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Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of examples of cinema with architecture, art history, medical discourse, photography, and literature--addresses the challenge posed by feminism to film study while calling attention to marginalized artists. An object of this critical remapping is Elvira Notari (1875-1946), Italy's first and most prolific woman filmmaker, whose documentary-style work on street life in Naples, a forerunner of neorealism, was popularly acclaimed in Italy and the United States until its suppression during the Fascist regime. Since only fragments of Notari's films exist today, Bruno illuminates the filmmaker's contributions to early Italian cinematography by evoking the cultural terrain in which she operated. What emerges is an intertextual montage of urban film culture highlighting a woman's view on love, violence, poverty, desire, and death. This panorama ranges from the city's exteriors to the body's interiors. Reclaiming an alternative history of women's filmmaking and reception, Bruno draws a cultural history that persuasively argues for a spatial, corporal interpretation of film language.
Honorable Mention, Isis Duarte Book Prize (Latin American Studies Association​) Streetwalking: LGBTQ Lives and Protest in the Dominican Republic is an exploration of the ways that lesbian, gay, bisexual, trans and queer persons exercise power in a Catholic Hispanic heteropatriarchal nation-state, namely the Dominican Republic. Lara presents the specific strategies employed by LGBTQ community leaders in the Dominican Republic in their struggle for subjectivity, recognition, and rights. Drawing on ethnographic encounters, film and video, and interviews, LGBTQ community leaders teach readers about streetwalking, confrontación, flipping the script, cuentos, and the use of strategic universalisms in the exercise of power and agency. Rooted in Maria Lugones's theorization of streetwalker strategies and Audre Lorde's theorization of silence and action, this text re-imagines the exercise and locus of power in examples provided by the living, thriving LGBTQ community of the Dominican Republic.
Can there be a flaneuse, and what form might she take? This is the central question of Streetwalking the Metropolis, an important contribution to ongoing debates on the city and modernity in which Deborah Parsons re-draws the gendered map of urban modernism. Assessing the cultural and literary history of the concept of the flaneur, the urban observer/writer traditionally gendered as masculine, the author advances critical space for the discussion of a female 'flaneuse', focused around a range of women writers from the 1880's to World War Two. Cutting across period boundaries, this wide-ranging study offers stimulating accounts of works by writers including Amy Levy, Dorothy Richardson, Virginia Woolf, Rosamund Lehmann, Jean Rhys, Janet Flanner, Djuna Barnes, Anais Nin, Elizabeth Bowen and Doris Lessing, highlighting women's changing relationship with the social and psychic spaces of the city, and drawing attention to the ways in which the perceptions and experiences of the street are translated into the dynamics of literary texts.
An object of this critical remapping is Elvira Notari (1875-1946), Italy's first and most prolific woman filmmaker, whose documentary-style work on street life in Naples, a forerunner of neorealism, was popularly acclaimed in Italy and the United States until its suppression during the Fascist regime.
"Streetwalking: LGBTQ Lives and Protest in the Dominican Republic is an exploration of the ways that lesbian, gay, bisexual, trans and queer persons exercise power in a Catholic Hispanic heteropatriarchal nation-state, namely the Dominican Republic. Lara presents the specific strategies employed by LGBTQ community leaders in the Dominican Republic in their struggle for subjectivity, recognition, and rights. Drawing on ethnographic encounters, film and video, and interviews, LGBTQ community leaders teach readers about streetwalking, confrontación, flipping the script, cuentos, and the use of strategic universalisms in the exercise of power and agency. Rooted in Maria Lugones's theorization of streetwalker strategies and Audre Lorde's theorization of silence and action, this text re-imagines the exercise and locus of power in examples provided by the living, thriving LGBTQ community of the Dominican Republic"--
For over two decades John Green's vocation has been ministering to inner city men on the margins of society in downtown Chicago. Green didn't set out to be another Dorothy Day or Mother Teresa, and would be quick to tell you he hasn t become one. A product of middle class, church-going comfort and values, he heeded God's challenge to found Emmaus Ministries, which serves some of the modern-day lepers that are in our midst. Struck by the words of Micah 6:8 and the act of a homeless man who gruesomely ended his life in Green's presence, Green vowed to constantly ask himself: How can I live justly? To whom do I show mercy? How may I walk humbly with God? Deacon Green's lessons learned regarding these hard questions are set against stories of men who struggle to escape poverty, addiction, and sexual sin while encountering Christ in the process. But this book is much more than the account of how one ministry combats a social problem to which most of us wish to remain blind. It is abou
Throughout history prostitution has always been a source of fierce debate; societies have either grudgingly tolerated it or tried (always unsuccessfully) to ban it. With the emergence of much more overt acceptance of all forms of sexual activity it has become more apparent that sex workers who ply their trade on the streets of our cities are a particularly vulnerable group at risk of violent attacks and assaults. The realization on the implications for such violence on society overall, led to the emergence of this volume. With research gathered from academics and practitioners hailing from various countries and fields, this edited collection will be invaluable for those who want to better understand the experience of street sex workers, the strategies available for managing this trade and how to help reduce the violence against the men and women who conduct it.
While widely acknowledged as the world's oldest profession, and often glamorized or demonized in the media, prostitution is a critical part of American culture and its economy, as well as a social problem in need of an updated public policy. In Prostitution Policy, Lenore Kuo combines feminist social research and legal studies to tackle issues raised by heterosexual prostitution in the U.S. Through the lens of feminist theory, Kuo examines the milieu of prostitutes and the role of prostitution in contemporary society, and how the interplay of those two works itself out in practice. Moving beyond theoretical analysis of prostitution, Prostitution Policy turns to the complicated problem of formulating a reasonable legal policy that minimizes harm. Kuo discusss criminalization, legalization, and decriminalization as possible approaches, ultimately arguing for a unique form of decriminalization including detailed legal oversight and mandatory social services.
Queer Lives across the Wall examines the everyday lives of queer Berliners between 1945 and 1970, tracing private and public queer life from the end of the Nazi regime through the gay and lesbian liberation movements of the 1970s. Andrea Rottmann explores how certain spaces – including homes, bars, streets, parks, and prisons – facilitated and restricted queer lives in the overwhelmingly conservative climate that characterized both German postwar states. With a theoretical toolkit informed by feminist, queer, and spatial theories, the book goes beyond previous histories that focus on state surveillance and the persecution of male homosexuality.
Explores the emergence of a new womanhood in turn-of-the-century Vienna. In Embodied Histories, historian Katya Motyl explores the everyday acts of defiance that formed the basis for new, unconventional forms of womanhood in early twentieth-century Vienna. The figures Motyl brings back to life defied gender conformity, dressed in new ways, behaved brashly, and expressed themselves freely, overturning assumptions about what it meant to exist as a woman. Motyl delves into how these women inhabited and reshaped the urban landscape of Vienna, an increasingly modern, cosmopolitan city. Specifically, she focuses on the ways that easily overlooked quotidian practices such as loitering outside cafés and wandering through city streets helped create novel conceptions of gender. Exploring the emergence of a new womanhood, Embodied Histories presents a new account of how gender, the body, and the city merge with and transform each other, showing how our modes of being are radically intertwined with the spaces we inhabit.