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Since 2004, New York magazine has been celebrating New York City style in a feature called ?The Look Book?: a centerfold'with its subject shot at random anywhere and everywhere across Gotham'along with an interview about the subject's personal style. The New York Look Book collects more than 200 of the best Look Book features, and a special ?Where to Find It? section offers readers not only store listings, but also an insider's guide to New York's distinctive neighborhoods.
This book tells the story of fashion workers engaged in the labor of design and the material making of New York fashion. Christina H. Moon offers an illuminating ethnography into the various sites and practices that make up fashion labor in sample rooms, design studios, runways, factories, and design schools of the New York fashion world. By exploring the work practices, social worlds, and aspirations of fashion workers, this book offers a unique look into the meaning of labor and creativity in 21st century global fashion. This book will be of interest to scholars in design studies, fashion history, and fashion labor.
For lovers of vintage clothing, British supermodel and vintage fashion muse Kate Moss unveils a personally curated selection of her favorite couture and costume pieces from the Museo de la Moda, the world-class fashion museum in Santiago, Chile. International fashion icon Kate Moss and the premier South American fashion museum Museo de la Moda meet in this undeniably stylish volume that celebrates iconic vintage fashion moments throughout history. The Museo de la Moda, founded in 1999, opened in 2007, and directed by Chile's first textile industry scion Jorge Yarur Bascuñán, is one of the world's most important but least-known museums of its kind, housing exquisite garments from nineteenth-century Dolman shawls to twenty-first-century sequin dresses by Balmain. Edited by Kate Moss with text contributions from fashion curator Lydia Kamitsis, this volume features a stylish selection of one hundred archival pieces from the museum, each charting different fashion trends that have inspired Moss's personal sartorial style. Organized by fashion theme, from 1920s opera coats to 1960s Swinging London designs, but also including iconic pieces of pop culture, such as Marilyn Monroe's black dresses and Jimi Hendrix's Indian tunics, each chapter showcases new images of the museum garments as selected by Moss, accompanied by interesting anecdotes and street-style photography documenting Moss wearing that particular fashion trend. This is a chic volume that will appeal to Moss's global following and readers passionate about style, fashion history, design, and culture.
Tomboys are confident, rebellious, and adventurous. They are bold, brazen, fierce—and sexy. They aren’t known for following rules, they are known for doing—and wearing—whatever they want. Tomboy captures the tomboy’s style, her je ne sais quoi, her wardrobe, and most importantly, her spirit. Throughout the twentieth century, the mass marketing of gender stereotypes meant tomboys cropped up against the odds, trends, and ads. As menswear-inspired fashions for women have exploded into the mainstream under the helm of designers and stylists ranging from J.Crew to Rag & Bone to Boy by Band of Outsiders, acceptance of both the word tomboy and the women associated with its edge has been set into play. But a tomboy is not just about style—tomboys are measured in equal parts wardrobe and spirit. A visual history that chronicles the past eighty years of women who blur the line between masculinity and femininity, Tomboy explores the evolution of the style and its icons. Vivid commentary illuminates the tomboy’s history and captures a diversity of women who are bound together by their inherent ability to seamlessly blend a rugged sensibility with classic, understated elegance.
Now a Netflix original series The boots a passenger had on when his plane landed on the Hudson River. The tank top Andy Warhol’s assistant wore to one of their nightclub outings together. The jacket a taxi driver put on to feel safe as he worked the night shift. — These and over sixty other clothing-inspired narratives make up Worn in New York, the latest volume from New York Times bestselling author Emily Spivack. In these first-person accounts, contributors in and out of the public eye share surprising, personal, wild, poignant, and funny stories behind a piece of clothing that reminds them of a significant moment of their New York lives. Worn in New York offers a contemporary cultural history of the city—its changing identity, temper, and tone, and its irrepressible vitality—by paying tribute to these well-loved clothes and the people who wore them. Includes contributions from: Adam Horovitz Amy Heckerling Andre Royo Anna Sui Aubrey Plaza Catherine Opie Coco Rocha Dick Cavett Eileen Myles Fab 5 Freddy Gay Talese Genesis Breyer P-Orridge JD Samson Jenji Kohan Jenna Lyons Kyp Malone Lena Dunham Pee Wee Kirkland Thelma Golden Timothy Greenfield-Sanders /DIV
An innovative history of the fashion industry, focusing on the connections between Paris and New York, art and finance, and design and manufacturing. Fashion is one of the most dynamic industries in the world, with an annual retail value of $3 trillion and globally recognized icons like Coco Chanel, Christian Dior, and Yves Saint Laurent. How did this industry generate such economic and symbolic capital? Focusing on the roles of entrepreneurs, designers, and institutions in fashion’s two most important twentieth-century centers, Paris to New York tells the history of the industry as a negotiation between art and commerce. In the late nineteenth century, Paris-based firms set the tone for a global fashion culture nurtured by artistic visionaries. In the burgeoning New York industry, however, the focus was on mass production. American buyers, trend scouts, and designers crossed the Atlantic to attend couture openings, where they were inspired by, and often accused of counterfeiting, designs made in Paris. For their part, Paris couturiers traveled to New York to understand what American consumers wanted and to make deals with local manufacturers for whom they designed exclusive garments and accessories. The cooperation and competition between the two continents transformed the fashion industry in the early and mid-twentieth century, producing a hybrid of art and commodity. Véronique Pouillard shows how the Paris–New York connection gave way in the 1960s to a network of widely distributed design and manufacturing centers. Since then, fashion has diversified. Tastes are no longer set by elites alone, but come from the street and from countercultures, and the business of fashion has transformed into a global enterprise.
