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A horrendous terrorist attack has struck the U.S., and all the clues point to an Atlantean sleeper cell's involvement. Now, Namor and Atlantis find themselves in the crosshairs of S.H.I.E.L.D. But is Namor to blame for the attack?
Spinning out of the pages of X-MEN #1, comes an incredible new book starring the world's first mutant, NAMOR THE SUB-MARINER. When the X-Men are confronted with a deadly vampire threat, Namor takes matters into his own hands on a mission that might bring down the entire might of the vampires on their heads...and destroy Atlantis in the process! COLLECTING: Namor: The First Mutant #1-6
It is the 1950s, the age of nuclear science, and myth-buster Dr. Randolph Stein embarks on a dangerous deep-sea quest to disprove the existence of the legendary underwater city of Atlantis. But Stein is soon confronted by the growing threat of mutiny within his superstitious submarine crew, and a series of horrific and unexplainable events that test his rational, scientific mind. Atlantis just might be real after all...and its protector, the dreaded Sub-Mariner, will do anything to prevent its discovery! To survive the black waters of the depths, Stein is forced to question everything he stands for. Writer Peter Milligan and painter Esad Ribic take you deep into the ocean's secret places...to an unknown world where man's own fear and guilt drive them mad, and a mysterious man-like figure haunts the depths. COLLECTING: SUB-MARINER: THE DEPTHS 1-5
At the onset of the American Revolution, David Bushnell created the first submarine vessel designed specifically for the destruction of vessels of war. The authors provide new insight into Bushnell's invention and trace the history of undersea warfare before Bushnell. Illustrations. Maps.
A radical reinvention of Namor, the Sub-Mariner by comics legends John Byrne and Jae Lee! First, Byrne writes and draws the iconic Marvel hero as Namor enters the cutthroat world of corporate intrigue! The Sub-Mariner faces the subtle threat of the diabolical Marrs twins, stands trial for his attacks on New York...and gets beheaded?! Namor reforges alliances with old friends the Invaders, battles long-forgotten foes from WWII and unravels the mystery behind the resurrection of the immortal Iron Fist! Then, as Jae Lee takes the artistic reins, crafting dark and moody visuals, Namor confronts Doctor Doom and Master Khan, struggles to regain his memory - and returns to Atlantis to face a foe unlike any other! COLLECTING: NAMOR THE SUB-MARINER 1-40, ANNUAL 1-2; MATERIAL FROM INCREDIBLE HULK ANNUAL 18; SILVER SURFER ANNUAL 5; DOCTOR STRANGE, SORCERER SUPREME ANNUAL 2
Collects Sub-Mariner (1968) #28-49, Daredevil (1964) #77 And Material From Ka-Zar (1970) #1. Prepare yourself for one of the most epic eras in the history of Namor, the Sub-Mariner! It's a string of Marvel classics that have defined the Atlantean's life forevermore. There are team-ups, gladiator battles, the return of Attuma and Prince Byrrah and the founding of the Titans Three (A.K.A. the Defenders to be). But the heart of the drama is Prince Namor's and Lady Dorma's wedding and the scheming Lemurian Llyra's plans to destroy it all! In the aftermath, Namor is on a rampage, and in his pursuit of vengeance, he learns that his father - the long-thought-dead Captain Leonard McKenzie - is still alive! If that's not enough, Namor, Doctor Doom and M.O.D.O.K. battle each other for the Cosmic Cube!
A refutation of virtually the entire historiography surrounding the outcomes of the Revolution, this epic narrative traces the shift from the ideas of liberty to the politics of order during the difficult period between 1783 and1800. 70 illustrations.
From nineteenth-century paintings of fires raging through New York City to scenes of Manhattan engulfed by a gigantic wave in the 1998 movie Deep Impact, images of the city’s end have been prolific and diverse. Why have Americans repeatedly imagined New York’s destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book is the first to investigate two centuries of imagined cataclysms visited upon New York, and to provide a critical historical perspective to our understanding of the events of September 11, 2001. Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York’s development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era’s destruction genre has reflected the city’s economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans’ perceptions of New York and of cities in general.