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Puppetry is arguably the most widespread form of performance. The artistry of puppetry includes aspects of the visual arts, theatre, music, and dance. Puppets can be traced as far back as ancient Egypt, Greece, and Rome and are found today in cultures worldwide, across the Americas, Europe, Africa, and Asia. John Bell shows how puppets have been used to relay myths, poke fun at political figures, comment on cultural events of the period, express moral stories, and entertain adults and children alike. This richly illustrated book gives a historical overview and looks at the wide variety of this traditional art form. From European and Asian puppets in modern and ancient times to the Puppet Modernism movements, the book explores the important innovators and innovations of puppetry. Brief biographies of key figures such as Tony Sarg (credited with creating the first over-life-size puppets used for parades), Paul McPharlin (creator of Punch’s Circus), and Jim Henson (world-reknowned creator of many puppets, including the Muppets) help describe the evolution of puppetry. Definitions and descriptions of a variety of puppet styles, including shadow puppets, marionettes, hand puppets, rod puppets, and many others, add to the understanding of this fascinating form of art. With over one hundred color illustrations, this book highlights the "lives" of such characters as Kermit the Frog, Punch and Judy, Jack Pumpkinhead, and the traditional Chinese puppet Te-Yung to reveal the ways that puppets have become an integral part of many cultures. Captivating and fun, this book offers valuable insight into the wonderful world of puppetry.
Though a shadow is as good as a ghost, with no free will to speak of, they may still be saved... The kingdom of Cirena is under attack from an army of shadows—beings who can only be hurt by magic or fire. Magic has been stolen, and as the shadows spread, infecting all they touch, the last two ribbon mages race to the nearest port city to warn them of the impending invasion. One of those mages, Toranih, is among the few who can see the Trickster-cursed army, and she’s determined to get magic back—no matter how much she distrusts it. When she is captured by shadows and a dark secret is revealed about her future, her best friend, Daernan, is left to defend the city. But his only methods of stopping the shadows are by fire and the devastating magic of the shodo'charl. With the knowledge that the shadows are innocent townsfolk forced to do a warlord's bidding, Daernan must choose between saving the shadows or saving those who have not yet turned. Read this second installment of the The Wishing Blade series today! KEYWORDS: fantasy quest, strong female protagonist, sword and sorcery, mage born, mage, adventure, dark magic, girl sorcerer, sword woman, friendship, young adult fantasy, fantasy, epic fantasy, secondary world fantasy, YA fantasy, antimagic, shadow magic, unwanted magic, elemental magic, secret identity, gods and goddesses, immortal magic
Kaiser explores the extraordinary career of Melville A. Clark (1883–1953), a musician, inventor, entrepreneur, community leader, and collector whose colorful story is largely unknown. Beginning with an account of Clark’s musical family, Kaiser chronicles the founding in 1859 of the Clark Music Company, of which Melville Clark became president in 1919. Originally just a tinker’s shed, the business ultimately moved into a six-story building in the center of Syracuse, New York. The music company celebrates its 150th anniversary in 2010. Clark also combined his talents as a gifted musician and an astute entrepreneur to start the first Syracuse Symphony Orchestra. Kaiser recounts the development of the Clark Irish Harp, the first portable harp manufactured in the United States that could easily play accidentals. There were other Clark inventions, such as the first nylon strings for instruments, a fruit picker, and balloons that the British used in 1918 to drop more than 1,250,000 pamphlets over Germany. Clark’s story unfolds in fascinating detail: a musical encounter with President Wilson, an opportunity to perform for President F. D. Roosevelt at the White House, a visit to Buckingham Palace to present Princess Elizabeth with a music box, and the journey of a Clark Irish Harp to Antarctica with Admiral Byrd. Lavishly illustrated, Pulling Strings not only uncovers the life of a musical genius but also sheds light on a forgotten chapter in Syracuse history.
