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"Somalia's Mother Teresa chose love over fear. Amid a volatile mix of disease, war, and religious fundamentalism in the Horn of Africa, what difference could one woman make? "I am nobody," she always insisted. Yet by the time she was killed for her work three decades later she had not only developed an effective cure for tuberculosis among nomadic peoples but also exposed a massacre, established homes and schools for the deaf, advocated against female genital mutilation, and secured treatment for ostracized AIDS patients. Months after winning the Nansen Refugee Award from the UN in 2003, Annalena Tonelli was assassinated at one of the tuberculosis hospitals she founded. Rachel Pieh Jones, an American writer, was living a few doors down, having moved to Somaliland with her husband and two children just months before. Annalena's death would alter the course of her life. No one who encounters Annalena in these pages will leave unchanged. Brought vividly back to life through Jones's meticulous reporting and her own letters, Annalena presents us with a new measure of success and commitment. But she also leaves us a gift: the secret to overcoming the fear that pervades our society and our hearts - fear of disease and death, fear of terrorism and war, fear of others, and fear of failure"--Provided by publisher.
The author relates her struggle to come to terms with the emotional pain, anger, and guilt resulting from her son's suicide and offers advice for those who have lost a loved one to suicide.
Kreeft ponders the meaning of a terminal illness we all have: death. The three vital questions of Life, Death, and God are approached through a variety of human experiences. Kreeft's book is a statement of the Christian vision: the meaning of our existence, and of death, is the fulfillment of our deepest desire for the infinite joy and love of God. --From publisher's description.
Outsmart Your Enemies. Outrun the Galaxy. “Just please, remember what I told you. Run. Don’t stop running for anything.” Tina never worries about being 'ordinary'--she doesn't have to, since she's known practically forever that she's not just Tina Mains, average teenager and beloved daughter. She's also the keeper of an interplanetary rescue beacon, and one day soon, it's going to activate, and then her dreams of saving all the worlds and adventuring among the stars will finally be possible. Tina's legacy, after all, is intergalactic--she is the hidden clone of a famed alien hero, left on Earth disguised as a human to give the universe another chance to defeat a terrible evil. But when the beacon activates, it turns out that Tina's destiny isn't quite what she expected. Things are far more dangerous than she ever assumed--and everyone in the galaxy is expecting her to actually be the brilliant tactician and legendary savior Captain Thaoh Argentian, but Tina....is just Tina. And the Royal Fleet is losing the war, badly--the starship that found her is on the run and they barely manage to escape Earth with the planet still intact. Luckily, Tina is surrounded by a crew she can trust, and her best friend Rachel, and she is still determined to save all the worlds. But first she'll have to save herself. Buckle up your seatbelt for this thrilling YA sci-fi adventure set against an intergalactic war from internationally bestselling author Charlie Jane Anders. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book is a coping instrument: a collection of inspirational reflections on navigating through the rough waters which accompany the grieving and mourning process. It contains research, reflections, recommendations, realities and reassurances for those who face the loss of a loved one. Psychologist Dr. Stanley Giannet's masterfully penned insight takes readers on an engaging, deeply moving exploration of the grief and mourning process. Love is Stronger Than Death is a soulful, eloquent invitation to embrace the unconquerable power of love as the primary vehicle for overcoming the anguish that accompanies our losses.
Welcome to Cliffside High, the school of your nightmares. It's run by the Huns, a ruthless clique of rich students—and, as poor Charity Chase discovers, messing with them can be murder. There's Tiffany, avid reader of every beauty magazine available; Brooke, desperate for a date; Danielle, Al Capone in Miss America's body, with her sights set firmly on a millionaire's son Drew. Unfortunately, like every other boy at Cliffside, Drew only has eyes for Helga, the ravishing new student from Norway ... wherever that may be. As far as Danielle is concerned, Helga could be from another world. In fact, if she doesn't lay off Drew—she just might be. Getting rid of her ought to be as easy as taking candy off a helpless old lady. Only something weird is happening to Danielle and her friends, something much nastier than the horror stories she loves to read, something that can only be described as a fate totally worse than death.
Paul Kelly’s songs are steeped in poetry. And now he has gathered from around the world the poems he loves – poems that have inspired and challenged him over the years, a number of which he has set to music. This wide-ranging and deeply moving anthology combines the ancient and the modern, the hallowed and the profane, the famous and the little known, to speak to two of literature’s great themes that have proven so powerful in his music: love and death – plus everything in between. Here are poems by Yehuda Amichai, W.H. Auden, Tusiata Avia, Hera Lindsay Bird, William Blake, Bertolt Brecht, Constantine Cavafy, Alison Croggon, Mahmoud Darwish, Emily Dickinson, John Donne, Ali Cobby Eckermann, James Fenton, Thomas Hardy, Kevin Hart, Gwen Harwood, Seamus Heaney, Philip Hodgins, Homer, Gerard Manley Hopkins, Langston Hughes, John Keats, Ono No Komachi, Maxine Kumin, Philip Larkin, Li-Young Lee, Norman MacCaig, Paula Meehan, Czeslaw Milosz, Les Murray, Pablo Neruda, Sharon Olds, Ovid, Sylvia Plath, Dorothy Porter, Rumi, Anne Sexton, William Shakespeare, Izumi Shikibu, Warsan Shire, Kenneth Slessor, Wislawa Szymborska, Máire Mhac an tSaoi, Ko Un, Walt Whitman, Judith Wright, W.B. Yeats and many more.
In the chilling follow-up to Some Kind of Peace, Siri Bergman returns to investigate a brutal murder case centered in the dark world of domestic abuse. It’s a rainy evening in a Stockholm suburb and five-year-old Tilda is hiding under the kitchen table playing with her crayons when a man enters and beats her mother to death in cold blood. The only witness, Tilda can’t quite see the murderer or figure out who he is. But she’s still a witness. Across town, Siri Bergman and her best friend, Aina, are assisting their old friend Vijay with a research project on domestic abuse. They host a weekly self-help group for survivors, and over the course of several dark, rainy evenings, these women share their stories of impossible love, violence, and humiliation. When the boyfriend of one of the women turns out to be a prime suspect in a high-profile murder case, it isn’t long before Siri finds herself embroiled in the investigation. But as she draws closer to finding the murderer, unexpected developments in her own life force her to wonder: Can she learn to trust a man again in spite of being surrounded by women who have been so deeply betrayed by love?
Medics have a way of organising cases. The first one you see is: 'in my experience'. Two becomes 'case after case'. Three is a series. In medicine, as in crime, three is the magic number that makes a syndrome real - or that turns death from a frightening accident,an unfortunate end to a night of heavy drinking, or a ridiculous overdose into a series. And that means the killer, too, has a label. Three men are dead, three colleagues with a shared past, a past also shared by the one person Kellen Stewart would trust with her life: pathologist Lee Adams. Suspect number one in this fast, hard-edged thriller. Set in Scotland, the action takes us to the rocks of the west coast and back to the farm in the Campsie Fells that is the location for the first two Kellen Stewart novels.