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Unhappy while directing his first Hollywood studio film, 'Mimic' (1997), writer-director Guillermo del Toro returned to his roots with 'The Devil's Backbone' (2001). This is a study of the latter film.
"The Devil's Backbone (2001) is a Gothic film written and directed by Guillermo del Toro (Pan's Labyrinth, 2006). The story centers on a ghost that haunts an isolated orphanage during the Spanish Civil War. Studying The Devil's Backbone explores the narrative of the film in relation to central concerns, such as genre, theme, iconography, representation, and film language. Through these elements, the volume reads the film's unique blend of literary Gothic, western, and war film and the use of bombs, ghosts, and color as visual signifiers. It critiques the central characters and compares their representation of women, monsters, and political context against an examination of mise-en-scene, sound, and special effects. In addition, the author provides a critical biography of del Toro, an analysis of his auteurist traits, and an in-depth bibliography and filmography"--Abstract
Cissus qradrangularis Linn, is one of the medicinally important plant belongs to the family Vitaceae. The common name of c.quadrangularis is veld grape and devil's backbone. The stem is buff-coloured with greenish tinge, stem occurs as pieces of varying length.Tendrils occasionally present at the nodes. Aerial roots develops during the rainy season. Leaves present only at the younger parts of the plant. It has been used as a medicinal plant since antiquity. It is used as a tonic, analgesic and is to help heal broken bones.
Pan's Labyrinth (2006) is a film of extraordinary technical achievement and intense emotional impact, garnering acclaim from both critics and audiences alike. Such a rich cinematic text demands close scrutiny and comprehensive study. This volume guides the reader through a detailed analysis of the film, concentrating on the generation of meaning for the viewer. The book maps technical choices and how they capture human experience and political conflict. It also details the processes of production, distribution, and exhibition. Specific examples from a range of film texts enable a vivid grasp of technical vocabulary, therefore providing readers with the tools to analyze other films as well.
This book is a printed edition of the Special Issue "Wounded: Studies in Literary and Cinematic Trauma" that was published in Humanities