From the fashion and music brand and talent incubator VFILES comes a style book celebrating the young, diverse street trends influencing the hottest looks and sounds in fashion and music today. VFILES was started for the kids in the line, the kids at the fashion shows and concerts who are always pushing culture forward. A ubiquitous social media platform at the crossroads of art, design, popular culture, and street savvy, VFILES represents what’s happening on the streets right now. Known for creating one of the buzziest shows of New York Fashion Week, VFILES regularly launches the next big talents in all areas of the music and fashion worlds. The pages of VFILES: Style, Fashion, Music showcase the most exciting moments from VFILES’s creations and collaborations over the last ten years. The authors look at the young innovators shaping contemporary culture and highlight their influence on some of the biggest names of today. With photos of such style arbiters as Rihanna, Cardi B, Janelle Monáe, Solange, and Erykah Badu wearing VFILES designs, this book celebrates all aspects of street culture, from hair and makeup to art, design, and lingo. A visual feast of street style, along with glamorous runway and editorial images of hip hop celebrities in their distinctive looks, these pages celebrate the intersection between music and fashion. This book embodies the VFILES credo that you can’t have fashion without music or music without fashion. And you can’t have either without the street.
A visual celebration of Brooks Brothers’ remarkable heritage and how its iconic clothing has been worn and revered by cultural figures, fashionable rule breakers, and pop-culture icons. Since 1818, Brooks Brothers, America’s oldest clothing brand, has grown into a global sartorial institution that has influenced American style through its iconic fashions, which conjure intimate memories of pivotal life events—from your first navy blazer as a child to stepping into a bespoke suit on your wedding day. On the eve of its two-hundredth anniversary, Brooks Brothers remains synonymous with timeless style, the finest quality, and innovative designs that resonate with both old and new generations. This richly illustrated book is replete with photographs of the signature heritage pieces, from the Original Polo® button-down oxford, gray flannel suit, and Rep ties to the camel overcoat, and features an unparalleled roster of high-profile political and cultural icons who have worn and made these pieces their own: from Abraham Lincoln and John F. Kennedy to Madonna, Lady Gaga, Grace Kelly, Katharine Hepburn, Miles Davis, and Andy Warhol, as well as TV and film stars in Glee, Gossip Girl, Mad Men, and Baz Luhrmann’s The Great Gatsby. The text comprises interviews and personal anecdotes from the retailer’s loyal clientele—fashion designers, writers, and celebrities—each sharing treasured memories and connections to Brooks Brothers. This dazzling volume invites readers to delve into the world of Brooks Brothers, providing insight into the people, places, and historical moments that have shaped and provoked the innovative yet timeless American institution, and is a must for those interested in fashion and American style.
This ultra-stylish debut book celebrates the eternally feminine, whimsical, and divinely chic red-carpet dresses and bridal gowns created by one of fashion’s foremost designers. Internationally acclaimed fashion designer Monique Lhuillier started by designing exquisite bridal wear in 1996 in Los Angeles. With collections that are sophisticated and feminine and appeal to modern women, Lhuillier expanded to include ready-to-wear, footwear, bags, accessories, and fragrances. Her distinct aesthetic is inspired by her mother’s graceful style combined with Lhuillier’s trademark refined touch of romance—adding a splash of glamour and a playful fairy-tale element to each design. From dazzling red-carpet cocktail dresses and alluring eveningwear to her showstopping bridal gowns, every beautiful piece is created with the finest fabrics and unparalleled craftsmanship. This debut volume captures the joy, chic opulence, and modern femininity of the Monique Lhuillier brand. The designer takes us through page after page of gorgeous celebration gowns and ready-to-wear pieces: sequin-embellished tulle frocks, elegant long-sleeved sheath gowns with front slits, and luxurious couture wedding dresses with flutter sleeves—all embodying Lhuillier’s inventive romanticism with a modern tilt. Loyal celebrity fans include Emma Stone, Halle Berry, Blake Lively, Gwyneth Paltrow, Taylor Swift, Reese Witherspoon, Regina King, Jessica Alba, and former First Lady Michelle Obama, among others. Replete with eye-catching color photographs of Lhuillier’s dreamy designs, this elegant book will appeal to lovers of fashion and style, as well as future brides-to-be looking for inspiration.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.