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Brothers and sisters are so much a part of our lives that we can overlook their importance. Even scholars of the family tend to forget siblings, focusing instead on marriage and parent-child relations. Based on a wealth of family papers, period images, and popular literature, this is the first book devoted to the broad history of sibling relations, spanning the long period of transition from early to modern America.Illuminating the evolution of the modern family system, Siblings shows how brothers and sisters have helped each other in the face of the dramatic political, economic, and cultural changes of the eighteenth and nineteenth centuries. The book reveals that, in colonial America, sibling relations offered an egalitarian space to soften the challenges of the larger patriarchal family and society, while after the Revolution, in antebellum America, sibling relations provided order and authority in a more democratic nation. Moreover, Hemphill explains that siblings serve as the bridge between generations. Brothers and sisters grow up in a shared family culture influenced by their parents, but they are different from their parents in being part of the next generation. Responding to new economic and political conditions, they form and influence their own families, but their continuing relationships with brothers and sisters serve as a link to the past. Siblings thus experience and promote the new, but share the comforting context of the old. Indeed, in all races, siblings function as humanity's shock-absorbers, as well as valued kin and keepers of memory.This wide-ranging book offers a new understanding of the relationship between families and history in an evolving world. It is also a timely reminder of the role our siblings play in our own lives.
For many Christians in America, becoming filled with Christ first requires being empty of themselves—a quality often overlooked in religious histories. In Emptiness, John Corrigan highlights for the first time the various ways that American Christianity has systematically promoted the cultivation of this feeling. Corrigan examines different kinds of emptiness essential to American Christianity, such as the emptiness of deep longing, the emptying of the body through fasting or weeping, the emptiness of the wilderness, and the emptiness of historical time itself. He argues, furthermore, that emptiness is closely connected to the ways Christian groups differentiate themselves: many groups foster a sense of belonging not through affirmation, but rather avowal of what they and their doctrines are not. Through emptiness, American Christians are able to assert their identities as members of a religious community. Drawing much-needed attention to a crucial aspect of American Christianity, Emptiness expands our understanding of historical and contemporary Christian practices.
"Martin Hershock traces the ways in which all classes in the state of Michigan found themselves simultaneously attracted to the enticements of the new world of the market and repulsed by its excess and instability. The Paradox of Progress is a study of Michigan history and politics as well as an analysis of the factors underlying the history of the GOP and its evolution from the party that supported the antislavery movement, free soil, free labor, and Lincoln the Rail-Splitter into the party of Mark Hanna, J.P. Morgan, and William McKinley."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
From the colonial period through to the 20th century, this text examines the intersection of medical science, social theory and cultural practices as they shaped relations among wet nurses, physicians and families. It explores how Americans used wet nursing to solve infant feeding problems, shows why wet nursing became controversial as motherhood slowly became medicalized, and elaborates how the development of scientific infant feeding eliminated wet nursing by the beginning of the 20th century. Janet Golden's study contributes to our understanding of the cultural authority of medical science, the role of physicians in shaping child rearing practices, the social construction of motherhood, and the profound dilemmas of class and culture that played out in the private space of the nursery.
Priscilla J. Brewer examines the development and history of the first American appliance—the cast iron stove—that created a quiet, but culturally contested transformation of domestic life and sparked many important debates about the role of women, industrialization, the definition of social class, and the development of a consumer economy. Brewer explores the shift from fireplaces to stoves for cooking and heating in American homes, and sheds new light on the supposedly "separate spheres" of home and world of nineteenth- century America. She also considers the changing responses to technological development, the emergence of a consumption ethic, and the attempt to define and preserve distinct Anglo-American middle class culture. There are few works that treat this significant subject, and Brewer covers impressive new ground. Extensively documented—based on letters, diaries, probate inventories, census records, sales figures, advertisements, fiction, and advice literature-this book will be valuable to scholars of American history and women's studies.
In 1823 William and Amanda Ferry opened a boarding school for Métis children on Mackinac Island, Michigan Territory, setting in motion an intense spiritual battle to win the souls and change the lives of the children, their parents, and all others living at Mackinac. Battle for the Soul demonstrates how a group of enthusiastic missionaries, empowered by an uncompromising religious motivation, served as agents of Americanization. The Ferrys' high hopes crumbled, however, as they watched their work bring about a revival of Catholicism and their students refuse to abandon the fur trade as a way of life. The story of the Mackinaw Mission is that of people who held differing world views negotiating to create a "middle-ground," a society with room for all. Widder's study is a welcome addition to the literature on American frontier missions. Using Richard White's "middle ground" paradigm, it focuses on the cultural interaction between French, British, American, and various native groups at the Mackinac mission in Michigan during the early 19th century. The author draws on materials from the American Board of Commissioners for Foreign Missions archives, as well as other manuscript sources, to trace not only the missionaries' efforts to Christianize and Americanize the native peoples, but the religious, social, and cultural conflicts between Protestant missionaries and Catholic priests in the region. Much attention has been given to the missionaries to the Indians in other areas of the US, but little to this region.
There was a time when young people were the most passionate participants in American democracy. In the second half of the nineteenth century--as voter turnout reached unprecedented peaks--young people led the way, hollering, fighting, and flirting at massive midnight rallies. Parents trained their children to be "violent little partisans," while politicians lobbied twenty-one-year-olds for their "virgin votes"—the first ballot cast upon reaching adulthood. In schoolhouses, saloons, and squares, young men and women proved that democracy is social and politics is personal, earning their adulthood by participating in public life. Drawing on hundreds of diaries and letters of diverse young Americans--from barmaids to belles, sharecroppers to cowboys--this book explores how exuberant young people and scheming party bosses relied on each other from the 1840s to the turn of the twentieth century. It also explains why this era ended so dramatically and asks if aspects of that strange period might be useful today. In a vivid evocation of this formative but forgotten world, Jon Grinspan recalls a time when struggling young citizens found identity and maturity in democracy.
Readers interested in American history, Civil War history, or the ethnic history of Detroit will appreciate the full picture of the time period Taylor presents in "Old Slow Town."