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Stone's moving debut collection of verse is inspired by her encounter with perhaps the last cohesive, traditional Jewish community in the Middle East and North Africa. According to their story of origin, a handful of exiles arrived on the island of Djerba, Tunisia, in 586 B.C., carrying a single stone from the destroyed Temple in Jerusalem. Drawing from this cosmology, the poems follow a stranger who arrives into an ancient community that is both at home and deeply estranged on the island. Its people occupy the uneasy space of all insular communities, deciding when to let the world in and when to shut it out. The poems are about the daily lives and deeper cosmos of the Jews of Djerba as well as the Muslims next door. In her exploration, Stone sees vivid recurring images of keys, stones, homes, the laughter of girls, the eyes of men, the color blue, and the force of blood or bombs. With this journey of faith, doubt, longing, and home, Stone has brought readers a rare look into a story that resonates powerfully with questions of cultural preservation and coexistence.
In Washington DC, Carol looked beautiful standing on the steps of the Lincoln Memorial next to Karl, her future husband. They were the consummate couple, surrounded by the rest of the '1 Law' Foundation members and several dozen friends. The day glowed with picture perfect memories for the taking. As Carol and Karl kiss to complete their vows, tragedy has already struck in Montana, launching the Foundation's next adventure. Days before the wedding in Montana at Carol's family multi-generational ranch found in the early 1800's, a mystery started unfolding. Disturbing events on the ranch lead the Foundation members on a trek across the state into Idaho. In Boise, the trail suddenly turns south pointing to South America and Brazil. As their mystery unwinds, the foundation members must come to grips with the bizarre combination of Artificial Intelligence and Crispr technologies. These become enhanced with the aid of a supercharged Quantum Computer. Together the Foundation members believe that these play creative roles trying to establish an international economic system. The Foundation investigates an organization that aspires to the goals of the 'Club of Rome', with one major difference. Equality across economic, social and political areas is not obtainable with a world on the abyss of destruction. The 'Group' organized in Europe before World War II believes the only saving future for mankind is a feudalistic society managed by a master race of leaders. Questions arise as the Foundation members try to build a portfolio on this 'Group'. Can this technically superior organization be uncovered and exposed? What makes the Group's far reaching tentacles untouchable? Can they orchestrate the rise of international feudalism, making it universally accepted as the governmental standard? DC's a gripping tale that steers your imagination to unthinkable places. What kind of sinister, mind-bending creations can this Group's Artificial Intelligence and Crispr technology harness with their unbridled Quantum Computer. The Foundation members' diverse makeup interacts with authorities and an international cast of characters during their investigation. They find themselves dodging one mishap after another. What kind of trouble is the Foundation gang stirring up locally and in South America? Can they piece together a real global conspiracy? Are they exposing a coming worldwide economic disaster? Billy Angel weaves a saga that keeps on giving - leaving the reader guessing what's next. Enjoy this gripping page turner that asks more questions than it answers. For example, what's illegal about an international organization influencing countries officials with non-financial means? Mysteries Billy Angel addresses questions like can the disadvantages of Artificial Intelligence, like the lack of emotions and fact checkers, be eliminated? Can AI singularity be achieved? Is the '1984' society from George Orwell's book described in play today?
How to get someone, somewhere, to do something. The job is using words, pictures, stories, and music to seduce strangers. In the industrial, mass-media, consumer economy of the past, the job was called advertising, and “Mad Men” did it. In today’s service-based, social media-focused, information economy, the job is called life, and everyone does it. Here’s how you can do it. And do it better.
CONTRIBUTIONS TO THE SOCIOLOGY OF LANGUAGE brings to students, researchers and practitioners in all of the social and language-related sciences carefully selected book-length publications dealing with sociolinguistic theory, methods, findings and applications. It approaches the study of language in society in its broadest sense, as a truly international and interdisciplinary field in which various approaches, theoretical and empirical, supplement and complement each other. The series invites the attention of linguists, language teachers of all interests, sociologists, political scientists, anthropologists, historians etc. to the development of the sociology of language.
