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Lyonel Trouillot?s harrowing novel depicts a night of blazing violence in modern-day Port-au-Prince and recalls hundreds of years of violence stretching back even before the birth of Haiti in the fires of revolution. Three narrators?a madam, a taxi driver, and a post office employee?describe in almost hallucinatory terms the escalating chaos of a bloody uprising that pits the partisans of the Prophet against the murderous might of the great dictator Deceased Forever-Immortal. ø The drama of promise and betrayal in Haitian life inform?s Street of Lost Footsteps with the grim irony and savage tenderness characteristic of writers for whom the repetitiveness of history has gone beyond tragedy, through farce, and on into insanity. With impressive originality and touching immediacy, Trouillot explores the nature of political oppression, memory, and truth.
At the heart of Ana Popescu's existence is the love for her son. He is the only thing that makes life in Ceausescu's Romania tolerable. In their mean little flat they have created a private world in which no harm can come to them. But Ana is haunted by a mystery in her own past, and by her awareness under a totalitarian regime the soul can gradually be corrupted. At last as incident at Ion's school convinces her she must send him away. When she seizes the chance to give Ion freedom, Ana unwittingly propels him beyond bureaucracy into an underworld of refugees and migrants. Attempting to follow, she is caught and thrown into prison. Then the collapse of communism and the overthrow of Ceausescu rekindle her hope for a future, as she leaves her country for the first time and embarks on a quest to reclaim her lost child. The achievement of Bel Mooney's powerful and ambitious new novel, as it moves across the changing face of contemporary Europe, is that it takes us inside the lives of people caught up in the flood tide of political events. A story of sacrifice, loss and love, it is a moving and triumphant celebration of the power and immutability of the bonds of motherhood and is also about one of the most pressing humanitarian issues of our age.
For nearly two decades Western governments and a growing activist community have been frustrated in their attempts to bring about a freer and more democratic Burma—through sanctions and tourist boycotts—only to see an apparent slide toward even harsher dictatorship. But what do we really know about Burma and its history? And what can Burma's past tell us about the present and even its future? In The River of Lost Footsteps, Thant Myint-U tells the story of modern Burma, in part through a telling of his own family's history, in an interwoven narrative that is by turns lyrical, dramatic, and appalling. His maternal grandfather, U Thant, rose from being the schoolmaster of a small town in the Irrawaddy Delta to become the UN secretary-general in the 1960s. And on his father's side, the author is descended from a long line of courtiers who served at Burma's Court of Ava for nearly two centuries. Through their stories and others, he portrays Burma's rise and decline in the modern world, from the time of Portuguese pirates and renegade Mughal princes through the decades of British colonialism, the devastation of World War II, and a sixty-year civil war that continues today and is the longest-running war anywhere in the world. The River of Lost Footsteps is a work both personal and global, a distinctive contribution that makes Burma accessible and enthralling.
Reprint of the original, first published in 1875.
In Tropical Apocalypse, Martin Munro argues that since the earliest days of European colonization, Caribbean—and especially Haitian—history has been shaped by apocalyptic events so that the region has, in effect, been living for centuries in an end time without end. By engaging with the contemporary apocalyptic turn in Caribbean studies and lived reality, he not only provides important historical contextualization for a general understanding of apocalypse in the region but also offers an account of the state of Haitian society and culture in the decades before the 2010 earthquake. Inherently interdisciplinary, his work ranges widely through Caribbean and Haitian thought, historiography, political discourse, literature, film, religion, and ecocriticism in its exploration of whether culture in these various forms can shape the future of a country. The author begins by situating the question of the Caribbean apocalypse in relation to broader, global narratives of the apocalyptic present, notably Slavoj i ek's Living in the End Times. Tracing the evolution of apocalyptic thought in Caribbean literature from Negritude up to the present, he notes the changes from the early work of Aimé Césaire; through an anti-apocalyptic period in which writers such as Frantz Fanon, Antonio Benítez-Rojo, Édouard Glissant, and Michael Dash have placed more emphasis on lived experience and the interrelatedness of cultures and societies; to a contemporary stage in which versions of the apocalyptic reappear in the work of David Scott and Mark Anderson.
This much-needed guide to translated literature offers readers the opportunity to hear from, learn about, and perhaps better understand our shrinking world from the perspective of insiders from many cultures and traditions. In a globalized world, knowledge about non-North American societies and cultures is a must. Contemporary World Fiction: A Guide to Literature in Translation provides an overview of the tremendous range and scope of translated world fiction available in English. In so doing, it will help readers get a sense of the vast world beyond North America that is conveyed by fiction titles from dozens of countries and language traditions. Within the guide, approximately 1,000 contemporary non-English-language fiction titles are fully annotated and thousands of others are listed. Organization is primarily by language, as language often reflects cultural cohesion better than national borders or geographies, but also by country and culture. In addition to contemporary titles, each chapter features a brief overview of earlier translated fiction from the group. The guide also provides in-depth bibliographic essays for each chapter that will enable librarians and library users to further explore the literature of numerous languages and cultural traditions.
A collection of moody, atmospheric, mysterious prose descriptions of the things Pierrot, the book's main character, loves and the songs he sings about them.
Haitian writing is one of the richest literary traditions in the Americas, and yet is little known outside of Haiti. This book is an introduction to this literature, focusing on the period from 1946 to the present, a time in which exile has become the dominant theme in Haitian writing. Reading post-1946 Haitian writing as a literature of exile, the chapters analyze key novels by the most important figures of each generation: Jacques-Stephen Alexis, René Depestre, Émile Ollivier, Dany Laferrière, and Edwidge Danticat. The emphasis is on close, detailed readings, and on understanding the particu.