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"A bibliographical note: Blackmur's essays on Henry James": p. 243-244. Includes index.
The delightful memoir by James's feisty and feminist secretary, with a biographical essay and excerpts from her diaries
The fullest single volume work of reference on James's life and his interactions with the world around him.
Rowe uses recent work on the oppressive treatment of gays, women and children in his analysis of Henry James, arguing that James mounts a critique of bourgeois values and lack of historical consciousness.
This book, the first fully sustained reading of Henry James's and Oscar Wilde's relationship, reveals why the antagonisms between both authors are symptomatic of the cultural oppositions within Aestheticism itself.
This is a historical critique of Henry James in relation to nineteenth-century feminism and women's fiction. Habegger has brought to light extensive new documentation on James's tangled connections with what was thought and written about women in his time. The emphasis is equally on his life and on his fictions. This is the first book to investigate his father's bizarre lifelong struggle with free love and feminism, a struggle that played a major role in shaping James. The book also shows how seriously he distorted the truth about the cousin, Minnie Temple, whose self-assertive image inspired him; and how indebted he was to certain American women writers whom he attacked in reviews but whose plots and heroines he appropriated in his own fiction.
This collection of prefaces, originally written for the 1909 multi-volume New York Edition of Henry James’s fiction, first appeared in book form in 1934 with an introduction by poet and critic R. P. Blackmur. In his prefaces, James tackles the great problems of fiction writing—character, plot, point of view, inspiration—and explains how he came to write novels such as The Portrait of a Lady and The American. As Blackmur puts it, “criticism has never been more ambitious, nor more useful.” The latest edition of this influential work includes a foreword by bestselling author Colm Tóibín, whose critically acclaimed novel The Master is told from the point of view of Henry James. As a guide not only to James’s inspiration and execution, but also to his frustrations and triumphs, this volume will be valuable both to students of James’s fiction and to aspiring writers.
As an American author who chose to live in Europe, Henry James frequentlywrote about cultural differences between the Old and New World. Theplight of bewildered Americans adrift on a sea of European sophisticationbecame a regular theme in his fiction.This collection of twenty-four papers from some of the world's leadingJames scholars offers a comprehensive picture of the author's crossculturalaesthetics. It provides detailed analyses of James's perception ofEurope - of its people and places, its history and culture, its artists andthinkers, its aesthetics and its ethics - which ultimately lead to a profoundreevaluation of his writing.With in-depth analysis of his works of fiction, his autobiographical andpersonal writings, and his critical works, the collection is a major contribution to current thinking about James, transtextuality and cultural appropriation.
This 1996 book describes a new Henry James who, rather than being paraded as a beacon of high culture, actually expresses a nuanced understanding of, and engagement with, popular culture. Arguing against recent trends in critical studies which locate racial resistance in popular culture, Sara Blair uncovers this resistance within literature and high modernism. She analyses a variety of texts from early travel writing to The Princess Casamassima, The American Scene and The Tragic Muse, always setting the scene through descriptions of key events of the time such as Jack the Ripper's murders. Blair makes a powerful case for reading James with a sense of sustained contradiction and her project absorbingly argues for the historical and ongoing importance of literary texts and discourses to the study of culture and cultural value.
Employing a wide range of interpretive and theoretical approaches, this collection brings together distinguished James scholars from four continents to elicit new and exciting readings of a diverse array of James’s fiction and non-fiction. Through their transformative acts, the essays investigate James’s life-long engagement with cities, places, and tourist sites; offer theoretically informed readings of his work’s textual richness; and explore his intricate involvement with social and cultural issues, such as gender and sexuality, economics, friendship and hospitality, and visual culture. Arranged under rubrics which signal the complex interrelations of Henry James as a historical individual and of the works he authored with a web of social, cultural, aesthetic, and philosophical discourses, the contributions collected in this book make a convincing case for the ongoing productivity of James’s oeuvre when interrogated from new critical angles and, therefore, for its enduring centrality to the concerns of literary and cultural studies.