'A hugely entertaining Victorian mystery' New York Times 'I enjoyed this - properly creepy and Gothic' Ian Rankin A spellbinding concoction of crime, history and horror - perfect for fans of Sherlock Holmes and Jonathan Creek _______ Edinburgh, 1888. A violinist is murdered in his home. The dead virtuoso's maid swears she heard three musicians playing in the night. But with only one body in the locked practice room - and no way in or out - the case makes no sense. Fearing a national panic over another Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey's new boss, Detective 'Nine-Nails' McGray, actually believes in such supernatural nonsense. McGray's tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next . . . _______ 'This is wonderful. A brilliant, moving, clever, lyrical book - I loved it' Manda Scott 'A great cop double-act . . . It's the pairing of the upright Frey and the unorthodox McGray that notches up the stars for this book' Sunday Sport 'A brilliant mix of horror, history, and humour. Genuinely riveting . . . with plenty of twists, this will keep you turning the pages. It's clever, occasionally frightening and superbly written - The Strings Of Murder is everything you need in a mystery thriller' Crime Review
The guitar is more than a musical instrument. It is an archetype. In homage, Light Strings brings together two masters of their craft: photographer Ralph Gibson and former guitarist for the Police, Andy Summers. Gibson's enigmatic and sensuously elegant photographs are the visual counterpart to Summers' lyrical history and thoughtful exploration of the instrument's features. Together they create a unique poetic meditation on the guitar. Both artists pay attention to the form of the guitar and its relationship to the body; its curves echo the human figure, not only requiring it to be cradled to play it, but inviting a study of its own sumptuous anatomy. With over one hundred alluring images that capture the graceful details of the instrument, Light Strings is the book for every guitar player.
In the bestselling sequel to Find You in the Dark, A. Meredith Walters continues the emotional story of Maggie, Clay, and the power of unconditional love. How do you keep going when you feel like your life is over? Maggie never thought she’d see Clay again. So, she attempts to put her life back together after her heart has been shattered to pieces. Moving on and moving forward, just as Clay wanted her to. Clay never stopped thinking of Maggie. Even after ripping their lives apart and leaving her behind to get the help he so desperately needed. He is healing…slowly. But his heart still belongs to the girl who tried to save him. When a sudden tragedy brings Maggie and Clay face-to-face again, nothing is the same. Yet some things never change. Can the darkness that threatened to consume them be transformed into something else and finally give them what they always wanted? And can two people who fought so hard to be together, finally find their happiness? Or will their demons and fear drive them apart for good? The thing about love is that even when it destroys you, it has a way of mending what is broken. And in the shadows, you can still see the light.
How the perception of shadows, studied by vision scientists and visual artists, reveals the inner workings of the visual system. In The Visual World of Shadows, Roberto Casati and Patrick Cavanagh examine how the perception of shadows, as studied by vision scientists and visual artists, reveals the inner workings of the visual system. Shadows are at once a massive problem for vision—which must distinguish them from objects or material features of objects—and a resource, signaling the presence, location, shape, and size of objects. Casati and Cavanagh draw up an inventory of information retrievable from shadows, showing their amazing variety. They present an overview of the visual system, distinguishing between measurement and inference. They discuss the shadow mission, the work done by the visual brain to parse, and perhaps discard, the information from shadows; shadow ownership, the association of a shadow with the object that casts it; shadow labeling, the visual system's ability to tell shadows from nonshadows; and the shadow concept, our knowledge about shadows as a category. Casati and Cavanagh then apply the theoretical apparatus they have developed for shadows to other phenomena: illumination, reflection, and transparency. Finally, they examine the art of the shadow, paying tribute to artists' exploration of shadow, analyzing a series of artworks (reproduced in color) from a rich and fascinating art historical corpus.
Orphaned, two sisters are left to find their own way. Sweet and proper, Karah's future seems secure at a glamorous Flower House. She could be pampered for the rest of her life. . . if she agrees to play their game. Nemienne, neither sweet nor proper, has fewer choices. Left with no alternative, she accepts a mysterious mage's offer of an apprenticeship. Agreeing means a home and survival, but can Nemienne trust the mage? With the arrival of a foreign bard into the quiet city, dangerous secrets are unearthed, and both sisters find themselves at the center of a plot that threatens not only to upset their newly found lives, but also to destroy their kingdom.
In a volume containing 14 original plays – including three shadow-play adaptions of Gogol, Morton and Runyon classics – the author resurrects a sadly neglected theatre genre – the shadow play combining traditional shadow techniques with normal acting to create ‘full-bodied’ mainstream plays.
Screenwriter and acclaimed film critic C. Robert Cargill makes his fiction debut with Dreams and Shadows, taking beloved fantasy tropes, giving them a twist, and turning out a wonderful, witty, and wry take on clash between the fairy world and our own. Something is missing from Ewan and Colby’s lives. Residing in the corners of their memories is their time in Limestone Kingdom, a realm filled with magic and mystery, a world where only some may travel amongst the menagerie of mystical souls and sinister demons. Cargill offers well-crafted characters and an absorbing, intricate plot that will appeal to fans of Neil Gaiman and Lev Grossman. Dreams and Shadows pulls you into an extraordinary universe of darkness that exposes the magic and monsters in our world, and in ourselves.