For readers of Neil Gaiman, Margaret Atwood, China Miéville, and David Mitchell comes a striking debut novel by a storyteller of keen insight and captivating imagination. LAMBDA LITERARY AWARD WINNER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST On a cool evening in Kolkata, India, beneath a full moon, as the whirling rhythms of traveling musicians fill the night, college professor Alok encounters a mysterious stranger with a bizarre confession and an extraordinary story. Tantalized by the man’s unfinished tale, Alok will do anything to hear its completion. So Alok agrees, at the stranger’s behest, to transcribe a collection of battered notebooks, weathered parchments, and once-living skins. From these documents spills the chronicle of a race of people at once more than human yet kin to beasts, ruled by instincts and desires blood-deep and ages-old. The tale features a rough wanderer in seventeenth-century Mughal India who finds himself irrevocably drawn to a defiant woman—and destined to be torn asunder by two clashing worlds. With every passing chapter of beauty and brutality, Alok’s interest in the stranger grows and evolves into something darker and more urgent. Shifting dreamlike between present and past with intoxicating language, visceral action, compelling characters, and stark emotion, The Devourers offers a reading experience quite unlike any other novel. Praise for The Devourers “A chilling, gorgeous saga that spans several centuries and many lands . . . The all-too-human characters—including the nonhuman ones—and the dreamlike, recursive plot serve to entrance the reader. . . . There’s no escaping The Devourers. Readers will savor every bite.”—N. K. Jemisin, The New York Times Book Review “The Devourers is beautiful. It is brutal. It is violent and vicious. . . . [It] also showcases Das’s incredible prowess with language and rhythm, and his ability to weave folklore and ancient legend with modern day loneliness.”—Tordotcom “A wholly original, primal tale of love, violence, and transformation.”—Pierce Brown, #1 New York Times bestselling author of The Red Rising Trilogy “Astonishing . . . a narrative that takes possession of you and pulls you along in its wake.”—M. R. Carey, author of The Girl with All the Gifts
She wasn't supposed to fall in love with her next door neighbor “Can you hear me?” Adaline Starling needs a new tenant for the flat above her store, and Callum Hague needs somewhere to live. Adaline is a genius, hiding in a magazine store, she has never opened. She is trying to convince the world that she is whole, that there is nothing wrong with her. Callum Hague likes to fix things, preferably thousands of miles away from his hometown. He’s returned from a year long project in Nairobi where he has built a school. They both have hidden imperfections that have shaped their lives from childhood. If they were left to their own devices, they would both become reclusive. Their best friends think they would be perfect for each other and set about fixing them up. It takes a serious incident for them to confess their invisible flaws, but will they accept each other’s hidden imperfection? With supporting characters that include a cheeky apprentice and an overbearing charity chairwoman. Will Adaline turn a deaf ear to everyone’s advice to own her imperfections?
Collects poems chosen by editor Edward Hirsch as the best of 2016, featuring poets such as Rick Barot, Emily Fragos, Philip Levine, and Adrienne Su.
Across the pine forests and deserts of America, there are mock Middle Eastern villages, mostly hidden from public view. Containing mosques, restaurants, street signs, graffiti in Arabic, and Iraqi role-players, these villages serve as military training sites for cultural literacy and special operations, both seen as crucial to victory in the Global War on Terror. In her gripping and highly original ethnography, anthropologist Nomi Stone explores US military predeployment training exercises and the lifeworlds of the Iraqi role-players employed within the mock villages, as they act out to mourn, bargain, and die like the wartime adversary or ally. Spanning fieldwork across the United States and Jordan, Pinelandia traces the devastating consequences of a military project that seeks to turn human beings into wartime technologies recruited to translate, mediate, and collaborate. Theorizing and enacting a field poetics, this work enlarges the ethnographic project into new cross-disciplinary worlds. Pinelandia is a political phenomenology of American empire and Iraq in the twenty-first century.
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Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as James Baldwin, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Garrett Hongo, while making compelling connections to Mura's own life and work as a Japanese American writer. In A Stranger's Journey, Mura poses two central questions. The first involves identity: How is writing an exploration of who one is and one's place in the world? Mura examines how the myriad identities in our changing contemporary canon have led to new challenges regarding both craft and pedagogy. Here, like Toni Morrison's Playing in the Dark or Jeff Chang's Who We Be, A Stranger's Journey breaks new ground in our understanding of the relationship between the issues of race, literature, and culture. The book's second central question involves structure: How does one tell a story? Mura provides clear, insightful narrative tools that any writer may use, taking in techniques from fiction, screenplays, playwriting, and myth. Through this process, Mura candidly explores the newly evolved aesthetic principles of memoir and how questions of identity occupy a central place in contemporary memoir.