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This critical study allows students and general readers to appreciate the myriad perspectives of the man, his life, and his contributions to American literature. A fresh biographical account traces Twain's colorful life through his varied careers and adventures to his rise to national prominence as a writer of short stories, to the creation of masterpieces like Adventure of Huckleberry Finn.
Mark Twain's legacy is an extensive canon of writings that includes some of the most widely read, staged, debated, reinterpreted, and filmed works ever. This introductory critical study helps students and general readers appreciate the myriad perspectives of the man, his life, and his contributions to American literature. A fresh biographical account traces Twain's colorful life through his varied careers and adventures, to his rise to national prominence as a writer of short stories, to the creation of masterpieces like Adventures of Huckleberry Finn. Also examined are the thematic concerns, plot structure, character development, and historical background in the travel narratives, a selection of short stories, and Twain's novels. A lively biographical chapter is followed by a section on Mark Twain's career and contributions to American literature, which situates Twain within the traditions of American humor writings. A selection of Twain's early short stories and sketches are examined, followed by the personal travel narratives. A full chapter on each of the five novels examines their important literary components, and also offers alternative critical perspectives. The final chapter surveys short writings from Twain's later years. A select bibliography cites sources for all of Twain's works, with numerous contemporary reviews, and general criticism of individual and collected works. As a scholar of Twain's writings and of American humor, David Sloane's insightful analysis illuminates how Mark Twain managed to fuse his irreverent humor with his deep seated concerns about humanity.
Praise for the previous edition:RASD/ALA "Outstanding Reference Source, 1996""'Essential' is the word for it!
The Cambridge Companion to Mark Twain offers new and thought provoking essays on an author of enduring pre-eminence in the American canon. The book is a collaborative project, assembled by scholars who have played crucial roles in the recent explosion of Twain criticism. Accessible enough to interest both experienced specialists and students new to Twain criticism, the essays examine Twain from a wide variety of critical perspectives, and include timely reflections by major critics on the hotly debated dynamics of race and slavery perceptible throughout his writing. The volume includes a chronology of Twain's life and a list of suggestions for further reading, to provide the students or general reader with sources for background as well as additional information.
Provides a detailed introduction to writing an essay about literature and presents and discusses sample topics based on ten pieces by Mark Twain.
Nineteenth-century America and the world of Samuel L. Clemens, better known as Mark Twain, come to life as children journey back in time with this history- and literature-laden activity book. The comprehensive biographical information explores Mark Twain as a multi-talented man of his times, from his childhood in the rough-and-tumble West of Missouri to his many careers—steamboat pilot, printer, miner, inventor, world traveler, businessman, lecturer, newspaper reporter, and most important, author—and how these experiences influenced his writing. Twain-inspired activities include making printer’s type, building a model paddlewheel boat, unmasking a hoax, inventing new words, cooking cornpone, planning a newspaper, observing people, and writing maxims. An extensive resource section offers information on Twain’s classics, such as Tom Sawyer and The Adventures of Huckleberry Finn, as well as a listing of recommended web sites to explore.
In this first book on No. 44 in thirty years, thirteen especially commissioned essays by some of today's most accomplished Twain scholars cover an array of topics, from domesticity and transnationalism to race and religion, and reflect a variety of scholarly and theoretical approaches to the work. This far-reaching collection considers the status of No. 44 within Twain's oeuvre as they offer cogent insights into such broad topics as cross-culturalism, pain and redemption, philosophical paradox, and comparative studies of the "Mysterious Stranger" manuscripts. All of these essays attest to the importance of this late work in Twain's canon, whether considering how Twain's efforts at truth-telling are premeditated and shaped by his own experiences, tracing the biblical and religious influences that resonate in No. 44, or exploring the text's psychological dimensions. Several address its importance as a culminating work in which Twain's seemingly disjointed story lines coalesce in meaningful, albeit not always satisfactory, ways. An afterword by Alan Gribben traces the critical history of the "Mysterious Stranger" manuscripts and the contributions of previous critics. A wide-ranging critical introduction and a comprehensive bibliography on the last century of scholarship bracket the contributions. Close inspection of this multidimensional novel shows how Twain evolved as a self-conscious thinker and humorist--and that he was a more conscious artist throughout his career than has been previously thought. Centenary Reflections deepens our understanding of one of Twain's most misunderstood texts, confirming that the author of No. 44 was a pursuer of an elusive truth that was often as mysterious a stranger as Twain himself.
Zora Neale Hurston is considered one of the most controversial yet prominent figures associated with the Harlem Renaissance. This introductory study examines Hurston's contributions to that literary movement, as well as her role as mediator between the black and white worlds in which she lived. Readers will appeciate the clear presentation of the biographical facts of her life, as well as an overview of the issues and varying perceptions surrounding her literary achievements. A full chapter is devoted to analysing each of Hurston's major works of fiction: Jonah's Gourd Vine (1934), Their Eyes Were Watching God (1937), Moses, Man of the Mountain (1939), Seraph on the Suwanee (1948) as well as her short fiction and her fictionalized autobiography Dust Tracks on a Road (1942). For each of the works, plot, character development, themes, setting and symbols are identified and discussed in clear accessible language. An alternate critical perspective enhances the understanding of each of Hurston's full length works. Contemporary reviews are cited in a bibliography which also helps students find further biographical and critical information on Zora Neale Hurston.
Although there are many studies of America's most famous literary figure, this thorough investigation provides not only new information on Twain's religion, but also a different approach from anything published before. Interpretations of Twain over the past century have been largely the province of literary critics. By skillful textual analysis they have produced an abundance of nuanced studies, but they tend to have little interest in, and knowledge of, the broad religious context of Victorian society, which both angered and intrigued Twain. Phipps provides perceptions often overlooked into the way Clemens's religion was related to such significant issues as racism, imperialism, and materialism. This study takes a close look at his growing up in the slave culture of Missouri Protestants and his subsequent involvement in the radically different abolition culture in which his wire was raised. Like Twain, who aimed at communicating with the common person, Phipps has written in a style that will attract the educated public while providing fresh insights for Twain scholars. His research has taken him to Hannibal, Elmira Hartford, and to the Twain archives in Berkeley. Mostly chronological, the book makes extensive use of Twain's works and, often neglected in such studies on Twain, the Bible, his most important literary source.
A COMPANION TO THE AMERICAN SHORT STORY A Companion to the American Short Story traces the development of this versatile literary genre over the past two centuries. Written by leading critics in the field, and edited by two major scholars, it explores a wide range of writers, from Edgar Allen Poe and Edith Wharton, at the end of the nineteenth century to important modern writers such as Ernest Hemingway, William Faulkner, F. Scott Fitzgerald, and Richard Wright. Contributions with a broader focus address groups of multiethnic, Asian, and Jewish writers. Each chapter places the short story into context, focusing on the interaction of cultural forces and aesthetic principles. The Companion takes account of cutting edge approaches to literary studies and contributes to the ongoing redefinition of the American canon, embracing genres such as ghost and detective fiction, cycles of interrelated short fiction, and comic, social and political stories. The volume also reflects the diverse communities that have adopted this literary form and made it their own, featuring entries on a variety of feminist and multicultural traditions. This volume presents an important new consideration of the role of the short story in the literary history of American literature.