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The Present Volume Is Published By The Oriental Institute, M.S. University Of Baroda In Sacred Memory Of Late Dr. U.P. Shah, Ex-Deputy Director And General Editor, Ramayana Deptt. Of The Institute. It Contains Research Articles Specially Written By Scholar-Friends Of Dr. Shah From The World Over, Ranging From Jaina Philosophy, Jaina Iconography, Art-History To Indian Literature In General, As His Interest Too Ranged To All The Afore-Mentioned Subjects. As Will Be Evident From The Life-Sketch And The Bibliography Of His Works, Dr. Shah Made An Impact In The Field Of Jaina Iconography And Art-History, Though He Handled, With Equal Felicity, Subjects Related To Oriental Studies. Some Of The Articles Appearing In This Volume Break New Ice Regarding Certain Knotty Points Of Jaina Philosophical Thought And Religious Practices. It Would Be Helpful To View The Contents Of This Volume From The Standpoint Of Long, Mutual Affinity And Correlatedness Of The Ancient Vedic And Jaina Traditions That Flourished Coevally Over A Great Stretch Of Time In This Country Of Uncommon Tolerance And Understanding Of Opposing Ideas And Ideals, Evincing Brilliant Insights Into The Problems Of Being And Consciousness Ever Probed By Human Mind. The Methodology Of Symbolical Representation Of Transcendental Principles And Perceptions Evolved In Both Jaina And Brahmanical Traditions Of Thought Is Well-Documented In This Volume, Which Will Prove To Be A Treasure For The Students Of Oriental Studies In General And Indology In Particular
Sarasvati assumes different roles, a physical river and a river goddess, then as a goddess of speech and finally that of a goddess of learning, knowledge, arts and music. References to Sarasvati in the Vedas and the Brahmanas, the Mahabharata and the Puranas and her marked presence in other religious orders, such as Buddhism, Jainism and the Japanese religion, form the basis of discussion as regards her various attributes and manifestations. In Jainism, her counter-part is Sutra-devi, in Buddhism it is Manjusri and Prajnaparamita and in the Japanese religion, Benten is the representative goddess. The physical presence of Sarasvati in various iconic forms is seen in Nepal, Tibet and Japan. Tantrism associated with Sarasvati also finds reflection in these religious traditions. Sculptors and art historians take delight in interpreting various symbols her iconic forms represent. The book examines Sarasvati’s origin, the course of her flow and the place of her disappearance in a holistic manner. Based on a close analysis of texts from the early Rig-Veda to the Brahmanas and the Puranas, it discusses different view-points in a balanced perspective and attempts to drive the discussions towards the emergence of a consensus view. The author delineates the various phases of Sarasvati’s evolution to establish her unique status and emphasise her continued relevance in the Hindu tradition. The book argues that the practice of pilgrimage further evolved after its association with the river Sarasvati who was perceived as divinity personified in Hindu tradition. This, in turn, led to the emergence of numerous pilgrimage sites on or near her banks which attracted a large number of pilgrims. A multifaceted and interdisciplinary analysis of a Hindu goddess, this book will be of interest to academics researching South Asian Religion, Hinduism and Indian Philosophy as also the general readers.
Jainism is a tradition which dates back thousands of years, which is unbelievably rich and profound, and which has certain unmistakable signs of identity. Contrary to what some might think, it is not in any sense a poor relation of Buddhism, nor is a strange, atheistic and ascetic sect within Hinduism. Jainism is, above all, the religion of non-violence (ahimsa), an ideal which all other religions of India were subsequently to make theirs and which was made universal by Gandhi in the 20th century. Like Buddhism, Jainism is a religion without God which paradoxically opens to the truly sacred in the deepest reaches of all living beings in the cosmos. And it is also the religion of non-absolutism (anekantavada), a particular form of philosophical pluralism, which seems astonishingly modern.
Jain is the term used for a person who has faith in the teachings of the Jinas ('Spiritual Victors'). Jinas are human beings who have overcome all passions (kasayas) and have attained enlightenment or omniscience (kevala-jnana), who teach the truths they realized to others, and who attain liberation (moksa) from the cycle of rebirth (samsara). At the core of these teachings is nonviolence (ahimsa), which has remained the guiding principle of Jain ethics and practices to this day. In comparison with other religious traditions of South Asia, Jains are few in number, comprising less than one percent of India's population. The lay and mendicant communities of the Jain, however, have maintained an unbroken presence in India for more than 2,500 years and have influenced its culture throughout this time. The A to Z of Jainism covers the history of Jainism that spans a period of more than 2,500 years. The history, values, concepts, and scriptures; eminent mendicant, lay leaders, and scholars; and places, institutions, social, and cultural factors are covered in over 450 dictionary entries. This comprehensive reference work also includes an introductory essay, explanation of the Jain scriptures, chronology, appendixes, and bibliography. This book provides an excellent introduction and overview to Jainism for scholars, students, and general readers.
