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Private investigator Kat Colorado, still coping with the death of her fiancé, agrees to investigate when the wife of an abusive police officer asks for her help and later disappears.
Detective Kat Colorado is hired by a corporate whistle-blower for protection and learns some lethal lessons about love and vengeance. By the author of Copy Kat. 25,000 first printing. $25,000 ad/promo. Tour.
Scat, a stray cat, has a difficult life. It is hard for Scat to find food, shelter and love. Scat's hardships are compared to a variety of other cats, all who have homes.
Waltz of the Psychotics deals with the power struggle between two unhinged symphonic musicians. Amarah Zarcy is a fledgling violist in the Baton Rouge Symphony. The principal of her section, Reba Kane takes an immediate disliking to homely and timid new musician. As Reba plots to remove her nemesis from the ensemble, Amarah fights back in the only way she can. With the help of her twin sister, Celeste, Amarah cleverly deceives everyone around her to keep her coveted orchestra job. This epic battle of wills quickly escalates out of control, to the point of no return. As both Amarah and Reba’s realities slowly fade away, all-consuming insanity rapidly takes over, much to the demise of all who become involved with the pair. Waltz of the Psychotics dances into the murky and turbid recesses of the demented and brainsick mind. I promise, once you start reading this book, you will not want to put it down.
Who populates the pages of crime and mystery writing? Who are the characters we willingly follow into the mystery genre's uneasy imaginative territory? And who created those characters in the first place? What life experience and expertise informs their work? What are the sources of their themes, regional accents, and even the axes that some grind? Why do some wish to give us a good laugh, while others seem hell-bent on making us shudder? Whodunit? answers these questions and more. Here mystery expert Rosemary Herbert brings together enlightening and entertaining information on hundreds of classic and contemporary characters and authors. Some--such as P.D. James, Ian Rankin, Sherlock Holmes, and Kinsey Millhone--appear in individual entries. Still more keep company in articles about characters we admire, such as the Clerical Sleuth, and in pieces about those we love to hate, including the Femme Fatale and Con Artist. There is even an article on a figure that haunts so many great works of mystery--The Corpse. Drawing on the Edgar Award-nominated volume The Oxford Companion to Crime & Mystery Writing, Herbert adds 101 new entries on the hottest new names in works ranging from puzzling whodunits to chilling crime novels.
Many bibliographers focus on women who write. Lawyer Barnett looks at women who detect, at women as sleuths and at the evolving roles of women in professions and in society. Excellent for all women's studies programs as well as for the mystery hound. Look at the popularity of such reading guides as Willetta Heising's Detecting Women (3rd ed. 0-9644593-7-X) or Amanda Cross' fiction (Honest Doubt 0-345-44011-0 11/00).
The hard-bitten PI with a bottle of bourbon in his desk drawer--it's an image as old as the genre of hard-boiled detective fiction itself. Alcohol has long been an important element of detective fiction, but it is no mere prop. Rather, the treatment of alcohol within the works informs and illustrates the detective's moral code, and casts light upon the society's attitudes towards drink. This examination of the role of alcohol in hard-boiled detective fiction begins with the genre's birth, in an era strongly influenced and affected by prohibition, and follows both the genre's development and its relation to our changing understanding of and attitudes towards alcohol and alcoholism. It discusses the works of Dashiell Hammett, Raymond Chandler, Mickey Spillane, Robert B. Parker, Lawrence Block, Marcia Muller, Karen Kijewski and Sue Grafton. There are bibliographies of both the primary and critical texts, and an index of authors and works.
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
A masterfully updated edition of The F-Word which renders a comprehensive portrait of English's most notorious and colorful word. No word has generated more uses, more creative euphemisms, and more strong opinions than fuck. Jesse Sheidlower's historical dictionary, now in print for over 25 years, charts the uses of fuck and its many permutations, from absofuckinglutely to zipless fuck. It illustrates every sense of every entry with quotations, from the earliest that can be found to a recent example, showing exactly how the word has been used throughout history. This new edition is not just a minor update but a comprehensive revision of Sheidlower's groundbreaking text for the internet age. Major new discoveries push back the known history of fuck by almost two hundred years. Sheidlower also considers rapidly changing attitudes towards the use of fuck in public discourse. The volume includes over 1,000 new quotations; over 100 antedatings (earlier examples of existing entries, improving our understanding of the word's development); and many dozens of new entries, including high-profile recent uses such as AF 'as fuck', fuckboi, and the group of expressions of the sort to give no fucks or zero fucks given.
The word "Noir" is used here in its loosest sense: every major living American writer is considered (including the giants Harlan Coben, Patricia Cornwell, James Lee Burke, James Ellroy and Sara Paretsky, as well as non-crime writers such as Stephen King who stray into the genre), often through a concentration on one or two key books. Many exciting new talents are highlighted, and Barry Forshaw's knowledge of—and personal acquaintance with—many of the writers grants valuable insights into this massively popular field. But the crime genre is as much about films and TV as it is about books, and this book is a celebration of the former as well as the latter. American television crime drama in particular is enjoying a new golden age, and all of the important current series are covered here, as well as key important recent films.