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In 1660 England was already prosperous, free, civilized, and the possessor of the makings of an empire. In the century to follow, the island nation became the world's greatest power. This cohesive collection of essays on a wide range of topics illuminates important facets of the political history of England from the Restoration to the American War of Independence. Arthur J. Slavin of the university of Louisville discusses and important problem in legal history in his "Craw v. Ramsey: New light on an Old Debate." Jacob M. Price of the University of Michigan takes another look at the Excise Crisis. Ragnhild M. Hatton of the London School of Economics sheds new light on George I. Daniel A. Baugh of Cornell University considers "pauperism, Protestantism, and Political Economy: English Attitudes toward the Poor 1660 - 1800." Anglo-Savoyard relations are the topic of Geoffrey Symocox of the University of California, Los Angeles. The late Arthur M. Wilson of Dartmouth is represented by a wise and charming paper entitled "The Enlightenment Came First to England." Lois G. Schwoerer of George Washington University finds new perspectives while examining the Glorious Revolution. John Brewer of Harvard explains "the Number 45: A Wilkite Political Symbol." Clayton Roberts of the Ohio State University discusses "Party and the Patronage in Later Stuart England," while Stephen Baxter of the University of North Carolina takes up some aspects of the conduct of the Seven Years War. All of the contributions were originally delivered at the Wiliam Andrews Clark Memorial Library during Stephen Baxter's tenure as Clark Library Professor in 1977 - 1978. Each of the essays will appeal to a learned audience of specialists, and the variety of topics will interest the general reader. This collection represents the leading scholarship on this remarkable period of English history. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.
In the most comprehensive, up-to-date account of the poetry published in Britain between the Restoration and the end of the eighteenth century, a team of leading experts surveys the poetry of the age in all its richness and diversity. They provide a systematic overview, and restore these poetic works to a position of centrality in modern criticism.
The idea of progress stood at the very center of the intellectual world of eighteenth-century Britain, closely linked to every major facet of the British Enlightenment as well as to the economic revolutions of the period. Drawing on hundreds of eighteenth-century books and pamphlets, David Spadafora here provides the most extensive discussion ever written of this prevailing sense of historical optimism.
Colonization, slavery, traffic in women, and connoisseurship seem to have particularly captured the imaginations of circumatlantic writers of the later eighteenth century. In this book, Nandini Bhattacharya examines the works of such writers as Richard Brinsley Sheridan, George Colman Jr., James Cobb and Phillis Wheatley, who redefined ideas about Value and Taste. Writers re-presented the ethical debate on Value and trade through aesthetic metaphors and discourse, thus disguising the distasteful nature of the ownership and exchange of human beings and mitigating the guilt associated with that traffic. Bhattacharya explores the circumatlantic redefinition of Taste and Value as cultural and moral concepts in gender and racial discourses in slave-owning, colonizing, and connoisseurial Britain, and demonstrates how Value and aesthetics were redefined in late eighteenth-century circumatlantic discourses with particular focus on the language of slavery, trade and connoisseurship. She also delineates the workings of transnational consciousness and experience of race, class, gender, slavery, colonialism and connoisseurship in the late eighteenth-century circumatlantic rim. Throughout the study, Bhattacharya rereads late eighteenth-century British literature as a stage for the articulation of theories of difference and domination.
This richly illustrated and interdisciplinary study examines the commercial mediation of royalism through print and visual culture from the second half of the seventeenth century. The rapidly growing marketplace of books, periodicals, pictures, and material objects brought the spectacle of monarchy to a wide audience, saturating spaces of daily life in later Stuart and early Hanoverian England. Images of the royal family, including portrait engravings, graphic satires, illustrations, medals and miniatures, urban signs, playing cards, and coronation ceramics were fundamental components of the political landscape and the emergent public sphere. Koscak considers the affective subjectivities made possible by loyalist commodities; how texts and images responded to anxieties about representation at moments of political uncertainty; and how individuals decorated, displayed, and interacted with pictures of rulers. Despite the fractious nature of party politics and the appropriation of royal representations for partisan and commercial ends, print media, images, and objects materialized emotional bonds between sovereigns and subjects as the basis of allegiance and obedience. They were read and re-read, collected and exchanged, kept in pockets and pasted to walls, and looked upon as repositories of personal memory, national history, and political reverence.
"Indeed, the journalistic achievements of Oliver Goldsmith invite a reconsideration of the man doomed for so many years to play "Doctor Minor" to Johnson's "Doctor Major." Long before he established a reputation as the author of The Vicar of Wakefield, She Stoops to Conquer, and The Deserted Village, Goldsmith was establishing his unique journalistic voice - a voice incredibly diverse, if also frequently self-contradictory. There is no doubt that Goldsmith was something of a controversial figure - working for both of London's monthly book review journals while they were engaged in an ongoing, venomous, and well-publicized dispute. But it is important to remember that he was respected, too. He did serve, after all, as principal contributor to several of London's most successful newspapers and magazine miscellanies. In this capacity, his career intersected with the careers of Arthur Murphy, John Newbery, David Hume, Thomas Gray, Edmund Burke, and the most prominent booksellers, authors, and editors of the period." "As interest in eighteenth-century English journalism continues to accelerate, the critical reputation of Oliver Goldsmith which has been dwindling for years may receive an important boost. Scholars now have a wealth of primary and critical material from which to construct a contextual framework for understanding literary, social, and political developments in eighteenth-century England. Perhaps this wealth of information will lead them to reassess the man who not only exemplified, but also consistently commented on, the state of the press in "High Georgian" England."--BOOK JACKET.
Libel and Lampoon shows how English satire and the law mutually shaped each other during the long eighteenth century. Following the lapse of prepublication licensing in 1695, the authorities quickly turned to the courts and newly repurposed libel laws in an attempt to regulate the press. In response, satirists and their booksellers devised a range of evasions. Writers increasingly capitalized on forms of verbal ambiguity, including irony, allegory, circumlocution, and indirection, while shifty printers and booksellers turned to a host of publication ruses that complicated the mechanics of both detection and prosecution. In effect, the elegant insults, comical periphrases, and booksellers' tricks that came to typify eighteenth-century satire were a way of writing and publishing born of legal necessity. Early on, these emergent satiric practices stymied the authorities and the courts. But they also led to new legislation and innovative courtroom procedures that targeted satire's most routine evasions. Especially important were a series of rulings that increased the legal liabilities of printers and booksellers and that expanded and refined doctrines for the courtroom interpretation of verbal ambiguity, irony, and allegory. By the mid-eighteenth century, satirists and their booksellers faced a range of newfound legal pressures. Rather than disappearing, however, personal and political satire began to migrate to dramatic mimicry and caricature-acoustic and visual forms that relied less on verbal ambiguity and were therefore not subject to either the provisions of preperformance dramatic licensing or the courtroom interpretive procedures that had earlier enabled the prosecution of printed satire.
"Auslander's emphasis on the power of 'things' as a motor of historical change permits her to present a refreshingly new set of arguments about well known historical events."--Denise Z. Davidson, author of France After Revolution: Urban Life, Gender, and the New Social Order "This lucidly written book brilliantly merges material culture firmly into political history, and enriches both. Leora Auslander's original interpretation of changing gender relations in the age of the democratic revolutions offers fresh ways to understand the emotional and political work that has shaped national identity and persists into our own time. A remarkable accomplishment."--Linda K. Kerber, author of No Constitutional Right to Be Ladies: Women and the Obligations of Citizenship