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And when you see what's out there. What do you want with it. Do you want to fuck it. Like, weekly? Or do you want to sort of. Put your hands in its pockets. Take it to your mother. Love it until you die. Sort of thing. With acid wit, Miriam Battye's play takes a scalpel to modern romance. No! Fuck NO. I don't want to, like, go for WALKS and use and reuse those METAL FOIL SERVING trays all my life NO. I want to TEAR SOMEONE APART. Strategic Love Play opened at the Belgrade Theatre, Coventry, in July 2023, produced by Paines Plough, Soho Theatre and Belgrade Theatre, in association with Landmark Theatres.
Probably more than in any other area of human existence, the road to broken relationships is paved with good intentions. No one falls in love with the aim of hurting the object of their affections, much less hurting themselves. But, sadly, this happens all too often. Why? This book effectively demonstrates that there's nothing mysterious, whimsical or uncertain about love. It gives clear and pragmatic answers to three simple questions- What is love? How do I know the right person? What do I need to do, from day to day, to have a good relationship? By illustrating explanations with real life situations, this book reveals the very simple and practical principles that guarantee that love always works.
To increase revenue, improve customer experience, and develop higher-performing teams, it's time for leaders to stop looking for quick fixes to complex business problems and start building a culture of love. Yes, love. Anchored by Softway's own transformational journey, Love as a Business Strategy offers a new, people-first framework for achieving any business outcome-written by folks that aren't fans of run-of-the-mill business books. As a matter of fact, Love as a Business Strategy is so chock-full of real-world examples of mistakes, heartbreak, and redemption that it reads more like a juicy exposé than a business book. Love as a Business Strategy steers clear from piety and theoretical concepts and instead shares grounded stories of resilient people running a real business. A business, as you'll come to find out, that was on the brink of disaster before 'love' took hold. Love As A Business Strategy doesn't preach or mislead, rather it lays out the blueprints for better business outcomes-like better employee engagement, enhanced patient experiences, and increased efficiency-then walks you through it step-by-step. A better way of doing business is possible. The workplace revolution has arrived. Love as a Business Strategy will help you ditch the status quo, embrace humanity, and achieve lasting success.
Explains how companies must pinpoint business strategies to a few critically important choices, identifying common blunders while outlining simple exercises and questions that can guide day-to-day and long-term decisions.
This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the industry. Covering training and working in theatre, film, radio, TV and comedy, it contains invaluable resources such as a casting calendar and articles on a range of topics from your social media profile to what drama schools are looking for to financial and tax issues. With the listings updated every year, the Actors' and Performers' Yearbook continues to be the go-to guide for help with auditions, interviews and securing/sustaining work within the industry. Actors' and Performers' Yearbook 2024 is fully updated and includes a newly commissioned article by actor Mark Weinman, a new foreword, 4 new interviews by casting director Sam Stevenson, giving timely advice in response to today's fast-changing industry landscape, and an article by Paterson Joseph.
In an era of increasingly patient-centered healthcare, understanding how health and illness play out in social context is vital. This volume opens a unique window on the role of play in health and wellbeing in widely varied contexts, from the work of Patch Adams as a hospital clown, to an Australian facility for dementia treatment, to a New Zealand preschool after an earthquake, to a housing complex where Irish children play near home. Across these and other featured studies, play is shown to be shaman-like in its transformative dynamics, marshaling symbolic resources to re-align how patients construe and experience illness. Even when illness is not an issue, play promotes wellbeing by its power to reimagine, invigorate, enliven and renew through sensory engagement, physical activity, and symbolism. Play levels social barriers and increases flexible response, facilitating both shared social support and creative reassessment. This book challenges assumptions that play is inefficient and unproductive, with highly relevant evidence that playful processes actually work hard to dislodge unproductive approaches and thereby aid resilience. Solid research evidence in this book charts the course and opens the agenda for taking play seriously, for the sake of health. This book was originally published as a special issue of the International Journal of Play.
Current and future managers are regularly confronted with decisions that create risk in the legal environment of business. This book provides a framework for qualifying legal risk and then determining if the legal risk is worth taking. This framework begins by looking at the relationship between the firm, its suppliers, customers, owners, agents, and others in society as a whole to understand specific risks in personal injury, agreements, products, borrowing money, employees, independent contractors, and business entity selection. When the manager is aware of the magnitude of the risk and the likelihood of the risk, the manager is in a strong position to determine if the risk is worth taking. This book uses numerous applications from Game Theory to determine how risks of the firm compare to risks of another firm, an employee, a vendor and a customer. Students of business law will appreciate the black letter legal discussions of civil procedure, torts, contracts, the sale of goods, secured transactions, agency, and business associations with tax implications. Aspiring accounting students will find familiarity with many topics that appear on the AICPA exam. Managers will gravitate toward specific guidance with regard to setting up agreements with customers and vendors, creating effective human relations policies, and mitigating firm risks with regard to internal and external stakeholders. Dozens of managers provided input and experience that found its way into the selection of examples in the book ensuring real-world application for many practical business law problems.
Newcastle, London, America. You can go anywhere, it's still the same old shit. People just getting by, in any way they know how. But I tell you what they don't have, they don't have a £1 Thursday! 17-year-old Jen and Stacey are best friends. Since forever. Stacey always dreamed of being a dancer. And she's actually got the talent for it. Only her school career advisor hasn't even been to London, let alone heard of Urdang. Jen is smart. Like Oxbridge smart. But all 'smart' gives her is the ability to see that there's no use trying to change the story prewritten for her, growing up in an underfunded and forgotten Bradford in the 2010s. They only have one place they can escape to... Club Ocean on a Thursday night. Freedom for Jen and Stacey. A beautiful and hilarious coming-of-age story, Kat Rose-Martin's £1 Thursdays captures and celebrates the trials and tribulations of what it means to be young, Northern and working class, when for one Vodka-blurred second, you're allowed to forget everything and just dance. This edition was published to coincide with the world premiere at London's Finborough Theatre in November 2023.
I remember thinking, what difference is there between donating my body to science and donating it to someone who might find pleasure in it when I'm dead. Sergio Blanco and Daniel Goldman collaborate again, after the success of their critically acclaimed Offie award-winning productions of Thebes Land and The Rage of Narcissus, to tell a mesmerising story of love and lust beyond the grave. Desire, friendship and eroticism intertwine in When You Pass Over My Tomb, a dazzling play by Latin America's biggest living playwright that asks, how far would you go for love? And will the world allow it? This edition was published to coincide with the world premiere at London's Arcola Theatre in February 2024.
In an age where academic curriculum has essentially pushed theatre studies into ‘post-script’, and the cultural ‘space’ of making and watching theatre has been largely usurped by the immense popularity of television and ‘mainstream’ cinemas, it is important to understand why theatre still remains a ‘space’ to be reckoned as one’s ‘own’. This book argues for a ‘theatre’ of ‘their own’ of the Indian women playwrights (and directors), and explores the possibilities that modern Indian theatre can provide as an instrument of subjective as well as social/ political/ cultural articulations and at the same time analyses the course of Indian theatre which gradually underwent broadening of thematic and dramaturgic scope in order to accommodate the independent voices of the women playwrights and directors.