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Style for Actors is an award-winning handbook and the definitive guide to roles in historical drama. Anyone who has ever struggled with capes, fans, swords, doublets and crinolines should make this third edition their constant companion. The past is a foreign country, and this outstanding book is concerned with exploring it from the actor's point of view. Specific guides to each major period give readers a clear map to discover a range from Greek, Elizabethan, Restoration and Georgian theatre to more contemporary stylings, including Futurism, Surrealism and Postmodernism. New material in this edition covers Commedia dell'arte and non-Western forms of theatre, theatrical fusion and developments in musicals and Shakespeare. The book’s references, images, resource lists and examples have all been updated to support today's diverse performers. Robert Barton takes great care to present the actor with the roles and genres that will most commonly confront them. Containing a huge resource of nearly 150 exercises, suggestions for scene study and applications not only for theatrical performance but also for stylistic challenges in the reader’s own offstage life, this book is an invaluable resource for students and practitioners of acting and drama.
"Style is a journey from tourist to native. It is living in the world of the play, not just visiting it." - from Chapter One Anyone who has ever struggled with capes, fans, swords, doublets and crinolines should make Style for Actors 2nd Edition their constant companion. Robert Barton has completely updated his award winning handbook for the 21st century with contemporary references and up-to-date illustrations. This is the definitive guide to roles in historical drama. The past is a foreign country, and this outstanding book is concerned with exploring it from the actor’s point of view. Specific guides range from Greek, Elizabethan, Restoration and Georgian theatre to more contemporary stylings, including Futurism, Surrealism and Postmodernism. Barton takes great care to present the actor with the roles and genres that will most commonly confront them. His analysis moves from entire genres to specific scenes and characters. A huge resource of nearly 150 practical exercises helps a newfound understanding of style to make the leap from page to performance.
Recognized as a classic in its field, Acting with Style continues to be an invaluable guide to the process of approaching plays. The Third Edition retains all of the significant facts, data, information, and exercises, and offers a clear and warm writing style that expresses a sensitivity to the needs of actors. In addition to presenting the physical approach to actor training, the authors encourage readers to use the text materials and concepts with creativity and imagination, asserting that the process of discovering language is not limited to one specific time, place, or culture. For actors.
Appropriate for both fundamental and advanced levels, the authors ground their commentary on actor training on the process of personalization and the innovative approaches to voice and movement training. They define the personalization process as one in which the actor discovers and explores in the self, characteristics, qualities, attitudes, and experiences that are legitimate dimensions of the role being created. Part I transitions from essential ingredients used in creating a role, such as focusing and speaking, to guidelines for auditioning and rehearsing, including role analysis. The discussions of basic acting principles are supported by skills-building exercises. Part II explores historical performance styles and shows how basic stylistic elements can be freshly adapted for modern audiences. Thus, in Part II, the authors center their discussions of voice, movement, character, and emotion around theatrical styles prevalent during certain historical periods and around sound acting theories gleaned from a wide range of acting traditions. Each chapter in this part ends with a helpful checklist that summarizes voice, movement, gesture, and other elements common to the era discussed.
"Acting: In Person and In Style" approaches actor training through the concept of personalization. Personalization is a process whereby the actor discovers and explores in himself the characteristics, qualities, and attributes which are legitimate dimensions of the role he is creating. In addition to the concept of personalization, Part I discusses traditional acting techniques including relaxation, breathing, kinesics, concentration, sensory awareness, emotion, imagination, improvisation, voice, speech and language, character work in scenes from plays, auditioning, role analysis, rehearsal, and performance. Part II discusses theories and history of styles of acting, proceeding chronologically from fifth century B.C. Greece to the present. The book includes many practical exercises in acting. -- From preface.
This is a history of the style that has pervaded American acting for more than 50 years. The author appraises the fruits of Method training by the psychological truth and candour in the performances of such actors as Marlon Brando, Jason Robards, Rod Steiger and James Dean. He observes how the Method's third generation - Warren Beatty, Al Pacino, and Jack Nicholson, among others - brought a distinctive tone of hip disenchantment to films of the 1960s and 1970s. And he uses Dustin Hoffman's performance in the Broadway revival of Death of a Salesman to show how the Method has continued to evolve.
Contains 30 practice scenes for 2 or 3 actors covering basic acting styles. Also gives interpretation suggestions and exercises.
"Style is a journey from tourist to native. It is living in the world of the play, not just visiting it." - from Chapter One Anyone who has ever struggled with capes, fans, swords, doublets and crinolines should make Style for Actors 2nd Edition their constant companion. Robert Barton has completely updated his award winning handbook for the 21st century with contemporary references and up-to-date illustrations. This is the definitive guide to roles in historical drama. The past is a foreign country, and this outstanding book is concerned with exploring it from the actor's point of view. Specific guides range from Greek, Elizabethan, Restoration and Georgian theatre to more contemporary stylings, including Futurism, Surrealism and Postmodernism. Barton takes great care to present the actor with the roles and genres that will most commonly confront them. His analysis moves from entire genres to specific scenes and characters. A huge resource of nearly 150 practical exercises helps a newfound understanding of style to make the leap from page to performance.
Provides exercises and scenework in seven historical periods to help students develop their basic acting skills.