreover, the book analyses the role that urban subversion and subcultures have in the contemporary city in challenging the dominant political economic hegemony of urban creativity. Creative activities of people from cities all over the world are discussed and critically analysed to highlight how urban creativity has become co-opted for political and economic goals, but through a radical reconceptualisation of what creativity is that includes urban subversion, we can begin to realise a creative city (with a small 'c').
The fairy tale may be one of the most important cultural and social influences on children's lives. But until Fairy Tales and the Art of Subversion, little attention had been paid to the ways in which the writers and collectors of tales used traditional forms and genres in order to shape children's lives – their behavior, values, and relationship to society. As Jack Zipes convincingly shows, fairy tales have always been a powerful discourse, capable of being used to shape or destabilize attitudes and behavior within culture. For this new edition, the author has revised the work throughout and added a new introduction bringing this classic title up to date.