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(Bass Recorded Versions Mixed). 30 great slap bass songs are included in this collection of note-for-note bass transcriptions with tab: Aeroplane (Red Hot Chili Peppers) * Fly Away (Lenny Kravitz) * Glide (Pleasure) * Peg (Steely Dan) * Rio Funk (Lee Ritenour) * School Days (Stanley Clarke) * Seinfeld Theme (Jonathan Wolff) * Something About You (Level 42) * Tommy the Cat (Primus) * What Did He Say (Victor Wooten) * You Can Call Me Al (Paul Simon) * and more.
(Bass Recorded Versions). Essential for Peppers fans! Features Flea's inimitable playing transcribed note for note with tab on top tracks from Mother's Milk to By the Way , plus two new bonus songs! 16 hits: Breaking the Girl * By the Way * Californication * Fortune Faded * Give It Away * Higher Ground * My Friends * Otherside * Parallel Universe * Road Trippin' * Save the Population * Scar Tissue * Soul to Squeeze * Suck My Kiss * Under the Bridge * Universally Speaking. PARENTAL ADVISORY: EXPLICIT LYRICS
This awesome songbook features note-for-note tab transcriptions for Tim Bob's bass licks on 18 favorites from four Rage records: Bombtrack * Born of a Broken Man * Bullet in the Head * Bulls on Parade * Calm like a Bomb * Down Rodeo * Freedom * Guerrilla Radio * In My Eyes * Killing in the Name * Know Your Enemy * No Shelter * People of the Sun * Renegades of Funk * Sleep Now in the Fire * Testify * Tire Me * Wake Up. Includes a Bass Notation Legend.
No music scholar has made as profound an impact on contemporary thought as Susan McClary, a central figure in what has been termed the 'new musicology'. In this volume seventeen distinguished scholars pay tribute to her work, with essays addressing three approaches to music that have characterized her own writings: reassessing music's role in identity formation, particularly regarding gender, sexuality, and race; exploring music's capacity to define and regulate perceptions and experiences of time; and advancing new modes of analysis more appropriate to those aspects and modes of musicking ignored by traditional methods. Contributors include, in overlapping categories, many fellow pioneers, current colleagues, and former students, and their essays, like McClary's own work, address a wide range of repertories ranging from the established canon to a variety of popular genres. The collection represents the generational arrival of the 'new' musicology into full maturity, dividing fairly evenly between pre-eminent scholars of music and a group of younger scholars who have already made their mark in significant ways. But the collection is also, and fundamentally, interdisciplinary in nature, in active conversation with such fields as history, anthropology, philosophy, aesthetics, media studies, film music studies, dramatic criticism, women's studies, and cultural studies.
Two decades into the twenty-first century, contemporary Latinx writers have established themselves within an evolving literary tradition. Imaginative Possibilities collects interviews with some of these authors to explores the writers’ processes, aesthetics, creative trajectories, and places within the larger body of Latinx literature. The interviews address artistic, professional, and cultural issues including the building of intellectual communities, the writing and publication process, and the practical economics of making a living. US Latinx writers discuss how they navigate the overwhelmingly white publishing industry, the academic book market, higher education, and MFA culture while exploring questions of representation, hybridity, and mestizaje. Through these conversations, a truth emerges: Latinx literature speaks not with one voice, but many.
I can confirm that should you ever find yourself on stage playing the bass guitar with tree left hands, it is usually the one in the middle that is the real one. The other two are probably phantoms. Playing the Bass with Three Left Hands tells the story of one of the most influential, revered and ultimately demented British bands of the 1980s, Spacemen 3. In classic rock n roll style they split up on the brink of their major breakthrough. As the decade turned sour and acid house hit the news, Rugby's finest imploded spectacularly, with Jason Pierce (aka Jason Spaceman) and Pete Kember (aka Sonic Boom) going their separate ways. Here, Will Carruthers tells the whole sorry story and the segue into Spirtualised in one of the funniest and most memorable memoirs committed to the page.
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