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Virginia Woolf began writing reviews for the Guardian 'to make a few pence' from her father's death in 1904, and continued until the last decade of her life. The result is a phenomenal collection of articles, of which this selection offers a fascinating glimpse, which display the gifts of a dazzling social and literary critic as well as the development of a brilliant and influential novelist. From reflections on class and education, to slyly ironic reviews, musings on the lives of great men and 'Street Haunting', a superlative tour of her London neighbourhood, this is Woolf at her most thoughtful and entertaining.
Edited collection from acclaimed contemporary Woolf scholars, focusing on urban issues. These include addressing the ethical and political implications of Virginia Woolf’s work, a move that suggests new insights into Woolf as a “real world” social critic.
A snapshot of the life on a London street one wintry evening, through the eyes of one of the most wonderfully descriptive writers of the twentieth century.
“Street Haunting: A London Adventure” is a 1930 essay written by Virginia Woolf, inspired by observations made whilst walking the streets of London. Adeline Virginia Woolf (1882–1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. Woolf was a central figure in the feminist criticism movement of the 1970s, her works having inspired countless women to take up the cause. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. A poignant essay not to be missed by those with an interest in feminism and feminist literature. Contents include: “Virginia Woolf”, “Evening Over Sussex: Reflections in a Motor Car, an Essay by Virginia Woolf”, “Street Haunting”. Other notable works by this author include: “To the Lighthouse” (1927), “Orlando” (1928), and “A Room of One's Own” (1929). Read & Co. Great Essays is republishing this classic essay now in a brand new edition complete with Woolf's essay “Evening Over Sussex: Reflections in a Motor Car”.
Collects articles and book reviews by the English novelist
This collection of essays inspired by the celebrated writer's favorite walks is available in its entirety for the first time in North America. 96 p p.
'Compelling . . . this is a fable for the times ahead that feels essential' Irish Times 'Stunning, insightful, deeply humane prose . . . Fisher indicts all of us yet still offers hope that we may change the ending of this story' Olivia Sudjic A young man is found brutally murdered in the middle of the snowed-in village of Wivenhoe. Over his body stands another man, axe in hand. The gathered villagers must deal with the consequences of an act that no-one tried to stop. WIVENHOE is a haunting novel set in an alternate present, in a world that is slowly waking up to the fact that it is living through an environmental disaster. Taking place over twenty-four hours and told through the voices of a mother and her adult son, we see how one small community reacts to social breakdown and isolation. Samuel Fisher imagines a world, not unlike our own, struck down and on the edge of survival. Tense, poignant, and set against a dramatic landscape, WIVENHOE asks the question: if society as we know it is lost, what would we strive to save? At what point will we admit complicity in our own destruction?
A woman of limited means and even less experience must confront a vengeful spirit in this haunting novel from the New York Times bestselling author of The Broken Girls and The Sun Down Motel. 1920s England. Sarah Piper’s lonely, threadbare existence changes when her temporary agency sends her to assist an obsessed ghost hunter. Alistair Gellis—rich, handsome, and scarred by World War I—has been summoned to investigate the spirit of the nineteen-year-old maid Maddy Clare, who is said to haunt the barn where she committed suicide. Maddy hated men in life, and she will not speak to them in death. But Sarah is unprepared to confront an angry ghost—real or imagined—on her own. She’s even less prepared for the arrival of Alistair’s associate, rough, unsettling Matthew Ryder, also a veteran of the trenches, whose scars go deeper than Sarah can reach. Soon, Sarah is caught up in a desperate struggle. For Maddy’s ghost is no hoax—she’s real, she’s angry, and she has powers that defy all reason. Now, Sarah and Matthew must discover who Maddy was, where she came from, and what is driving her desire for vengeance—before she destroys them all....