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Get Rich in Real Estate is a simple but detailed educational book for real estate investors, outlining the principles of real estate investments that comprise the effective and proven strategy for success. The author, Elliot Bogod, is a Founder and Managing Director of Broadway Realty, a real estate brokerage in Manhattan. With over twenty years experience, Elliot has sold over $2 billion in New York real estate. In this book, you will find: • A list of “magic words” often used in real estate investment, with clear and detailed explanations • Methods for evaluating the locations for your investments, using vibrant Manhattan neighborhoods as an example. • Review of different types of residential investments: condominiums, co-ops and townhouses • Detailed advice on investing in various types of commercial real estate: retail locations, offices, restaurants, hotels, garages and others • Multiple strategies, tactics and techniques for building wealth through your investments • Clear and concise information on mortgages, taxes and laws • Methods for achieving success through managing a team of experts working for you
The book contains short stories and poetry. There are forty nine short stories and one hundred and twenty poems. The poems are free verse and some metered. There are numerous subjects: from childhood to man hood. There are: Shakespearean sonnets, Yeats octave Philosophical poetry, Science, Confessional, Epitaph, Satire, Lyric, Dramatic and Narrative, Crown of Sonnets, Imagism, and many other genres. The book discusses ethics, love war and science. In The Big Picture and The Adventures of life there is conflict then resolution. Some storys are strictly from the imagination, and others are written from experience. There are submerged characters some heroic some tragic, and some on the fringes of society.
A collection of photographs of Seattle's street children that captures their lives on the streets--and the effects of that life. Meet Tina, a 13-year-old prostitute with dreams of diamonds and furs; Rat and Mike, 16-year-olds who eat from dumpsters; and Dewayne, a 16-year-old boy who hanged himself in a juvenile facility when faced with the prospect of returning to the streets. 57 duotone photographs.
A timely and revelatory new biography of Queen Elizabeth (and her family) exploring how the Windsors have evolved and thrived, as the modern world has changed around them. Clive Irving’s stunning new narrative biography The Last Queen probes the question of the British monarchy’s longevity. In 2021, the Queen Elizabeth II finally appears to be at ease in the modern world, helped by the new generation of Windsors. But through Irving’s unique insight there emerges a more fragile institution, whose extraordinarily dutiful matriarch has managed to persevere with dignity, yet in doing so made a Faustian pact with the media. The Last Queen is not a conventional biography—and the book is therefore not limited by the traditions of that genre. Instead, it follows Elizabeth and her family’s struggle to survive in the face of unprecedented changes in our attitudes towards the royal family, with the critical eye of an investigative reporter who is present and involved on a highly personal level.
This WW II novel revolves around the experience of a callow youth destined to join the Fourth Infantry Division in Hürtgen Forest. The narrative traces the bonded ties of six comrades in arms, three of whom are killed and three wounded. Vividly detailed, the stressful existence of Combat Infantrymen causes some men to break. What helps those who see it through is their loyalty to one another, called a "culture of caring" by their Chaplain. In Part I our innocent recruits are sobered by incidental casualties on the way up, which initiate them into the inconsequence of death. Part II takes them into Hürtgen, a battle fought under continuous icy rain in steep-hilled terrain favoring the well entrenched Germans. Casualties often run over l00% of a Company's authorized strength. Attacks are met by unrelenting artillery and mortar fire machine guns at close range. In a typical situation, our narrator covers a Sergeant, who, after taking out a machine gun pinning the Company down, is himself killed by a sniper. A hard-headed West Pointer insists on night action, impossible in the Forest, and, after stepping on a mine that takes his legs off, he rolls on another that hits those nearby. General Patton called Hürtgen "an epic of stark infantry combat." Part III deals with how, badly depleted in numbers and morale, the men successfully withstand the Breakthrough, thereby saving Luxembourg, a defense for which Patton gave the Fourth a Unit Citation. In the concluding Part, the narrator is wounded and put on limited assignment. He dislikes the rear echelon life-style, guys being obsessed with whores, drinking, stealing, and feasting, but he holds his peace and decides he'll return to the world where reality matters.
The hotly anticipated American edition of Robert Hardman's biography of Queen Elizabeth (formerly Our Queen in the U.K.)—An intimate portrait of England's soon-to-be longest reigning queen, in celebration of her diamond jubilee—and the first-ever book interview with her grandson, Prince William. History has known no monarch like her. She has traveled farther than all her predecessors put together and lived longer than any of them. She has known more historic figures than anyone alive—from Churchill to Mandela, de Gaulle to Obama. Now, the distinguished royal writer Robert Hardman has been granted special access to the world of Queen Elizabeth II to produce this enthralling new portrait of one of the most popular pubic figures on earth. Not only has Elizabeth II reigned through Britain’s transformation from an imperial power to a multi-cultural nation, but she has also steered the monarchy through more reforms in the last twenty-five years than in the previous century. Queen Elizabeth II sits at the head of an ancient institution that remains simultaneously popular, regal, inclusive, and relevant in a twenty-first-century world. It is down to neither luck nor longevity: it is down to the shrewd judgment of a thoroughly modern monarchy—with no small assistance from the longest-serving consort in history. Here is the inside story.
Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.