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A comprehensive and accessible one-volume history of Nepal, first published in 2005.
With its systematic coverage of different groups, this book demonstrates how similar trends of ethnic formation are affecting all parts of Nepal. Yet, within the boundaries of a single culturally diverse state, very different forms of ethnicity have emerged. " This is a truly thematic collection with a well-defined focus on the important contemporary topics of ethnic identity and nationalism. The importance of the theme is self-evident in a world attempting to come to grips with such problems in virtually all modern states. Anyone with an interest in contemporary Nepal should study this volume." Nepal is the only officially Hindu kingdom in the world and remains so in spite of a revolution, or people's movement, in 1990 which overthrew the partyless Panchayat regime and instituted a multiparty constitutional monarchy. Since November 1994, it has also had an elected Communist government, the first of its kind in South Asia. This volume takes a long-term view of the various processes of ethnic and national development that have been displayed, both before and after 1990. It brings together twelve carefully chosen ethnographic and historical chapters covering all of the major ethnic groups and regions of Nepal.
This authoritative, thorough volume covers a broad range of topics from history to culture to current struggles in these fascinating countries. Often overshadowed on the world stage by issues surrounding India and Pakistan, Nepal and Bangladesh are nonetheless vital players in this theater of Asia. Nepal and Bangladesh brings a refreshing level of clarity to a wide variety of topics surrounding both nations including history, current affairs, business and economics, culture, literature, political science, and travel. Written in a voice that speaks to general audiences from secondary instructors to interested business people and travelers to the region, this handbook paints a portrait of both countries that is at once complete and accessible. Beginning with far-reaching narrative histories of both nations the text also contains a compendium of important people and events and concludes with an exhaustive reference section.
Recently anthropology has turned to accounts of persons-in-history/history-in-persons, focusing on how individuals and groups as agents both fashion and are fashioned by social, political, and cultural discourses and practices. In this approach, power, agency, and history are made explicit as individuals and groups work to constitute themselves in relation to others and within and against sociopolitical and historical contexts. Contributors to this volume extend this emphasis, drawing upon their ethnographic research in Nepal to examine closely how selves, identities, and experience are produced in dialogical relationships through time in a multi-ethic nation-state and within a discourse of nationalism. The diversity of peoples, recent political transformations, and nation-building efforts make Nepal an especially rich locale to examine people's struggles to define and position themselves. But the authors move beyond geographical boundaries to more theoretical terrain to problematicize the ways in which people recreate or contest certain identities and positions. Various authors explore how people_positioned by gender, ethnicity, and locale_use cultural genres to produce aspects of identities and experiences; they examine how subjectivities, agencies and cultural worlds co-develop and are shaped through engagement with cultural forms; and they portray the appropriation of multiple voices for self and group formation. As such, this collection offers a richly textured and complex accounting of the mutual constitution of selves and society.
Brian Hodgson lived in Nepal from 1820 to 1843 during which time he wrote and published extensively on Nepalese culture, religion, natural history, architecture, ethnography and linguistics. Contributors from leading historians of Nepal and South Asia and from specialists in Buddhist studies, art history, linguistics, ornithology and ethnography, critically examine Hodgson's life and achievement within the context of his contribution to scholarship. Many of the drawings photographed for this book have not previously been published.
Mary Slusser's work on the history of the art and culture of Nepal is marked by a series of discoveries and critical reassessments that have advanced our comprehension of this extraordinarily rich culture and art in a revolutionary way. In The Antiquity of Nepalese Wood Carving, Dr. Slusser drastically revises our perception of the marvelous wooden sculpture of the Kathmandu Valley.--Previously considered to be no earlier than the thirteenth century, the earliest of these wooden masterpieces have now been clearly demonstrated to date from the sixth or seventh century, the time of the Licchavis, lords of Nepal from about 300 to 850. Slusser has used an important scientific tool, radiocarbon dating, to help realign -- and correct -- our overly conservative accepted perceptions of the antiquity of Nepalese wood sculpture. The book is bolstered by the meticulous and painstaking research and documentation that are among the hallmarks of Slusser's works. It is also enriched by her extraordinary photographic archive. Beautiful struts and architectural details that have long been missing from the sites where Slusser first saw them are shown once again in situ in this work, and new photographs, largely the work of Neil Greentree, reveal a wealth of previously unsuspected detail. Also included is an essay by Paul Jett that is both a brief explanation of the science of radiocarbon testing and a validation of the revised dating of Nepalese wood carving proposed in the study.--Mary Shepherd Slusser is the author of an authoritative history of the culture of the Kathmandu Valley, Nepal Mandala. --Paul Jett is director of conservation and scientific research at the Freer/Sackler Gallery, Smithsonian Institution.-
Far Out charts the history of Western countercultural longing for Nepal that made the country, and Kathmandu in particular, a premier tourist destination in the twentieth century. Anthropologist and historian Mark Liechty describes three distinct phases: the immediate post-war era when the country provided a Raj-like throwback experience for rich foreigners (mainly Americans), Nepal s emergence as the most exotic outpost of hippie counterculture in the 1960s and early 70s, and, finally, the Nepali state s rebranding of itself as an adventure destination from the 1970s on. Liechty is attuned to how the dynamics of mid-twentieth century globalizationthe Cold War and shifting international relations, modernization and development ideologies, the rise of consumerist middle classes, increased mobility and the birth of mass tourism, and emerging global youth counterculturesdrew Nepal into the web of geopolitical, economic, and sociocultural transformations that shaped the modern world. But Liechty doesn t want to tell the story of tourism as something that just happened to Nepalis. He shows how Western projections of Nepal as an isolated place inspired creative Nepali enterprises and paradoxically gave locals the opportunity to participate in the highly coveted global economy. The result is a readable cultural history of a place that has been in many ways defined by a (sometimes bizarre) cultural encounter. The author s lifelong interest in Nepal and his almost twenty-five years of research make his account both sophisticated and empathicbut not without a touch of humor."
One of the greatest cities of the Himalaya, Kathmandu, Nepal, is a unique blend of thousand-year-old cultural practices and accelerated urban development. In this book, Thomas Bell recounts his experiences from his many years in the city—exploring in the process the rich history of Kathmandu and its many instances of self-reinvention. Closed to the outside world until 1951 and trapped in a medieval time warp, Kathmandu is, as Bell argues, a jewel of the art world, a carnival of sexual license, a hotbed of communist revolution, a paradigm of failed democracy, a case study in bungled western intervention, and an environmental catastrophe. The layered development of the city can be seen in the successive generations of its gods and goddesses; its comfort in the caste system and ethos of aristocracy and kingship; and the recent destabilizing effects of consumerist approaches and the push for egalitarianism and democracy. In important ways, Kathmandu’s rapid modernization can be seen as an extreme version of what is happening in other traditional societies. Bell also discusses the ramifications of the recent Nepal earthquake. A comprehensive look at a top global destination, Kathmandu is an entertaining and accessible chronicle for anyone eager to learn more about this fascinating city.
Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period. Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.