Download Free Study Guide For Sor Juana Ines De La Cruzs Loa To Divine Narcissus Book in PDF and EPUB Free Download. You can read online Study Guide For Sor Juana Ines De La Cruzs Loa To Divine Narcissus and write the review.

A Study Guide for Sor Juana Inés de la Cruz's "Loa to Divine Narcissus", excerpted from Gale's acclaimed Drama for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.
A Study Guide for Sor Juana Ines de la Cruz's "Vicarious Love," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Sor Juana Ines de la Cruz, known as "The Tenth Muse" of America, has been widely anthologized as a poet, intellectual, and defender of women's rights. Her calling as a nun, often overlooked, is clear in THE DIVINE NARCISSUS, an allegory ostensibly written to explain Christian concepts to the Aztecs whose plight under colonization it also dramatizes. This is the first English translation of this revealing work.
CONTENT: Villancios and devotional poems -- Loa to Divine Narcissus -- Divine Narcissus -- Devotional exercises for the nine days before the feast of the most pure incarnation of the Son of God, Jesus Christ, our Lord -- Offerings for the rosary of the fifteen mysteries to be prayed on the feast of the sorrows of our Lady, the Virgin Mary -- Critique of a sermon of one of the greatest preachers, which Mother Juana called Response because of the elegant explanations with which she responded to the eloquence of his arguments -- Letter of "Sor Philotea" -- Response to the very illustrious "Sor Philotea".
Gale Group Inc. of the Thomson Corporation presents a biographical sketch of Mexican nun and poet Juana Ines de la Cruz (1651-1695). The sketch highlights Cruz's early life and writings. A list of her poems, essays, plays, and other works is provided.
"This volume addresses the religious, sociocultural, and political context of colonial society. Sor Juana lived in a convent, a community of women whose lives were strictly regulated by the rules of their order (in her case, the Hieronymites). She was subject to the authority of the bishop and other clerics. She lived in the capital of an enormously wealthy colonized region whose vast territory and many inaccessible rural areas created governance nightmares. She participated in a highly stratified colonial society in which class, race, religion, and gender determined performative behaviors to a great extent. She was subject to a power struggle between the secular and religious arms of government, as well as internecine church conflicts. Her ability to throw off some of the weight of restrictions and limitations on a woman of her temperament, vocation, and family background remains truly remarkable"--Emilie L. Bergmann and Stacey Schlau, Preface, p. xii.
Sor Juana Inés de la Cruz (1648-1695) wrote poetry, prose, and plays and is considered the greatest of Mexican women writers. She was an intellectual prodigy, reportedly mastering Latin in twenty lessons, and at sixteen she entered a convent so that she might continue her learning. One of the most influential early feminists in the New World, she answered a bishop's criticism in a letter that has become a classic defense of the education of women. She collected a private library of 4,000 volumes, but when she was told that her studies were delaying the progress of her spiritual education, she gave away her books and devoted herself to religious studies. Traditionally, scholars have attributed only one complete play to Sor Juana, but in 1989 Guillermo Schmidhuber discovered a lost play, The Second Celestina, which he proved conclusively to be Sor Juana's earliest comedia, co-authored with Agustin Salazar y Torres. Schmidhuber's critical study is the first dedicated exclusively to the secular plays and the first to confirm Sor Juana's authorship of three dramatic pieces. Combining literary history and criticism, Schmidhuber explores the life and originality of Sor Juana's dramas and helps elucidate her enigmatic genius. Though Sor Juana's work as a poet and intellectual has received increasing attention in the last decade, writing about her has rarely taken into account her role as dramatist. Schmidhuber helps correct this critical imbalance by examining Sor Juana's plays in light of dramatic theory. He finds elements of both mannerist and baroque theater in her work, sometimes both within the same play.