The present volume is a continuation of the bibliography and study presented in Panini, A Survey of Research, first published in the Netherlands (The Hague: Mouton & Co., 1976), subsequently published in India (Delhi: Motilal Banarsidass, 1980) and reprinted in 1997. The basic format adopted for the first survey is observed here: a bibliography of major work done since 1975, including materials which came to the author`s knowledge up to December of 1997, is followed by his appraisal of this work with extensive references to primary sources which are the bases of scholarly discussions and notes.
Mahābhārata (including Harivaṃśa) and Rāmāyaṇa, the two great Sanskrit Epics central to the whole of Indian Culture, form the subject of this new work. The book begins by examining the relationship of the epics to the Vedas and the role of the bards who produced them. The core of the work, a study of the linguistic and stylistic features of the epics, precedes the examination of the material culture, the social, economic and political aspects, and the religious aspects. The final chapter presents the wider picture and in conclusion even looks into the future of epic studies. In this long overdue survey work the author synthesizes the results of previous scholarship in the field. Herewith a coherent view is built up of the nature and the significance of these two central epics, both in themselves, and in relation to Indian culture as a whole.
The concluding volume of a critical English edition of the monumental Indian epic The seventh and final book of the monumental Rāmāyaṇa of Vālmīki, the Uttarakāṇḍa, brings the epic saga to a close with an account of the dramatic events of King Rāma's millennia-long reign. It opens with a colorful history of the demonic race of the rākṣasas and the violent career of Rāma’s villainous foe Rāvaṇa, and later recounts Rāma’s grateful discharge of his allies in the great war at Lankā as well as his romantic reunion with his wife Sītā. But dark clouds gather as Rāma, confronted by scandal over Sītā’s time in captivity under the lustful Rāvaṇa, makes the agonizing decision to banish his beloved wife, now pregnant. As Rāma continues as king, marvelous tales and events unfurl, illustrating the benefits of righteous rule and the perils that await monarchs who fail to address the needs of their subjects. The Uttarakāṇḍa has long served as a point of social and religious controversy largely for its accounts of the banishment of Sītā, as well as of Rāma’s killing of a low-caste ascetic. The translators’ introduction provides a full discussion of these issues and the complex reception history of the Uttarakāṇḍa. This translation of the critical edition also includes exhaustive notes and a comprehensive bibliography.
Enchanting, powerful, horrific, beautiful, wise, deadly, compassionate, seductive. Women in Buddhist story and image are all these things and more. She takes the signs of the ancient goddess - the lotus, the sacred grove, the serpent, the sacrifice - and uses them in astonishing new ways. Her story is one of suffering and great trials, and through it all an unquenchable longing to be free. This beautifully illustrated work is as layered and subversive as mythology itself. Based directly on authentic Buddhist texts, and informed with insights from psychology and comparative mythology, it takes a fresh look at how Buddhist women have been depicted by men and how they have depicted themselves.
Jainism originated in India and shares some features with Buddhism and Hinduism, but it is a distinct tradition with its own key texts, art, rituals, beliefs, and history. One important way it has often been distinguished from Buddhism and Hinduism is through the highly contested category of Tantra: Jainism, unlike the others, does not contain a tantric path to liberation. But in Making a Mantra, historian of religions Ellen Gough refines and challenges our understanding of Tantra by looking at the development over two millennia of a Jain incantation, or mantra, that evolved from an auspicious invocation in a second-century text into a key component of mendicant initiations and meditations that continue to this day. Typically, Jainism is characterized as a celibate, ascetic path to liberation in which one destroys karma through austerities, while the tantric path to liberation is characterized as embracing the pleasures of the material world, requiring the ritual use of mantras to destroy karma. Gough, however, argues that asceticism and Tantra should not be viewed in opposition to one another. She does so by showing that Jains perform “tantric” rituals of initiation and meditation on mantras and maṇḍalas. Jainism includes kinds of tantric practices, Gough provocatively argues, because tantric practices are a logical extension of the ascetic path to liberation.
Popularly Hinduism is believed to be the world’s oldest living religion. This claim is based on a continuous reverence to the oldest strata of religious authority within the Hindu traditions, the Vedic corpus, which began to be composed more than three thousand years ago, around 1750–1200 BCE. The Vedas have been considered by many as the philosophical cornerstone of the Brahmanical traditions (āstika); even previous to the colonial construction of the concept of “Hinduism.” However, what can be pieced together from the Vedic texts is very different from contemporary Hindu religious practices, beliefs, social norms and political realities. This book presents the results of a study of the traditional education and training of Brahmins through the traditional system of education called gurukula as observed in 25 contemporary Vedic schools across the state of Maharasthra. This system of education aims to teach Brahmin males how to properly recite, memorize and ultimately embody the Veda. This book combines insights from ethnographic and textual analysis to unravel how the recitation of the Vedic texts and the Vedic traditions, as well as the identity of the traditional Brahmin in general, are transmitted from one generation to the next in contemporary India.