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Investigating the persistence and place of the formulas of Horatio Alger in American politics, The Fictional Republic reassesses the Alger story in its Gilded Age context. Carol Nackenoff argues that Alger was a keen observer of the dislocations and economic pitfalls of the rapidly industrializing nation, and devised a set of symbols that addressed anxieties about power and identity. As classes were increasingly divided by wealth, life chances, residence space, and culture, Alger maintained that Americans could still belong to one estate. The story of the youth who faces threats to his virtue, power, independence, and identity stands as an allegory of the American Republic. Nackenoff examines how the Alger formula continued to shape political discourse in Reagan's America and beyond.
This book explores the diversity of meanings that accrue around the terms 'hobo', 'tramp', and 'vagabond'.
Emma Goldman has often been read for her colorful life story, her lively if troubled sex life, and her wide-ranging political activism. Few have taken her seriously as a political thinker, even though in her lifetime she was a vigorous public intellectual within a global network of progressive politics. Engaging Goldman as a political thinker allows us to rethink the common dualism between theory and practice, scrutinize stereotypes of anarchism by placing Goldman within a fuller historical context, recognize the remarkable contributions of anarchism in creating public life, and open up contemporary politics to the possibilities of transformative feminism.
A little over a century ago, the Irish in America were the targets of intense xenophobic anxiety. Much of that anxiety centered on their mobility, whether that was traveling across the ocean to the U.S., searching for employment in urban centers, mixing with other ethnic groups, or forming communities of their own. Granshaw argues that American variety theatre, a precursor to vaudeville, was a crucial battleground for these anxieties, as it appealed to both the fears and the fantasies that accompanied the rapid economic and social changes of the Gilded Age.
At the beginning of the twentieth century, industrialization both dramatically altered everyday experiences and shaped debates about the effects of immigration, empire, and urbanization. In American Abyss, Daniel E. Bender examines an array of sources—eugenics theories, scientific studies of climate, socialist theory, and even popular novels about cavemen—to show how intellectuals and activists came to understand industrialization in racial and gendered terms as the product of evolution and as the highest expression of civilization.Their discussions, he notes, are echoed today by the use of such terms as the "developed" and "developing" worlds. American industry was contrasted with the supposed savagery and primitivism discovered in tropical colonies, but observers who made those claims worried that industrialization, by encouraging immigration, child and women's labor, and large families, was reversing natural selection. Factories appeared to favor the most unfit. There was a disturbing tendency for such expressions of fear to favor eugenicist "remedies."Bender delves deeply into the culture and politics of the age of industry. Linking urban slum tourism and imperial science with immigrant better-baby contests and hoboes, American Abyss uncovers the complex interactions of turn-of-the-century ideas about race, class, gender, and ethnicity. Moreover, at a time when immigration again lies at the center of American economy and society, this book offers an alarming and pointed historical perspective on contemporary fears of immigrant laborers.
In the years following the Civil War, a veritable army of homeless men swept across America, forging a counterculture known as hobohemia. This work tells the epic story of hobohemia, drawing a new interpretation of the American century in the process.