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This volume brings together for the first time the entire range of the shorter pieces of imaginative writing that she continued to produce throughout her life, together with her final account of the vision informing her life's work. It rescues Schreiner from the charge of having exhausted a slim talent in one semi autobiographical novel and provides a context in which to situate a woman writer whose idealist concerns recognised no simple geographical boundaries. To picture her as first and foremost a colonial writer or, alternatively, primarily as a member of the finde-siecle British avant garde, does little justice to the links she made in her own writing and to the complex situation she occupied, for Olive Emilie Albertina Schreiner's life (1855-1920) straddled two centuries and two continents, while her travels between the land of her birth, South Africa, and her family's European homeland embroiled her in the political ferment of two wars: the Boer War (1899-1902) and the first World War (1914-1918).
For author Zakiah Sayeed, baring her soul to the world, releasing these intensely personal thoughts and feelings, is a freeing experience. Within these pages is solace and inspiration, happiness and sorrow, and a warm feeling of connection and shared understanding. Free verse poetry and flash fiction, it relies on stream of consciousness and ethereal connection cascading into awareness rather than preconceived rhythm and rhyme, her words true to the cadences of being, each a pulse—a reflection—that when viewed in their whole portrays a stunning breadth of emotion with resonance and beauty. Combined with prose and artfully crafted letters that provide insight into her life, her children, and her grandchildren, her fearless honesty displays for all to see the truth of her being.
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Victorian women poets have been constantly overshadowed by their male counterparts, but now Catherine Reilly has redressed the balance with this meticulously researched and richly varied anthology of poems by sixty-eight Victorian women. Alongside such famous names as Elizabeth Barrett Browning, Emily Brontë and Christina Rossetti are dozens of fine but unfamiliar poets whose work touches on birth and death, love and friendship, family relationships, work and leisure, peace and war, nature and the seasons, the country and the town.