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Classic graffiti lettering and experimental typographical forms lie at the heart of street culture and have long inspired designers in many different fields. But graffiti artists, who tend to paint the same letters of their tag again and again, rarely design complete alphabets. Claudia Walde has spent over two years collecting alphabets by 154 artists from 30 countries with a view to showing the many different styles and approaches to lettering within the graffiti and street art cultures. All of the artists have roots in graffiti. Some are world renowned such as 123 Klan (Canada), Faith47 (South Africa) and Hera (Germany); others are lesser known or only now starting to emerge. Each artist received the same brief: to design all 26 letters of the Latin alphabet within the limits of a single page of the book. How they approached this task and selected the media with which to express their ideas was entirely up to them. The results are a fascinating insight into the creative process.
Just My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about. As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.' This edition is available with both black and silver covers.
Teaches a variety of graffiti word designs. Includes step-by-step instructions, in both pictures and text that will guide one through the process of creating a graffiti masterpiece.
Grafikdesigner lieben Musik. Das zeigt nicht zuletzt die große Begeisterung der Leser des Typografie-Magazins „Slanted" für die Rubrik „Typo Lyrics", in der Gestalter Musik mithilfe von Schrift ganz neu interpretieren. Für die gleichnamige Publikation haben sich renommierte Grafikdesigner wie Fons Hickmann sowie junge Talente aus der ganzen Welt von Songtexten zu innovativen Font-Designs inspirieren lassen. Entstanden ist eine Sammlung faszinierender Visuals – „Schriftbilder", die zeitgenössische Fonts auf eine etwas andere Weise präsentieren. Das außergewöhnliche Zusammenspiel von Schriftgestaltung und Musik macht die Fonts lebendig und bringt sie regelrecht zum Tanzen. Im Gegensatz zu klassischen Musterbüchern oder Schriftenfächern wird so ein besonderer, emotionaler Zugang zur Typografie geschaffen, der das große Ausdruckspotenzial von Schriften deutlich macht. Analog zur traditionellen Schriftklassifikation gliedert sich das Buch in elf Kapitel, die sich jeweils mit einer Schriftfamilie und Songtexten einer bestimmten Musikrichtung auseinandersetzen.
Distinctive hand style lettering is an essential skill for artists and designers. Deftly executed hand crafted letter forms are a nearly forgotten art in an age of endless free fonts. Graffiti is one of the last reservoirs of highly refined, well-practiced penmanship. Within the pages of FLIP THE SCRIPT, the best hand styles are analysed, contextualising the work of graffiti writers from around America. Author Acker presents the various lettering samples in a clean organized format, giving the material a proper, formal treatment evoking classic typography books.
Street + Art = Inspiration Designers Daniel and Klaus Bellon have been photographing street signage around the world for more than 17 years. This book celebrates their love of typography, and highlights the beauty of type in its truest form; not as a profession but as a necessity of everyday life. The images captured here are at times humorous, unexpected and even charming. But for those who understand the rules that are being broken, these explorations of type design are refreshing and inspiring. Even though graphic designers often think of themselves as the keepers of letterforms and typography, they do not own them. Typography belongs to everyone. Typography belongs to the people. Includes a royalty-free CD with 15 original fonts inspired by signs in the book. Type images were collected from countries around the world, including the United States, Dominican Republic, Puerto Rico, Belize, Canada, Colombia, Venezuela, Hong Kong, China, Singapore, and Malaysia.
An international survey of graffiti and street art, and a unique typographical sourcebook as well.
This book provides an oral account of how copyright narratives are penetrating street art and graffiti subcultures.
For the first time, the history of typography is told in comic strip form Typography confronts us everywhere: in books and newspapers, on road signs, in product packaging, and on political leaflets. It is ubiquitous to the point of mundanity. But while the typeface might be secondary to the message, it remains crucial to the way we respond. Fonts spark emotions; they evoke eras and ideologies. Some, like Edward Johnson's for the London Underground, have become iconic. Others, like Comic Sans, are loathed. Each one has its own place in history. The ABC of Typography traces 3,500 years of type from Sumerian pictographs through Roman calligraphy to Gutenberg, the Bauhaus, and beyond. Brimming with insight and anecdote, this witty and well-informed graphic guide explores the historical, technological, and cultural shifts that have defined the look of the words we read.
Once viewed as merely a blemish on the urban landscape, graffiti today has evolved into a legitimate art form in its own right, influencing entertainment, advertising, fashion and other creative industries worldwide. In this unprecedented book, master graffiti artist Scape Martinez shows how he does his thing, offering streetwise advice to help other "writers" create maximum-impact, legally sanctioned work. Step by step, he lays out the philosophies and realities of the genre. From picking a "tag" and developing letterforms, to the logistics of prepping a wall and working a spray can in a painterly fashion, Graff will help you find your style and leave your mark—large and loud. A breakdown of the fundamental elements of graffiti-style—letters, character, backgrounds—and how they work together and intermingle with arrows, symbols, quotes and tags From paper to wall, a start-to-finish approach for creating graffiti in various styles 5 on-site step-by-step demonstrations show the creation of various types of compositions, from throw ups to full-blown pieces Complete with a glossary and a timeline tracing graffiti history, Graff is the bible for street artists looking to elevate their work, graphic designers wanting to expand their vocabulary, and anyone interested in giving their work an edgy, urban look.