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Offers a deep history of style in theory and practice that transforms our understanding of style in the novel.
An innovative approach to literary stylistic analysis that targets students and scholars of nineteenth-century literature and culture through provocative interpretations of style in Victorian novels and succinct revaluations of major figures in rhetoric, criticism, and philosophy.
Views the Victorian novel through the prism of literary imitations that it inspired.
A transnational study of how settler colonialism remade the Victorian novel and political economy by challenging ideas of British identity.
Study of malaria in literature and culture illuminates the legacies of nineteenth-century colonial medicine within narratives of illness.
Victorian Britain witnessed a resurgence of traditional convalescent caregiving. In the face of a hectic modern existence, nineteenth-century thinkers argued that all medical patients desperately required a lengthy, meandering period of recovery. Various reformers worked to extend the benefits of holistic recuperative care to seemingly unlikely groups: working-class hospital patients, insane asylum inmates, even low-ranking soldiers across the British Empire. Hosanna Krienke offers the first sustained scholarly assessment of nineteenth-century convalescent culture, revealing how interpersonal post-acute care was touted as a critical supplement to modern scientific medicine. As a method of caregiving intended to alleviate both physical and social ills, convalescence united patients of disparate social classes, disease categories, and degrees of impairment. Ultimately, this study demonstrates how novels from Bleak House to The Secret Garden draw on the unhurried timescale of convalescence as an ethical paradigm, training readers to value unfolding narratives apart from their ultimate resolutions.
Explores the journalism and fiction appearing in the early Victorian working-class periodical press and its influence on mainstream literature.
Situated at the intersection of law and literature, nineteenth-century studies and post-colonialism, Colonial Law in India and the Victorian Imagination draws on original archival research to shed new light on Victorian literature. Each chapter explores the relationship between the shared cultural logic of law and literature, and considers how this inflected colonial sociality. Leila Neti approaches the legal archive in a distinctly literary fashion, attending to nuances of voice, character, diction and narrative, while also tracing elements of fact and procedure, reading the case summaries as literary texts to reveal the common turns of imagination that motivated both fictional and legal narratives. What emerges is an innovative political analytic for understanding the entanglements between judicial and cultural norms in Britain and the colony, bridging the critical gap in how law and literature interact within the colonial arena.
Argues that novelists graft aging onto narrative duration and reveals the politics of senescence in nineteenth and early-twentieth century plots.
Suited to students and scholars alike, On Style in Victorian Fiction provides a timely and passionate argument for attending to the style of Victorian fiction as inseparable from meaning. Including a broad scope of major novelists from this period, the volume is indispensable for anyone working on Victorian literature.