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This collection tells the life stories of the people whom we know Shakespeare encountered, shedding new light on Shakespeare's life and times.
The city series continues with Stratford-Upon-Avon, birthplace of the brilliant bard A quaint and cute tourist town today, Shakespeare's Stratford was far from pleasant and Terry Deary reveals the civil war struggls and brutal beheadings that made its history so horrible. Readers can explore all the horrible highlights of the town using the frightful fold-out map, including spooky Sheep Street, hom of an awful axeman, a weird witch and possibly the most haunted house in England.
Takes the reader into the world of ghosts and spirits in Warwickshire, following their footsteps into the unknown.
England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe oppose him. The quest for the king’s freedom destroys his advisor, the brilliant Cardinal Wolsey, and leaves a power vacuum and a deadlock. Into this impasse steps Thomas Cromwell. The son of a brutal blacksmith, a political genius, a briber, a bully and a charmer, Cromwell has broken all the rules of a rigid society in his rise to power. Narrowly escaping personal disaster—the loss of his young family and of Wolsey, his beloved patron—he picks his way deftly through a court where “man is wolf to man.” Pitting himself against parliament, the political establishment and the papacy, he is prepared to reshape England to his own and Henry’s desires. In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. Wolf Hall re-creates an era when the personal and political are separated by a hair’s breadth, where success brings unlimited power, but a single failure means death.
Anyone who has paid the entry fee to visit Shakespeare's Birthplace on Henley Street in Stratford-upon-Avon—and there are some 700,000 a year who do so—might be forgiven for taking the authenticity of the building for granted. The house, as the official guidebooks state, was purchased by Shakespeare's father, John Shakespeare, in two stages in 1556 and 1575, and William was born and brought up there. The street itself might have changed through the centuries—it is now largely populated by gift and tea shops—but it is easy to imagine little Will playing in the garden of this ancient structure, sitting in the inglenook in the kitchen, or reaching up to turn the Gothic handles on the weathered doors. In Shakespeare's Shrine Julia Thomas reveals just how fully the Birthplace that we visit today is a creation of the nineteenth century. Two hundred years after Shakespeare's death, the run-down house on Henley Street was home to a butcher shop and a pub. Saved from the threat of an ignominious sale to P. T. Barnum, it was purchased for the English nation in 1847 and given the picturesque half-timbered façade first seen in a fanciful 1769 engraving of the building. A perfect confluence of nationalism, nostalgia, and the easy access afforded by rail travel turned the house in which the Bard first drew breath into a major tourist attraction, one artifact in a sea of Shakespeare handkerchiefs, eggcups, and door-knockers. It was clear to Victorians on pilgrimage to Stratford just who Shakespeare was, how he lived, and to whom he belonged, Thomas writes, and the answers were inseparable from Victorian notions of class, domesticity, and national identity. In Shakespeare's Shrine she has written a richly documented and witty account of how both the Bard and the Warwickshire market town of his birth were turned into enduring symbols of British heritage—and of just how closely contemporary visitors to Stratford are following in the footsteps of their Victorian predecessors.
This fascinating selection of more than 180 photographs traces some of the many ways in which Stratford upon Avon has changed and developed over the last century.
Birthplace of Shakespeare, Stratford-upon-Avon has a lively history from its origins as a monastic settlement to its present identity as a tourist destination. This book is a celebration of a wonderful town and of all those who have been Stratfordians.
Step into Compton Verney’s Marvellous Mechanical Museum, a world which reimagines the spectacular automata exhibitions of the 18th century and invites us to explore the boundaries of what is lifelike and what is alive, where artists, inventors and engineers collide. Automata have always been fascinating to us. Throughout history they have represented the human condition and allowed us to view ourselves and raise questions about our existence. They have also entertained and amazed us with spectacular musical performances and simulations of life. (The Marvellous Mechanical Museum coincides with the 200th anniversary of the publication of Mary Shelley’s Frankenstein, who is believed to have seen the famous 18th century automata of Pierre Jaquet-Droz before bringing her own creation to life). This exhibition will include early and rare automata and clockwork dating back to the 17th century from collections such as The British Museum, V&A and Royal Collection alongside new commissions by contemporary artists exploring our current and often complex relationship with technology. From a miniature Faberge moving elephant to the uncanny 'Crimson Prince' by kinetic artist Tim Lewis, the exhibition also includes work by Sarah Angliss & Caroline Radcliffe, Ting Tong Chang, James Cox, Pierre Jaquet-Droz, Jane Edden, Rowland Emett, Ron Fuller, Fi Henshall, Rebecca Horn, Tim Hunkin, Peter Markey, John Joseph Merlin, Keith Newstead, Stuart Patience, Henry Phalibois, Harrison Pearce, Rodney Peppe, Sam Smith and Paul Spooner.