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The Cistercian abbeys of northern England provide some of the finest monastic remains in all of Europe, and much has been written on their twelfth- and thirteenth-century architecture. The present study is the first in-depth analysis of the art and architecture of these northern houses and nunneries in the late Middle Ages, and questions many long-held opinions about the Order's perceived decline during the period c.1300-1540. Extensive building works were conducted between the fourteenth and sixteenth centuries at well-known abbeys such as Byland, Fountains, Kirkstall, and Rievaulx, and also at lesser-known houses including Calder and Holm Cultram, and at many convents of Cistercian nuns. This study examines the motives of Cistercian patrons and the extent to which the Order continued to enjoy the benefaction of lay society. Featuring over a hundred illustrations and eight colour plates, this book demonstrates that the Cistercians remained at the forefront of late medieval artistic developments, and also shows how the Order expressed its identity in its visual and material cultures until the end of the Middle Ages.
From their introduction in the early twelfth century the Cistercians were one of the leading monastic orders in Britain. Many of the finest monastic remains - Fountains, Rievaulx and Tintern - are Cistercian. This 1986 book is a comprehensive survey of Cistercian art and architecture in the British Isles. The various contributions, all by leading specialists, cover the historical and literary background; the development of Cistercian architecture (especially in the twelfth and thirteenth centuries, when the Cistercians were in the forefront of architectural achievement, playing an important role in the introduction and dissemination of the Gothic style); and art forms such as wall painting, stained glass, tile pavements, and manuscript illumination, as well as liturgy and music. These studies reveal what was distinctively Cistercian in the art and architecture of the Order, and permit a distinct understanding of the remarkable contribution of the Cistercians to the culture of medieval Britain.
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Presents the Order's figureheads, practical life and spiritual horizon, and its contribution to medieval Europe's religious, cultural and political climate.
In Cistercian Architecture and Medieval Society Maximilian Sternberg offers an account of the social functions of the built environment in medieval monasticism. Few medieval monuments hold so privileged a place in the modern imagination as Cistercian abbeys, yet Sternberg suggests, it is precisely our own, peculiarly modern fascination with the idea of 'Cistercian aesthetics' that has hindered a full view of the complex social meanings of their architecture. This book draws attention instead to the practical and symbolic means by which architecture helped the Cistercians to negotiate the dense web of relations that, in actuality, bound them to other spheres of medieval society. It explores the permeability of monastic boundaries, and considers their effectiveness in reconciling a simultaneous need for interaction and distance between monastic communities and these other social spheres.
Foreword by Michael Downey Cistercian Europe offers a lavishly illustrated journey through Europe's magnificent Cistercian abbeys. A leading expert in medieval architecture, Terryl Kinder brings these famous monasteries to life, showing not only where monks lived, worked, and prayed but also how the exquisite architecture of these buildings reflects the spiritual transformation to which their residents aspired. Dozens of famous Cistercian monasteries from across Europe have been chosen to illustrate the wide variety of architectural forms. Kinder places these monasteries squarely within the context of daily monastic life in the Middle Ages, describing the use for each abbey building, the reasons underlying the desire for simplicity, and the nature of the contemplative life they were designed to model. Maps, floor plans, and more than two hundred full-color and black-and-white photographs enhance Kinder's informed and engaging text.
The Cistercians (White Monks) were the most successful monastic experiment to emerge from the tumultuous intellectual and religious fervour of the 11th and 12th centuries. This book seeks to explore the phenomenon that was the Cistercian Order.