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Annotation. Volume Two begins with the contentious, yet challenging, views of Hans Bakker and Richard Cohen, both of whom are involved with an overview of Ajanta's development. This is explored further in shorter essays by Karl Khandalavala, Arvind Jamkhedkar, and Brahmanand Deshpande. At the same time, the author presents a detailed analysis of the form and development of Cave 26, as a model upon which his other arguments are built.
Short summaries of 84 Buddhist legends painted on the walls of the ancient Ajanta caves, illustrated with 108 colour photographs, a primer for students and general reader.
This book presents the latest and updated information about the Ajanta caves, their histories, and painted themes. For the first time, a book accommodates-within the space of a single volume-many dimensions and components of the caves. It includes the latest research by the author on the gradual development of the caves. historical framework formulated by Walter M. Spink. identifications of the narrative paintings by Dieter Schlingloff. identifications of the devotional and ornamental paintings by Monika Zin. summaries of nearly all the narrative paintings (84 stories). corpus of photo documentation on the paintings, sculptures, and architecture. attempt on long exposure photography in poorly lit conditions. The language is so crafted as to help the students, travellers, and general readers grasp the beauty and complexities of Ajanta and the times. At the same time the content is so packed, and the issues discussed in such a manner, as to keep the expert readers engaged.
The monograph contains 15 Buddhist legends painted on the walls of Ajanta Cave No. 1. It is a compendium of ancient paintings systematically documented for the first time with colour photographs. It has at least one photo of every episode of the narratives, a summary of all 15 legends, and a bibliography of the nearest literary sources.
New in paperback, this stunningly photographed book was hailed by The Times Higher Education Supplement as one of the most gorgeous and stimulating books of Indian art ever produced.
This book offers a new scholarly exploration of the rock-cut Ajanta Caves located in the modern-day Aurangabad district of Maharashtra, India, their sculpture and paintings. The book meticulously traces the rise, transformation, and legacy of these architectural marvels from the late third century BC to around AD 480.