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"Studies in Pessimism, On Human Nature, and Religion: a Dialogue, etc." is a collection of essays by famed German philosopher Arthur Schopenhauer. In this work you will find three collections of essays which include the following: On The Sufferings Of The World, On The Vanity Of Existence, On Suicide, Immortality: A Dialogue, Psychological Observations, On Education, Of Women, On Noise, A Few Parables, Human Nature, Government, Free-Will And Fatalism, Character, Moral Instinct, Ethical Reflections, Religion: A Dialogue, A Few Words On Pantheism, On Books And Reading, On Physiognomy, Psychological Observations, and The Christian System.
The first comprehensive study on the pattern of guilt and wandering in literature, this book examines the relationship between the two complex concepts as they appear in twentieth-century novels, positing its methodological premises on archetypal criticism and both close and distant reading, but also drawing on psychology, anthropology, mythology, and religion. This research deciphers a common paradigm and literary representation whose archetype within Western literature is found in the biblical figure of Cain, while presenting a critical framework valid for boundary-crossing comparative approaches. From Graham Greene’s The Power and the Glory and Malcolm Lowry’s Under the Volcano, to Wolfgang Koeppen’s Death in Rome and Ōoka Shōhei’s Fires on the Plain, this book is not merely a thematic study, but an analysis of the literary phenomena that appear in those novels where the sense of guilt is controversially subjective, or so collective as to be perceived as universal, as is often the case with war and postwar literature. Di Gennaro goes beyond the analysis of explicit rewritings of the story of Cain, in order to uncover the monomyth through its rhetorical structures and mythical methods. The wasteland with no religion; the lost, abandoned garden; the classical and religiously-corrupted city; and the tropical, cannibalistic island at war are the respective settings of these narratives, where the issue is neither homelessness nor journeying, but, rather, the desperate and futile movement toward self-consciousness, or self-destruction. After the Second World War, much was silenced rather than left unsaid. This study retraces those silent cries over history through the powerful literary marks of myths.
The poignant, “powerful” (The Boston Globe) look at how to appreciate life from an extraordinary professor who teaches about death: “Poetic passages and assorted revelations you’ll likely not forget” (Chicago Tribune). Why does a college course on death have a three-year waiting list? When nurse Norma Bowe decided to teach a course on death at a college in New Jersey, she never expected it to be popular. But year after year students crowd into her classroom, and the reason is clear: Norma’s “death class” is really about how to make the most of what poet Mary Oliver famously called our “one wild and precious life.” Under the guise of discussions about last wills and last breaths and visits to cemeteries and crematoriums, Norma teaches her students to find grace in one another. In The Death Class, award-winning journalist Erika Hayasaki followed Norma for more than four years, showing how she steers four extraordinary students from their tormented families and neighborhoods toward happiness: she rescues one young woman from her suicidal mother, helps a young man manage his schizophrenic brother, and inspires another to leave his gang life behind. Through this unorthodox class on death, Norma helps kids who are barely hanging on to understand not only the value of their own lives, but also the secret of fulfillment: to throw yourself into helping others. Hayasaki’s expert reporting and literary prose bring Norma’s wisdom out of the classroom, transforming it into an inspiring lesson for all. In the end, Norma’s very own life—and how she lives it—is the lecture that sticks. “Readers will come away struck by Bowe’s compassion—and by the unexpectedly life-affirming messages of courage that spring from her students’ harrowing experiences” (Entertainment Weekly).
Has modern physics proven that the universe was created by absolutely nothing? Absolutely not! Have modern cosmology and Darwinian evolution eliminated the need for God? Absolutely not! Have the new atheists demonstrated the irrelevance of theology and philosophy in the pursuit of Truth? Not even close! The first of the four-volume Eternal Harmony series, The Unity of Truth in God demonstrates decisively the powerful convergence of God-made religion and genuine science as well as faith and reason in the unity of truth in the one, true, triune God of the Holy Bible. The Tower of Modern Scientism is concurrently demolished so that not one scientistic stone is left standing upon another. Can the truths of modern science and God-made religion be brought into Eternal Harmony? Most definitely! Are human life and the cosmos meaningful and purposeful? Yes! Can you personally inherit eternal life in the new heavens and the new earth and be with God Himself? Absolutely! Join physicist Dr. Ron R. Rickards on a sacred journey up the Mountain of Truth, which begins on common scientific and religious ground and ends with the most exalted truths of modern science and God-made religion coexisting peacefully in Eternal Harmony. By incorporating the lyric sheets to a dozen original songs, The Unity of Truth in God engages the reader as all human beings truly deserve to be engaged: in the fullness of our humanitythat is, in heart, soul, and mind. The soundtrack is available through Amazon, iTunes and other popular outlets.
Asked in 2006 about the philosophical nature of his fiction, the late American writer David Foster Wallace replied, "If some people read my fiction and see it as fundamentally about philosophical ideas, what it probably means is that these are pieces where the characters are not as alive and interesting as I meant them to be." Gesturing Toward Reality looks into this quality of Wallace's work—when the writer dons the philosopher's cap—and sees something else. With essays offering a careful perusal of Wallace's extensive and heavily annotated self-help library, re-considerations of Wittgenstein's influence on his fiction, and serious explorations into the moral and spiritual landscape where Wallace lived and wrote, this collection offers a perspective on Wallace that even he was not always ready to see. Since so much has been said in specifically literary circles about Wallace's philosophical acumen, it seems natural to have those with an interest in both philosophy and Wallace's writing address how these two areas come together.