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Excerpt from Study Outline on Contemporary Drama, Prepared Each of Brieux's plays is built up around a central idea. This is particularly true of Damaged goods, on the theme of hereditary disease and its social consequences; and of 'maternity, on the theme of the decline of the birth-rate. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book is a study outline on contemporary drama, written by Arthur Beatty. It is a comprehensive guide covering the different elements that constitute contemporary drama. It includes analyses and critiques of various plays, as well as discussions on the themes, styles, and techniques employed by contemporary playwrights. This book would be a useful resource for students, scholars, and enthusiasts of contemporary theater. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Contemporary One-Act Plays: With Outline Study of the One-Act Play and Bibliographies This collection of one-act plays appears because of an in creasingly large demand for such a volume. The plays have been selected and the Introduction prepared to meet the need of the student or teacher who desires to acquaint himself with the one-act play as a specific dramatic form. The plays included have been selected with this need in mind. Accordingly, emphasis has been placed upon the wholesome and uplifting rather than upon the sordid and the ultra-realistic. The unduly sentimental, the strikingly melodramatic, and the play of questionable moral problems, has been consciously avoided. Comedies, tragedies, farces, and melodramas have been included; but the chief concern has been that each play should be good dramatic art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Studies in Modern Plays: A Study Outline Each study-guide contains a plan of work, references. Topics for study with suggestions and explanations, and crit ical notes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A Study of the Drama As we seize the importance of these lines of ap proach, the historical and the practical, we see that a soundknowledge of the drama is not possible unless we seek to attain both a perspective of its develop ment and an insight into its technic. Just as the study of music is most stimulating when it includes an in quiry into the value of each of the several instruments, and also into their gradual combination into the most marvelous instrument of them all, the modern orches tra, so the study of the drama is most likely to be profit able when it leads us to consider the successive modi fications in the shape and size of the theaters wherein plays were acted; the varying circumstances of per formance to which the playwrights had to conform; the conventions of the art, some of them shifting from century to century or from country to country, and some of them immutable in the very nature of the drama. Especially stimulating is it for us to recognize the real unity of history, the continuity of the art of the drama, which enables us so often to explain the past by the present and the present by the past. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Contemporary One-Act Plays: With Outline Study of the One-Act Play and Bibliographies This collection of one-act plays appears because of an increasingly large demand for such a volume. The plays have been selected and the Introduction prepared to meet the need of the student or teacher who desires to acquaint himself with the one-act play as a specific dramatic form. The plays included have been selected with this need in mind. Accordingly, emphasis has been placed upon the wholesome and uplifting rather than upon the sordid and the ultra-realistic. The unduly sentimental, the strikingly melodramatic, and the play of questionable moral problems, has been consciously avoided. Comedies, tragedies, farces, and melodramas have been included; but the chief concern has been that each play should be good dramatic art. The Dramatic Analysis and Construction of the One-Act Play, which appears in the Introduction, also has been prepared for the student or teacher. This outline-analysis and the plays in this volume are sufficient material, if carefully studied, for an understanding and appreciation of the one-act play. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Shakespeare Questions: An Outline for the Study of the Leading Plays It would be easy to expect more from this book than it is designed to give. It offers little criticism or information and it is not intended for use to the exclusion of lectures, books of reference, or notes. Indeed, it avoids, in as far as possible, the material commonly found in these indispensable helps and guides to the study of Shakespeare. It cannot take the place of a gifted interpreter nor can it make the men and women of the plays live and move before an inert mind or a listless imagination. It is primarily analytical in method, and although much has been done in the general questions to insure a comprehensive view of each play, the work of final synthesis has been left, as it always must be left, to the individual student. I am aware of many objections that may be urged against a book such as the present, but I have yet to discover any method of teaching and studying Shakespeare as effective as the one upon which the book is based. The pure lecture system leaves the student too much upon his own resources and gives that impression of haziness and generality which leads to frequent and legitimate complaints against some methods of teaching English literature. The use of wide collateral reading is essential to the success of any method, but every teacher of the plays knows the danger of losing sight of Shakespeare while threading the jungle of Shakespearean scholarship. Reliance upon notes, dissection of the plays line by line and word by word in disconnection dead and spiritless," use of the text as an exercise-book in etymology, phonetics, antiquities, and prosody, is probably the worst method of all. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Art of the Drama This book is not a history of the drama. Nor is it a manual for the multitudes who aspire to write plays and sell them. It is a tool for the use of those who wish to deepen their understanding and enhance their enjoyment of plays witnessed in the theater or read in the study. As a textbook, it may prove useful in the study of the history of the drama or of the drama as a literary type, or in such a course as the Introduction to the Study of Drama as given at the University of Chicago. The book is divided into three parts, each of which emphasizes a particular aspect of the drama. Part I is mainly devoted to the historical aspect of the drama, the spirit of the age, the nature of the theater and audience in each of the major periods in dramatic his tory. It also contains a general discussion of the major forms or types of drama - tragedy, comedy, melodrama, and farce - and a more detailed consideration of the types of drama and comedy characteristic of each period. Part II considers the major modes of drama - classicism, romanticism, realism, sentimentalism, symbol ism, and expressionism. Part III concerns the major problems of dramatic technique and the characteristic solutions of those prob lems in the various types and modes and periods of drama. There is no question that it would have been more logical to con sider first the technical, second the aesthetic, and third the historical approach to the study of drama, and students of a logical turn of mind will have no difficulty in using the text in that order. But we have come to feel that it will, in general, be preferable for the student to master the facts in Part I before he ventures upon the more theoretical considerations of Parts II and III. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.