Download Free Striking New Images Book in PDF and EPUB Free Download. You can read online Striking New Images and write the review.

The eight chapters of this volume explore the contribution that numismatic studies can make to a serious investigation of the New Testament and its world. The first two chapters focus on themes connected with the reign of the Julio-Claudian emperors, the next three on aspects of Pauline letters that may be illuminated by specific issues of Roman coinage, and the final three concentrate on coinage minted during the reign of the Emperor Hadrian.
All cultures make, and break, images. Striking Images, Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st century. With its impressive chronological sweep and disciplinary breadth, this is the first book about iconoclasm (the breaking of images) and the transformation of broader sets of signs that includes contributions from archaeologists, curators, and museum conservators as well as historians of art, literature and religious studies. The chapters examine themes critical to the study of iconoclasm: violence, punishment, memory, intentionality, ruins and relics and their survival. The conclusion shows how cross-disciplinary debate amongst the contributors informed Tate Britain?s 'Art under Attack' exhibition (2013) and addresses the challenges iconoclasm presents to the modern museum. By juxtaposing objects and places usually considered in isolation, Striking Images raises provocative questions about our understandings of cross-cultural differences and the value of representational objects from the broken swords of pre-historical bog graves to the Bamiyan Buddhas and contemporary art. Are any such objects ever ?finished?, or are they simply subject to constant transformation? In dialogue with each other, the essays consider this question and expand the field of iconoclasm - and cultural - studies.
A guide to converting digital color photographs into grayscale images with Adobe Photoshop that covers luminance, adjustment conversion, plug-ins, optical filters, calibration, printing, and other related topics.
Gordon Parks' ethically complex depictions of crime in New York, Chicago, San Francisco and Los Angeles, with previously unseen photographs When Life magazine asked Gordon Parks to illustrate a recurring series of articles on crime in the United States in 1957, he had already been a staff photographer for nearly a decade, the first African American to hold this position. Parks embarked on a six-week journey that took him and a reporter to the streets of New York, Chicago, San Francisco and Los Angeles. Unlike much of his prior work, the images made were in color. The resulting eight-page photo-essay "The Atmosphere of Crime" was noteworthy not only for its bold aesthetic sophistication, but also for how it challenged stereotypes about criminality then pervasive in the mainstream media. They provided a richly hued, cinematic portrayal of a largely hidden world: that of violence, police work and incarceration, seen with empathy and candor. Parks rejected clichés of delinquency, drug use and corruption, opting for a more nuanced view that reflected the social and economic factors tied to criminal behavior and afforded a rare window into the working lives of those charged with preventing and prosecuting it. Transcending the romanticism of the gangster film, the suspense of the crime caper and the racially biased depictions of criminality then prevalent in American popular culture, Parks coaxed his camera to record reality so vividly and compellingly that it would allow Life's readers to see the complexity of these chronically oversimplified situations. The Atmosphere of Crime, 1957 includes an expansive selection of never-before-published photographs from Parks' original reportage. Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant laborer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself and becoming a photographer. He evolved into a modern-day Renaissance man, finding success as a film director, writer and composer. The first African-American director to helm a major motion picture, he helped launch the blaxploitation genre with his film Shaft (1971). Parks died in 2006.
A leading activist museum director explains why museums are at the center of a political storm In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
***The 7th novel in the Strike series, THE RUNNING GRAVE, is coming in September 2023. Pre-order now and be the first to read it*** THE NUMBER ONE SUNDAY TIMES BESTSELLER, JULY 2023 'A superlative piece of crime fiction' SUNDAY TIMES 'There can be no denying [Galbraith's] considerable talents as a crime writer' GUARDIAN 'Fans will be as entranced as ever' DAILY MAIL When frantic, dishevelled Edie Ledwell appears in the office begging to speak to her, private detective Robin Ellacott doesn't know quite what to make of the situation. The co-creator of a popular cartoon, The Ink Black Heart, Edie is being persecuted by a mysterious online figure who goes by the pseudonym of Anomie. Edie is desperate to uncover Anomie's true identity. Robin decides that the agency can't help with this - and thinks nothing more of it until a few days later, when she reads the shocking news that Edie has been tasered and then murdered in Highgate Cemetery, the location of The Ink Black Heart. Robin and her business partner Cormoran Strike become drawn into the quest to uncover Anomie's true identity. But with a complex web of online aliases, business interests and family conflicts to navigate, Strike and Robin find themselves embroiled in a case that stretches their powers of deduction to the limits - and which threatens them in new and horrifying ways . . . A gripping, fiendishly clever mystery, The Ink Black Heart is a true tour-de-force.
