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In a world where a powerless enemy tries to be a powerful enemy, Prophetess Jenee E. Hudson destroys the yokes of darkness by teaching many all over the world uncommon strategies on how to bruise the head of Satan by activation of kingdom authority from knowing who you are in Christ. Women of today are dealing with many obstacles, issues, and simply living in a society where dominance of the male culture still exists. With so many vain things to divide us, Prophetess Hudson, founder and CEO of Bruise His Head Ministries, Inc., ministers healing and deliverance to the soul of many bruised, wounded, broken, and abused women. Since raised as a Washingtonian, she has been noted for her phrase "I left a man I could see for one I cannot see." This bold statement has taken cities to another level of those who have been hidden in the dark of lies as well as how to break free from bondage, pain, and a shameful past. Please enjoy the material of this book as you learn your authority in kingdom citizenship while God's word releases a power missile to pierce the soul and liberate your spirit.
Offering more than just an introduction or a celebration of the Arab American presence in the Americas, the essays in this book aim at expanding readers' understanding of what it means to be part of the Arab diaspora and to live in the Americas.
From advertising to health education campaigns, sex and sexual imagery now permeate every aspect of culture. Striptease Culture explores the 'sexualization' of contemporary life, relating it to wider changes in post-war society. Striptease Culture is divided in to three sections: * Part one - traces the development of pornography, following its movement from elite to mass culture and the contemporary fascination with 'porno-chic' * Part two - considers popular cultural forms of sexual representation in the media, moving from backlash elements in straight male culture and changing images of women, to the representation of gays in contemporary film and television * Part three - looks at the use of sexuality in contemporary art, examinging the artistic 'striptease' of Jeff Koons, and others who have used their own naked bodies in their work. Also considering how feminist and gay artists have employed sexuality in the critique and transformation of patriarchy, the high profile of sexuality as a key contributor to public health education in the era of HIV and AIDS, and the implications of the rise of striptease culture for the future of sexual poltics, Brian McNair has produced an excellent book in the study of gender, sexuality and contemporary culture.
For nineteen years, Olivia lived the shadowy life of stripper, streetwalker, and heroin addict on the fringes of society. Leaving a troubled home at age sixteen to land a seemingly glamorous job at a Chicago stripclub, she became trapped in a web of prostitution and drug addiction that eventually forced her onto the streets and into a world of hardship at the hands of abusive men. But Olivia, a resourceful, vibrant woman of color, ultimately escaped the prostitution lifestyle and is now director of addiction services at a community counseling program, working to support drug-dependent women. Listening to Olivia is the compelling account of her descent into poverty and abuse together with her hard fought recovery. By assimilating new research on the women and girls in prostitution - in addition to their male customers - Jody Raphael discovers that experiences like Olivia's are alarmingly common and argues that the sex trade as an institution promotes violence against women. Smashing both the common stereotype of the depraved streetwalker and abstract feminist arguments legitimizing prostitution as the sexual liberation of women, the author uncovers an emerging multimillion-dollar global trafficking industry that detains women in a violent cycle of exploitation and dependence. Olivia's own insights on her turbulent childhood, stripping in clubs, soliciting on the street, drug addiction, brutal pimps, her three pregnancies, and her extraordinary transformation highlight important new questions: who are the men who buy sex from such poor, strung out women; and why are so many of these men so violent? Olivia's story gives a human face to the overwhelmingly low-income, non-white, and unempowered young women in prostitution today. Combined with a wealth of new findings, this gripping and accessible study challenges the academy, the legal system, and society as a whole to wake up and listen to the women like Olivia.
Zombies, vampires and ghosts feature prominently in nearly all forms of entertainment in the 21st century, including popular fiction, film, comics, television and computer games. But these creatures have been vital to the entertainment industry since the best-seller books of a century and half ago. Monsters don't just invade popular culture, they help sell popular culture. This collection of new essays covers 150 years of enduringly popular Gothic monsters who have shocked and horrified audiences in literature, film and comics. The contributors unearth forgotten monsters and reconsider familiar ones, examining the audience taboos and fears they embody.
Once upon a time I had a dream and I chased it. This Magical Book tells about my Adventure in Egypt, the Price we pay for our Dreams and the Wisdom we gather on the Journey up the Mountain. Almost killed, chased, shocked and amazed with an Egyptian (fascinating) underworld very few foreigners ever get to know. How did I end up living and performing in Egypt for almost a decade, succeeding in my career against all odds? How did I do it* when everyone yelled: YOU CANT?! The answer to these - and other - intriguing questions is above rational understanding; its Magic were talking about. In my heart, I knew I had to go to Egypt and rescue Oriental Dances Soul (my own Soul) so that the World could remember, once more, why WE ARE ALIVE*. This Book is a about my real life Adventure - my (OUR) Journey*. I can hear the deserts wind whispering: it was never only about the dance, darling. Oriental Dance is just a Door - covered in veils and luminous sequins - to a Temple where much about Lifes Adventure is to be learnt. Welcome to Egypt: welcome to the World (enjoy the Ride*)!"
American writer Edith Wharton (1862-1937) once wrote in Harper's that she wanted to "penetrate ... the carefully guarded interior[s]" of her past memories and fashion them "into a little memorial like the boxes formed of exotic shells which sailors used to fabricate between voyages." For Totten (English, North Dakota State U.) this statement is a striking reminder of the connections between material objects and cultural meanings in Wharton's life and work. He presents 11 essays that explore these connections in a variety of ways. Topics include critical linkages of Wharton to materiality as a means to keep her outside the canonical, resistance to commodification in The House of Mirth, the creation of the disposable object and Wharton's characters' fears of their disposability, Wharton's ideas about the use of museum space in The Age of Innocence, and the effect of technology on domestic space in The Fruit of the Tree.
A bestselling, groundbreaking author investigates successful long term marriages, interviewing wives and their uncensored strategies for staying married. America's high divorce rate is well known. But little attention has been paid to the flip side: couples who creatively (sometimes clandestinely) manage to build marriages that are lasting longer than we ever thought possible. What's the secret? To find out, bestselling journalist Iris Krasnow interviewed more than 200 wives whose marriages have survived for 15 to 70 years. They are a diverse cast, yet they share one common and significant trait: They have made bold, sometimes secretive and shocking choices on how to keep their marital vows, "till death do us part," as Krasnow says, "without killing someone first." In raw, candid, titillating stories, Krasnow's cast of wise women give voice to the truth about marriage and the importance of maintaining a strong sense of self apart from the relationship. Some spend summers separately from their partners. Some make time for wine with the girls. One septuagenarian has a recurring date with an old flame from high school. In every case, the marriage operates on many tracks, giving both spouses license to pursue the question "Who am I apart from my marriage?" Krasnow's goal is to give women permission to create their own marriages at any age. Marital bliss is possible, she says, if each partner is blissful apart from the other. A fascinating window on the many faces of modern relationships, The Secret Lives of Wives brims with inspiring and daring examples of women who have it both ways: a committed marriage and personal adventures in uncharted territory. For anyone who wants to stay married and stay sane, this is the book to read!
This study examines the early dramatic works of Yeats, Synge, and Gregory in the context of late colonial Ireland’s unique socio-political landscape. Cusack demonstrates the complex negotiation of nationalism, class, and gender identities undertaken by these authors in the years leading up to Ireland’s revolution.