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In the trilogy's previous entry, jealousy ignited long-simmering tensions between Promise, Squeeze, and Show, leading to an all-out gang war. Streets Of New York Volume 3 finds the neighborhood reeling from the pain of losing a son and brother to ...
The best of the street chronicles today, Ghetto Girls Too is a wonderfully hypnotic adventure that delves into the convoluted minds of criminals and the dark world of police corruption. Yet, there is something thrilling and surprisingly tender about this ongoing young-adult saga filled with mad flava. This latest installment of the popular, action-packed series follows Coco as her fortunes take a turn for the worse as she faces a looming threat while on the brink of fame. Simultaneously struggling with her own potential handicap and her mother's precarious sobriety, Coco calls on Deedee to help decode an enigmatic message from Miss Katie. Meanwhile, Deedee is in a quandary of her own, as she discovers that her uncle has been having a relationship with Josephine and sets her sights on reuniting him with his former fiance. The tension escalates as Eric Ascot continues to be pursued by the police, who are dead-set on framing him in a multiple murder plot, and the story speeds to its explosive and shocking end.
Rising from the drug-infested streets of '80s New York City, the incomparable Sonic Youth recorded some of the most important albums in alternative music history and influenced an entire generation of indie rockers. They helped spawn an alternative arts scene of underground films and comics, conceptual art, experimental music, even fashion. More than perhaps any band of their time, they brought art previously considered ''fringe'' into the mainstream - and irrevocably altered the cultural zeitgeist. Based on extensive research, exclusive band interviews, and unprecedented access to unreleased recordings and documents, Goodbye 20th Century is the definitive biography of the Velvet Underground of their generation.
The first book to reveal the deep historical roots of the modern corporate obsession with stock price - a major cause of recent scandals like those at Enron and WorldComDetails how the rise of the modern corporation created the modern stock market - and why this led to an economy dominated by stock speculationAmerican companies once focused exclusively on providing the best products and services. But today, most corporations are obsessed with maximizing their stock prices, resulting in short-term thinking and the kind of cook-the-books corruption seen in the Enron and WorldCom scandals. How did this happen?In this groundbreaking book, Lawrence E. Mitchell traces the origins of the problem to the first decade of the 20th century, when industrialists and bankers began merging existing companies into huge ''combines''- today's giant corporations - so they could profit by manufacturing and selling stock in these new entities. He describes and analyzes the legal changes that made this possible, the federal regulatory efforts that missed the significance of this transforming development, and the changes in American society and culture that led more and more Americans to enter the market, turning from relatively safe bonds to riskier common stock in the hopes of becoming rich. Financiers and the corporations they controlled encouraged this trend, but as stock ownership expanded and businesses were increasingly forced to cater to stockholders' ''get rich quick'' expectations, a subtle but revolutionary shift in the nature of the American economy occurred: finance no longer served industry; instead, industry began to serve finance.The Speculation Economy analyzes the history behind the opening of this economic Pandora's box, the root cause of so many modern acts of corporate malfeasance.
"There are three twenty-four-hour financial networks. All their slogans are like, Ẁe know what's going on on Wall Street.' But then you turn it on during the crisis, and they're like, Ẁe don't know what's going on.' It'd be like turning on the Weather Channel in a hurricane and they're just doing this: [shuddering] Ẁhy am I wet?! What's happening to me? And it's so windy!'"--Jon Stewart.
Ronald Radosh's earliest memory is of being trundled off to May Day celebrations by his communist parents with a Soviet flag stuck in his baby carriage. Then came education at New York's ''little red schoolhouse.'' Summers at ''commie camp.'' And college at the University of Wisconsin where he became a founding father of the New Left. Commies is a brilliant memoir of growing up in the culture of radicalism. But it also about the hard decisions faced by those professing a radical faith. For Radosh himself, the crisis came when he concluded in his authoritative book on Julius and Ethel Rosenberg that the couple (on whose behalf he had demonstrated as a boy) had indeed been guilty of spying. Attacked as a ''traitor,'' Radosh began to question his political commitments. His disillusionment climaxed in the 1980s when he traveled through Central America as a journalist and historian and ran into his old comrades there still searching for the revolution. One journalist calls Ronald Radosh ''the Zelig of the American Left, seen everywhere and knowing everyone.'' Humorous and tragic, filled with anecdote and personality, Commies is a trip log of his journey, the most intimate look yet at the experience of a radical generation.
Legacy of Secrecy tells the full story of JFKs murder and the tragic results of the cover-ups that followed, as revealed by two dozen associates of John and Robert Kennedy, backed by thousands of files at the National Archives. The result of twenty years of research, it finally tells the full story long withheld from Congress and the American people.
Knute Skip Berger is one of the most recognized commentators on politics, culture, business, and life in the Pacific Northwest. He's the Mike Royko/Jimmy Breslin of this part of the country. As Timothy Egan describes him in the Foreword to Pugetopolis, he is the region's crank with a conscience...a contrarian thinker who calls out the f...
Trash, one of three inaugural titles in Arsenal's film book series Queer Film Classics, delves into the legendary 1970 film that was arguably the greatest collaboration between director Paul Morrissey and producer Andy Warhol. The film Trash is a down-and-out domestic melodrama about a decidedly eccentric couple; Joe, an impotent junkie (played by Warhol film regular Joe Dallesandro), and Holly (played by trans Warhol superstar Holly Woodlawn), Joe's feisty and sexually frustrated girlfriend. Joe is the hunky yet passive center around whom proud Holly orbits; while Morrissey intended to show that ''there's no difference between a person using drugs and a piece of refuse,'' Woodlawn's incredible turn reverses his logic; she makes trash as precious as human beings. Author Jon Davies argues that Trash, so comical yet so heartrending, is an allegory for the experiences of Dallesandro, Woodlawn, their co-stars, and countless other human ''leftovers,'' whose self-fashioning for Warhol and Morrissey's gaze transformed them---if only fleetingly---from nobodies into some bodies.