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The Roman empress Faustina the Elder (c. 97-140) and her daughter Faustina II (c. 130-175) have been subject to criticism from the earliest records, described in turn as fickle, unfaithful, and treasonous. Yet their husbands, the emperors Antoninus Pius and Marcus Aurelius, have reputations as golden as that of the whole Antonine age and seem to have thought favorably of them as prolific mothers, loyal spouses, and useful complements to the military and political proceedings of the empire. On the most basic level of lineage and procreation, the two women were naturally important for establishing the Antonine dynasty. Yet, the Faustinae, as they are commonly referred, also proved instrumental in solidifying in Roman minds the image of a nurturing and harmonious empire. Barbara M. Levick's Faustina I and II carefully synthesizes the many competing sources on the Faustinae into one comprehensive study, demonstrating the extent to which women could and did influence both the internal workings and external standing of the imperial dynasty. The book traces Faustina I's formation of her family's heritage amid a new empire through to Faustina II's enhancement of that legacy, focusing especially on the younger Faustina's deep involvement in palace politics and her possible role in the revolt of Avidius Cassius in 175. Through an analysis of everything from textual evidence to portraiture and coin inscriptions, this study ultimately evokes these two women whose exact biographies are not always certain, but whose relevance to their contemporaries and current scholarship is perfectly distinct.
This historical analysis of Roman-Barbarian relations from the Republic into late antiquity offers a striking new perspective on the fall of the Empire. The barbarians of antiquity, often portrayed simply as the savages who destroyed Rome, emerge in this colorful, richly textured history as a much more complex factor in the expansion, and eventual unmaking, of the Roman Empire. Thomas S. Burns marshals an abundance of archeological and literary evidence to bring forth a detailed and wide-ranging account of the relations between Romans and non-Romans along the frontiers of western Europe. Looking at a 500-year time span beginning with early encounters between barbarians and Romans around 100 B.C. and ending with the spread of barbarian settlement in the western Empire, Burns reframes the barbarians as neighbors, friends, and settlers. His nuanced history subtly shows how Rome’s relations with the barbarians slowly evolved from general ignorance, hostility, and suspicion toward tolerance, synergy, and integration. This long period of acculturation led to a new Romano-barbarian hybrid society and culture that anticipated the values and traditions of medieval civilization.
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
This book shows how the circulation of ideals associated with the Roman emperor generated ideological unification among aristocracies and reinforced Roman power.
The first two centuries of the Christian era were largely a period of consolidation for the Roman Empire. However, the history of the heyday of Roman imperium is far from dull, for Augustus’ successors ranged from capable administrators - Tiberius, Claudius and Hadrian - to near-madmen like Caligula and the amateur gladiator Commodus, who might have wrecked the system but for its inherent strength. Albino Garzetti’s classic From Tiberius to the Antonines, first published in 1960, presents a definitive account of this fascinating period, which combines a clear and readable narrative with a thorough discussion of the methodological problems and primary sources. Regarding difficult historical questions, it can be relied upon for careful and reasonable judgments based on a full mastery of an immense amount of material. Nearly three hundred pages of critical notes and a comprehensive bibliography complement the text, ensuring its continuing relevance for all students of Roman history.
Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.