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Studies on the Text of Suetonius' De uita Caesarum is a companion volume to the critical edition of Suetonius' Lives of the Caesars in the Oxford Classical Texts series, edited by Robert Kaster. It provides detailed insight into the research and textual analysis behind the edition. Part I presents the first comprehensive and accurate account of the medieval manuscript tradition (ninth to thirteenth centuries) on which the Oxford Classical Text is based, and Part II analyses hundreds of passages where a variety of textual problems are encountered, often offering new solutions. Four appendices provide additional support to the arguments of Part I, while a fifth lists all the places (just over 300) where the new text differs from the edition by Maximilian Ihm that has been the standard since 1907.
This collection of essays by a leading authority on Suetonius, one of our most significant historical sources for the early Roman Empire, provides an in-depth examination of his works, whose literary value has in the past been overlooked. Although Suetonius is well known for his Lives of emperors such as Caligula and Nero, he is rarely studied in his own right, aside from grammatical or textual commentaries. This is the first volume by an expert on the author to make him accessible to a wider audience, looking at his biographies not only of emperors but also poets, and discovering new contemporary evidence for Jesus from one of Suetonius’ first-century sources. Other writers discussed include Homer, Sophocles, Catullus, Virgil, Horace, Curtius Rufus, Josephus, Plutarch, Pliny the Younger, Tacitus, Juvenal, and Cassius Dio. The book contains thirty-two papers in all, eleven of which are new, which examine Suetonius’ neglected historical value and literary skills, and offer textual conjectures on both the Illustrious Men and Lives of the Caesars. It also has a new introduction and represents over a dozen years of research on an essential Latin source for Roman history. Collected Papers on Suetonius provides an invaluable resource for students and researchers working on Suetonius. It also has broader significance for anyone studying Roman imperial history and culture, Latin literature, and classical historiography.
"This title is a definitive and comprehensive edition of the fragmentary texts of all the Roman historians whose works are lost. Historical writing was an important part of the literary culture of ancient Rome, and its best-known exponents, including Sallust, Livy, Tacitus, and Suetonius, provide much of our knowledge of Roman history. However, these authors constitute only a small minority of the Romans who wrote historical works from around 200 BC to AD 250. In this period we know of more than 100 writers of history, biography, and memoirs whose works no longer survive for us to read. They include well-known figures such as Cato the Elder, Sulla, Cicero, and the emperors Augustus, Tiberius, Claudius, Hadrian, and Septimius Severus"--Page 4 of cover.
Explores how Roman emperors were perceived by their subjects in the first two centuries after Augustus.
Explores in depth how bilingualism in the correspondence of elite Romans illuminates their lives, relationships and identities.
In this monograph, the author embarks on a captivating journey to shed fresh light on the togata, a mid-Republican theatrical genre which survives only in fragments. The book seeks to answer pressing questions surrounding the togata's significance in identity construction during the middle Republic from a literary and cultural perspective. Delving deep into the fragmentary textual remains of the togata, the book explores how the Roman elite fashioned their identity. The author challenges the notion of monolithic identity construction, and explores the diverse forms of identity within the togata, offering a new perspective on the subject. This study thus positions the togata as a vital source for discerning the characteristics and beliefs by which the Romans distinguished themselves and their culture from others. By examining how Romans perceived themselves, their ideas about different social groups, and their literary and cultural ties to earlier traditions, this book aims to transform our understanding of the togata's role in Roman drama.
The Roman poet P. Papinius Statius (ca. 45-96) is the author of two epics (the "Thebaid" and the unfinished "Achilleid") and a large corpus of occasional verse ("Silvae"). This poetry, long seen as derivative or decadent, is increasingly appreciated for the daring and originality of its responses both to the Greek and Latin literary tradition and to the contemporary Roman world. This volume offers the papers delivered at a symposium on Statius (Amsterdam 2005) by leading scholars in the field from Europe and North America. These papers demonstrate the fascination of Statius' poetry on account of the poet's vast knowledge of Greek and Latin tragedy, his rapid narrative, psychological acumen, brilliant eulogies, and pessimistic views on gods and men. The focus of the collection is on literary technique in the "Thebaid," on socio-historical aspects of the "Silvae," and on the reception of Statius in European literature and scholarship.
The two texts presented here are reconstructions of 4th-century chronicles which exist only in ancient translations or in surviving histories. The first text, Chronici canones of Eusebius of Caesarea, is one of the most influential texts of the period but it only survives in two translations and in numerous fragments recorded in other histories. The final part has to be almost completely reconstructed. The second chronicle, The Continuatio Antiochiensis Eusebii , is a history of Antioch between AD 325 and 350 which has to be reconstructed from obscure sources. The reconstructions are presented in Greek with English translations and are accompanied by lengthy commentaries which analyse the value of the reconstruction process.
Examines the ways in which emotions, & talk about emotions, interacted with the ethics of the Roman upper classes in the late Republic & early Empire periods. The book considers how various Roman forms of fear, dismay, indignation & revulsion created an economy of displeasure that shaped society in constructive ways.