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The moral ambiguities of the detectives' world as they move between the streets and a bureaucratic behemoth is examined through their personal stories, in a collection that captures the real-life exploits, investigations, sensibilities, and consciousness of detectives in an urban environment.
An ALA-YALSA Best Book for Young Adults New Bonus Content: -Q&A with Walter Dean Myers -Teaser chapter from On a Clear Day -Excerpt from Hoops The first week of his senior year, everything changed. That’s when Mack met Kitty. She hadn’t finished the sonnet she wrote for him, but she had finished Mack. From that minute on, he was stupid in love. That’s just Kitty and Mack. But everybody on the block has a story to tell. A salty, wrenchingly honest collection of stories set on one block of 145th Street. We get to know the oldest resident; the cop on the beat; fine Peaches and her girl, Squeezie; Monkeyman; and Benny, a fighter on the way to a knockout. We meet Angela, who starts having prophetic dreams after her father is killed and Big Joe, who wants a bang-up funeral while he's still around to enjoy it. Some of these stories are private, and some are the ones behind the headlines. In each one, characters jump off the page and pull readers right into the mix on 1-4-5.
Retold by Brother Tommy Welchel of the Pisgah Christ Faith Mission, these are the stories of people who participated in the Pentecostal Azusa Street Revival of 1906-1910.
Dr. O'Connell's collection of stories and essays, written during thirty years of caring for homeless persons in Boston, gently illuminates the humanity and raw courage of those who struggle to survive and find meaning and hope while living on the streets.
The Street of Crocodiles in the Polish city of Drogobych is a street of memories and dreams where recollections of Bruno Schulz's uncommon boyhood and of the eerie side of his merchant family's life are evoked in a startling blend of the real and the fantastic. Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.
Rainy Street Stories is a composition of powerful reflections on today's espionage, terrorism, and secret wars. These stories, essays, and poems by John Davis, himself a retired intelligence officer, take place from Europe, to Asia, and back to the Americas. He lived overseas for many years, where he served as a soldier, civil servant, and gifted linguist. Davis writes with a thoughtful, compassionate, and fair assessment of his lifetime lived during wars and conflicts which were his generation's legacy from World War II. He recounts mysterious, sometimes strangely suggestive, even curiously puzzling tales. Each will cause the reader to think. Davis draws from actual encounters in unusual circumstances, in conversations at utterly unexpected times, and chance meetings, historical site visits, or his readings to illustrate his reflections. Moreover, he is influenced by carefully listening to others who experienced history, from careful study of human nature, observation of international events, but also by remaining open to surprises, the better to distill the essence of a hidden truth. Those people about whom he speculates, events he interprets, motives he muses about, or wonders he reveals will remain with you for a long time. These are not writings to be read in a night, but to be reflected upon over the coming years.
Stories from the Street is a theological exploration of interviews with men and women who had experienced homelessness at some stage in their lives. Framed within a theology of story and a theology of liberation, Nixon suggests that story is not only a vehicle for creating human transformation but it is one of God's chosen means of effecting change. Short biographies of twelve characters are examined under themes including: crises in health and relationships, self-harm and suicide, anger and pain, God and the Bible. Expanding the existing literature of contextual theology, this book provides an alternative focus to a church-shaped mission by advocating with, and for, a very marginal group; suggesting that their experiences have much to teach the church. Churches are perceived as being active in terms of pastoral work, but reluctant to ask more profound questions about why homelessness exists at all. A theology of homelessness suggests not just a God of the homeless, but a homeless God, who shares stories and provides hope. Engaging with contemporary political and cultural debates about poverty, housing and public spending, Nixon presents a unique theological exploration of homeless people, suffering, hope and the human condition.
In 1872, Ismail Pasha, the khedive of Egypt, was the first to adopt the European custom of positioning heroic statues on public display as a symbolic message of the continuing authority of the ruling Muhammad Ali dynasty to which he belonged, but it was not until the early twentieth century and the determination of sculptor Mahmoud Mukhtar that such public art gained general acceptance, and today statues stand, ride, or sit in the streets, squares, and gardens of Cairo. Each sculpture adds a piece to the jigsaw of history spanning personalities and events that shaped the city and wider Egypt from 1805 to 1970, and here Cairo-based author Lesley Lababidi provides a unique perspective on Egyptian history through looking at more than thirty statues and monumental sculptures and the stories behind them. Between statues, she explores Cairo's growth and its multidimensional identity, as manifested in the development and changing use of city space over the centuries, and examines the relationship of Cairo's modern denizens with the landscapes, districts, palaces, archaeological sites, cafés, bridges, and gardens of their great and maddening city, the Mother of the World. Illustrated throughout with color photographs and archival pictures, Cairo's Street Stories presents a unique and lively view of the history that fashioned the city's streets and open spaces, and of the many and often unexpected uses to which its inventive inhabitants put them.
Anyone who has seen Maxwell Street has a story about Maxwell Street. You didn't have to shop there, work there, or eat there. You didn't have to be Jewish. You just had to go there, or merely pass-by, in order to experience something that stuck in your mind forever. Only a few blocks south of Chicago's downtown, Maxwell Street was predominately a Jewish enclave, but you could also hear the Blues, bargain with Gypsies, and find bargain hunters from all walks of life. This book focuses on the stories of the last Jewish generations that lived and worked in the Maxwell Street market area. Beginning in the late 19th century, it was there that thousands of Jewish immigrants first grasped the American dream. The descendents of those first Jewish peddlers absorbed the legacies left them; some went on to be among the most notable and successful personalities of the 20th century. On Maxwell Street, the best merchandise was knowledge.
Don't ask author Gary Mielo what it was like to grow up in North Bergen, New Jersey. He's likely to relate personal essays and anecdotes that include "the most heinous experience, the one which can easily produce the deepest and most lasting of scars, is an affliction known as the senior prom". He'll evoke "a time when yellow air raid shelter signs, hanging on the walls of virtually all candy stores, ice cream parlors, and other public buildings, reported the way to alleged underground safety". And narrate the demise of his 1955 DeSoto "while traversing one of the world's most heavily trafficked truck routes, the infamous Tonnelle Avenue". Comprised of 44 personal essays, 74th Street Stories extols New Jersey's Hudson County as it and its North Bergen residents lived through two of the most bizarre decades in recent history, namely the Cold War 1950s and the Strung Out 1960s. Nevertheless, the moments of sudden awareness recounted in many of these essays go beyond the merely wistful or the distinctively reminiscent. The characters and incidents described in 74th Street Stories have their roots in a town and a county that nurtured an identity that was nothing less than wonderfully peculiar.