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The 1960s were a colorful, tumultuous age that transformed American society. Ever since the decade ended, Americans have debated the changes that it unleashed. While most liberals argue that the era’s eff ects were mainly positi ve and long overdue, conservati ves perceive the 1960s as a disastrous ti me that has left ruinous legacies for us. Stuck in the Sixti es analyzes conservati ves’ views about the 1960s era and its legacies by examining their discourse about such sixti es fi gures and movements as John F. Kennedy, Marti n Luther King, Jr., the civil-rights movement, the Warren Court, the Great Society, the Vietnam War, the anti war movement, the New Left , and the counterculture. The book reveals that, for a generati on, a focus on att acking and reversing the legacies of the 1960s has been essenti al to the conservati ve Republican agenda.
Includes Goldberg’s groundbreaking book Dispatches from the Culture Wars, plus a new author introduction and additional chapters. “Danny Goldberg’s memoir contains the powerful reflections of the most progressive activist in the recording industry. His candor, vision and sense of humor is infectious.” —Cornel West “If Lester Bangs and Maureen Dowd had a love child, he’d have written this book.” —Arianna Hufflington When did American government become the enemy of American pop culture? Music insider and progressive activist Danny Goldberg has spent decades tuning in to the rhythms and voices that speak straight to the hearts and desires of America’s youth. In that time, one fact has become increasingly clear: Our venerable political leaders are too often tone deaf. In this startling, provocative book, Goldberg shows how today’s professional public servants have managed to achieve nothing less than the indefensible, wholesale alienation of an entire generation.
A dozen of the very best mystery stories from crime-fiction’s maestro, including one brand new Inspector Banks story. Best known — and much admired — for his long-running and bestselling Inspector Banks series, Peter Robinson is also widely and highly praised by mystery mavens for his riveting short stories. Robinson’s versatile talent is on full display in the twelve stories that comprise his latest short story collection, The Price of Love and Other Stories. Spellbinding plots, suspense that grips and won’t let go, utterly unpredictable twists, psychological truths both sweet and scary, characters you’d like to meet (and some you’d hope never to encounter), all set in places that are characters themselves — these are the fundamentals of story and mystery that Robinson plays like the virtuoso he is.
History teacher Kevin Lee is retiring from Seneca Falls High School, where he has worked for the past forty years. He decides to use the freedom of his pending exit to toss the state curriculum and teach the U.S. survey as the story of the alluring, inspiring, murderous concept we know as the American Dream—which, he understands, his students regard with justified, if instinctive, skepticism. Lee discusses the rise, fall, and legacy of the Dream with these smart, funny, and irreverent eleventh graders, in a narrative peppered with memos, email exchanges, text messages, student journalism, and other documents from beyond the walls of his classroom. The result is the best history class you never had. A chronological history of the United States, this compelling novel also offers a snapshot of American education, written by a veteran teacher who slices through the arid literature of pedagogy to vividly depict the life of the classroom. Finally, it offers a deeply affectionate and patriotic vision of American life—one fully aware of the nation’s limits and failures while honoring the longings so many of us have to believe in our country, even as we harbor deepening doubts about our nation.
Re-examining the long-held belief that the Sixties in Britain were dominated mainly by 'youth' and 'protest', the authors in the collection argue that innovation was everywhere shadowed by conservatism. A decade fascinated by itself and, especially, by the future, it also was tormented by self-doubt and accompanied by a fear of losing the past.
This book provides a detailed and engaging account of how Hollywood cinema has represented and ‘remembered’ the Sixties. From late 1970s hippie musicals such as Hair and The Rose through to recent civil rights portrayals The Help and Lee Daniels’ The Butler, Oliver Gruner explores the ways in which films have engaged with broad debates on America’s recent past. Drawing on extensive archival research, he traces production history and script development, showing how a group of politically engaged filmmakers sought to offer resonant contributions to public memory. Situating Hollywood within a wider series of debates taking place in the US public sphere, Screening the Sixties offers a rigorous and innovative study of cinema’s engagement with this most contested of epochs.
A tale of Toland Polk, a young man caught in the maelstrom of the civil rights movement and the intrenched homophobia of small-town America
Where I am now doesn't really matter. What matters is how I got here. How we, how me and Seán, saw that girl getting killed and all the stuff that happened after. And all the stuff that happened before. I saw her getting killed - I know I saw. Seán and me grew up in a town the rest of the world has closed its eyes to. The town we grew up in is a cartoon. A cartoon where we're the butt of every joke, the cloud of dust at the end of every falling anvil. Seán wasn't like the rest of us. Seán isn't like anyone. Seán does stuff to things, things like cats and dogs and guinea pigs. Bad stuff; he can't help it. Dead dogs and a murder. This is how I got here. I saw it happen. I really, really saw it. Dead Dogs is a novel like no other - odd, witty and darkly hilarious, full of pathos and suspense from the beginning to its taut and throttling crescendo. This is a genre-bending achievement by one of Ireland's most talented and original voices.
While there were many protests in the 1950s—against racial segregation, economic inequality, urban renewal, McCarthyism, and the nuclear buildup—the movements that took off in the early 1960s were qualitatively different. They were sustained, not momentary; they were national, not just local; they changed public opinion, rather than being ignored. Women Who Invented the Sixties tells the story of how four women helped define the 1960s and made a lasting impression for decades to follow. In 1960, Ella Baker played the key role in the founding of the Student Nonviolent Coordinating Committee, which became an essential organization for students during the civil rights movement and the model for the antiwar and women’s movements. In 1961, Jane Jacobs published The Death and Life of Great American Cities, changing the shape of urban planning irrevocably. In 1962, Rachel Carson published Silent Spring, creating the modern environmental movement. And in 1963, Betty Friedan wrote The Feminine Mystique, which sparked second-wave feminism and created lasting changes for women. Their four separate interventions helped, together, to end the 1950s and invent the 1960s. Women Who Invented the Sixties situates each of these four women in the 1950s—Baker’s early activism with the NAACP and the Southern Christian Leadership Conference, Jacobs’s work with Architectural Forum and her growing involvement in neighborhood protest, Carson’s conservation efforts and publications, and Friedan’s work as a labor journalist and the discrimination she faced—before exploring their contributions to the 1960s and the movements they each helped shape.