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Hardcover reprint of the original 1917 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Singer, Charles Joseph. Ed. Studies In The History And Method Of Science. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Singer, Charles Joseph. Ed. Studies In The History And Method Of Science, . Oxford, Clarendon Press, 1917. Subject: Science
Excerpt from Studies in the History and Method of Science, Vol. 2 The first volume of this series appeared in the autumn of 1917. The editor was unable to see it through the press owing to his absence from England on military duty. A Preface was accordingly provided by Sir William Osler, who, unhappily, has not lived to see the growing success that has attended the ideas he expressed there with so much force, and towards which he contributed life-long thought and effort. The volume was received with an approval that far surpassed the hopes of its editor and the issue was rapidly exhausted. In the present collection an endeavour has been made to avoid some defects inevitable in the earlier volume. The undue prominence given to mediaeval studies will be found in part corrected and care has been taken to give more space to the evolution of the mathematical and exact sciences, though the balance is yet far from being fully redressed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Collection of incunabula and early medical prints in the library of the Surgeon-general's office, U.S. Army": Ser. 3, v. 10, p. 1415-1436.
The common focus of the essays in this book is the debate on the nature of science - often referred to by contemporaries as ’natural knowledge’ - in Britain during the first half of the 19th century. This was the period before major state support for science allowed its professionalization; indeed, it was a time in which the word ’scientist’ (although coined in 1833 by William Whewell) was not yet widely used. In this context, the questions about the nature of science were part of a public debate that included the following topics: scientific method and intellectual authority, the moral demeanour of the man of science, the hierarchy of specialised scientific disciplines, and the relation with natural theology. These topics were discussed both within scientific circles - in correspondence and meeting of societies - as well as in the wider public sphere constituted by quarterly journals and encyclopaedias. A study of these debates allow us to see how British science of this period began to cast loose some of its earlier theological supports, but still relied on a moral framework to affirm its distinctive method, ethos and cultural value.
A new history of the medieval illustrations that birthed modern anatomy. This book is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works.