Come, brother golfers. Let Phairway Phil lead you out of the Dark Ages of golf instruction—with its archaic advice and ambiguous language—and into the Bright Age. This guru of the game offers an alternative, enlightening approach that will simplify and clarify the process. “Swing,” the centerpiece of Dark Age instruction, “is an Evil word,” Phairway Phil preaches. “It must be banished from your mind and mouth forever more. It is the root cause of our misconception.” Instead, he is the first to introduce the concept of Coil/Strike. “All living things COIL and STRIKE,” he declares. “It is the basic movement of all life and the basic movement for all golf strokes.” Through step-by-step instruction and unique images—as well as LMAO stories to keep you smilin’ and energized—Phairway Phil describes the Coil/Strike approach in detail. All strokes are addressed, including chipping and putting. Simplify your game and pare down your handicap with this exciting, revolutionary approach. Let the fun begin! COIL/STRIKE has arrived as golf’s first creative nonfiction instruction book. Author Phairway Phil unites fiction with nonfiction in an original exploration of the genre—a groundbreaking introduction from Gatekeeper Press. Learning swing mechanics can make golfers loopy. But a coil strikes. At last, a brand-new concept to help millions of frustrated golfers. It’s a step-by-step method with merriment. COIL/STRIKE is meant for everyone who can meet the book’s easy Reader Qualification Requirements. Join the COIL/STRIKE revolution! READER QUALIFICATION REQUIREMENTS: This Golf Manifesto should only be read by right-handed, males who are 33 to 75 years old. NOT A BEGINNER. Read at least one instruction book or taken more than three lessons. You’re frustrated, bewildered, or resigned by failing to improve. If you can’t meet all the qualifications, please stop! I’m sorry, I don’t want you to waste your time and presumably your money. For now, I can’t say with confidence that reading Coil/Strike can help you─just qualified readers. THANKS FOR UNDERSTANDING.
Incorporated in 1847 on the banks of the Merrimack River, Lawrence, Massachusetts, was the final and most ambitious of New Englands planned textile-manufacturing cities developed by the Boston-area entrepreneurs who helped launch the American Industrial Revolution. With a dam and canal system to generate power, by 1912 Lawrence led the world in the production of worsted wool cloth. The Pacific Cotton Mills alone had sales of nearly $10 million and had mechanical equipment capable of producing 800 miles of finished textile fabrics every working day. However, industrial growth was accompanied by worsening health, housing, and working conditions for most of the citys workers. These were the root causes that led to the long, sometimes violent struggle between people of diverse ethnic groups and languages and the citys mill owners and overseers. The 1912 strikeknown today as the Bread and Roses Strikebecame a landmark moment in history.
YOU are in New York City on a sunny September morning. You're going about your day when suddenly the unthinkable happens. A huge passenger plane flies straight into a tower of the famous World Trade Center. A short time later, a second plane slams into the other tower. Clouds of black smoke billow from the towers. Will you rush into the buildings and try to help any survivors? Or will you try to escape the broken and burning wreckage falling to the street? Step back in time to face the dangers and difficult decisions that real people had to face on one of America's darkest days.
In this magnificent display of ornithological beauty, readers are given the chance to marvel at the textures and colors of birds in stunning detail--and are rewarded with a new appreciation of art in nature. Deborah Samuel's photographs are meant to inspire and teach. In this book she turns her lens toward the bird, and her images are as surprising as they are exquisite. From nest to egg to feather, these images are an exercise in seeing and a showcase of what photography can reveal: the impossibly soft feathers of ospreys; the iridescence of a bird-of-paradise; the curved, needle-like beak of a common scimitarbill; and the psychedelic hues of the aptly named resplendent quetzal. Samuel also photographs the nests and eggs of birds, showing us examples of incredible artistry and simple, natural perfection. Accompanying these images are detailed scientific descriptions of Samuel's subjects, written by Mark Peck, an ornithological expert at the Royal Ontario Museum in Toronto. An index detailing each species--its common and scientific names, size, habitats, and breeding practices--makes this more than a photography book, while the extraordinary images transform it into a sourcebook of colors, shapes, and designs.