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All the forest animals hide in an old tree trunk.
Jordan Stump had often contemplated the relationship between a translation and ?the book itself,? ruminating on the intriguing inherent sameness and difference between the two. In The Other Book, Stump examines the ?other? forms of a book and the ways in which they both mirror and depart from the original. Grounding his witty and original study in an exploration of four forms of Raymond Queneau?s Le chiendent?a copy, the manuscript, a translation, and a critical edition?Stump poses questions designed to help readers reconsider the nature of fiction and reading. ø Each form of Le chiendent both is and is not what we mean when we say "Le chiendent," yet the friction between their ways of being and that of ?the book itself? proves unexpectedly productive, raising troublesome questions about the nature of textuality, reading, language, and knowledge. It also positions us to assess several answers proposed in response to such questions and to wonder about their usefulness. And as we consider those questions, we will have Queneau?s novel beside us, further confounding our attempts to answer?for our inability to answer those questions is precisely the point of The Other Book, as it is of Le chiendent.
Programming Language Foundations is a concise text that covers a wide range of topics in the mathematical semantics of programming languages, for readers without prior advanced background in programming languages theory. The goal of the book is to provide rigorous but accessible coverage of essential topics in the theory of programming languages. Stump’s Programming Language Foundations is intended primarily for a graduate-level course in programming languages theory which is standard in graduate-level CS curricula. It may also be used in undergraduate programming theory courses but ONLY where students have a strong mathematical preparation.
Since his international breakthrough with 1960's La Route des Flandres, Claude Simon has captivated readers worldwide with his relentless examination of interior life - in particular his own. Breaking from realistic narrative, obsessed with the power (and betrayals) of memory, The Jardin des Plantes is nothing less than an inquiry into what creates each of us. While admitting that there are defining moments in one's life - eight days of battle during World War II was Simon's unforgettable experience - The Jardin des Plantes rings with his refusal to be defined by any single event. His thoughts show the complexity, the fabulous chaos, that makes up the experience of life for Simon and, he insists, for all thinking human beings. These memories - whether everyday minutiae or passages from novels or the staggering experiences of war and death - unreel like films, constantly replaying or stopping and starting according to the whimsical or terrifying nature of his experiences. The juxtapositions may hold meaning, or be nothing more a than a trick of the mind. What is important is that each memory has a place in his mind and each has an effect on his self and the way he projects that self
The doctrine of the atonement is the distinctive doctrine of Christianity. Over the course of many centuries of reflection, highly diverse interpretations of the doctrine have been proposed. In the context of this history of interpretation, Eleonore Stump considers the doctrine afresh with philosophical care. Whatever exactly the atonement is, it is supposed to include a solution to the problems of the human condition, especially its guilt and shame. Stump canvasses the major interpretations of the doctrine that attempt to explain this solution and argues that all of them have serious shortcomings. In their place, she argues for an interpretation that is both novel and yet traditional and that has significant advantages over other interpretations, including Anselm's well-known account of the doctrine. In the process, she also discusses love, union, guilt, shame, forgiveness, retribution, punishment, shared attention, mind-reading, empathy, and various other issues in moral psychology and ethics.
"The Whiskers Sisters journey below a spooky tree stump and embark on a mission to find a missing fox"--
A newcomer has arrived in a small Welsh seaside town - a one-armed Liverpudlian. Seeking to rebuild his life, if not his body, he is attempting to lead a life here unlike any he's lived before: a normal one - shopping, gardening, signing on, visiting friends, all the usual diurnal activities. Over a hundred miles to the north, however, two men in shellsuits are leaving Liverpool, heading south in a rickety old car. They have been sent by their gang-boss to wreak terrible, violent revenge, but have only a rough idea of their quarry: a one-armed man, maybe living somewhere in west Wales, in a small town by the sea.