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Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Expertly arranged String Quartet by Alexander Borodin from the Kalmus Edition series. This is from the Romantic era.
Spotlighting the four women of the Lafayette Quartet, a leading Canadian ensemble, Rounds offers both a comprehensive history of the beloved instrumental form and an inside view of the complex world of professional quartet players, revealing the exultation and heatache that are the performing artists' daily fare. A treat for every music lover, whether player, listener or composer.
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
A string quartet by Ottorino Respighi.
Sheet Music: Haydn, F. J. (1732-1809) Op. 76 String Quartet: Violins, Viola, 'Cello
"The purpose of this paper is to explore the transition from a Romantic, Brahmsian style to chromaticism in Schoenberg's chamber music writing style with emphasis on tonal relationships. The String Quartet in D Major (1897) was selected as a starting point because it was his first important work to be performed in public and is not at all characteristic of his later writing. It will be contrasted with his sextet, Verklarte Nacht (1899), Op. 4, a pivotal composition that shows a great deal of chromaticism. An analysis of the form and tonal relationships of both pieces and a comparison to common practices as outlined in textbooks and established examples of the genre realizes the expected result. The String Quartet in D Major conforms to standard key relationships and to sonata form compositional practices for both structural and chordal analyses. The forms are easily recognizable and well emphasized by the profuse use of dynamic markings and the texture of the part writing. Throughout the work, Schoenberg appropriates devices used by romantic composers such as Brahms and Dvorak. Brahms' influence on this composition are evident in structure, melodic and rhythmic devices and instrumental color. Verklarte Nacht presents a more interesting analysis. It is an amalgamation of chamber music and program music and is based on the poem of the same name by Richard Dehmel (1863-1925). Verklarte Nacht provides one with a view of Schoenberg's development as a composer and the direction his subsequent work was to take. He is no longer bound by sonata form and rules of thematic development as he seemed to be when he wrote his String Quartet in D Major. Themes are not developed strictly according to sonata form with clear transitions and modulations. Thematic development is more chromatic and themes are closely related to each other and to the form of the poem. Schoenberg's writing now begins to show the influence of Richard Wagner's in his thematic development, instrumental usage, and in the way the music expresses the action and emotion of the poem. This paper concludes that Schoenberg developed his compositional style in terms of both style and tonality from Romantic form and tonality typical of Brahms to a more chromatically saturated style with less adherence to strict forms. He moves away from 18th-century conventions of tonality toward free tonality. These works show the composer's progression from Romantic German formal part writing with conventional tonal relationships to a looser form more dependent on thematic material and programmatic agenda using increasingly chromatic harmonies and melodies"--Document.