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Focuses on the 19th-century transformation in San Francisco--from Gold Rush to earthquake--to show how the city's diverse residents created a modern American city through everyday "cultural frontiers," such as restaurants, hotels, and annual fairs and expositions, among others.
From the Grand Tour to today's packages holidays, the last two centuries have witnessed an exponential growth in travel and tourism and, as the twenty-first century unfolds, people of every class and from every country will be wandering to every part of the planet. Meanwhile tourist destinations throughout the world find themselves in ever more fierce competition - those places marginalized in today's global industrial and information economy perceiving tourism as perhaps the only means of surviving. But mass tourism has raised the local and international passions as people decry the irreversible destruction of traditional places and historic sites. Against these trends and at a time when standardized products and services are marketed worldwide, there is an increasing demand for built environments that promise unique cultural experiences. This has led many nations and groups to engage in the parallel processes of facilitating the consumption of tradition and of manufacturing tradition. The contributors to this volume - drawn from a wide range of disciplines - address these themes within the following sections: Traditions and Tourism: Rethinking the "Other"; Imaging and Manufacturing Heritage; Manufacturing and Consuming: Global and Local. Their studies, dealing with very different times, environments and geographic locales, will shed new light on how tourist 'gaze' transforms the reality of built spaces into cultural imagery.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
"San Francisco has no single landmark by which the world may identify it," according to San Francisco in the 1930s, originally published in 1940. This would surely come as a surprise to the millions who know and love the Golden Gate Bridge or recognize the Transamerica Building’s pyramid. This invaluable Depression-era guide to San Francisco relates the city’s history from the vantage point of the 1930s, describing its culture and highlighting the important tourist attractions of the time. David Kipen’s lively introduction revisits the city’s literary heritage—from Bret Harte to Kenneth Rexroth, Jade Snow Wong, and Allen Ginsberg—as well as its most famous landmarks and historic buildings. This rich and evocative volume, resonant with portraits of neighborhoods and districts, allows us a unique opportunity to travel back in time and savor the City by the Bay as it used to be.
Tourists and travelers in the early nineteenth century saw American cities as ugly spaces, lacking the art and history that attracted thousands to the great cities of Europe. By the turn of the century, however, city touring became popular in the United States, and the era saw the rise of elegant hotels, packaged tours, and train travel to cities for vacations that would entertain and edify. This fascinating cultural history, studded with vivid details bringing the experience of Victorian-era travel alive, explores the beginnings of urban tourism, and sets the phenomenon within a larger cultural transformation that encompassed fundamental changes in urban life and national identity. Focusing mainly on New York, San Francisco, Washington, D.C., and Chicago, Catherine Cocks describes what it was like to ride on Pullman cars, stay in the grand hotels, and take in the sights of the cities. Her evocative narrative draws on innovative readings of sources such as guidebooks, travel accounts, tourist magazines, and the journalism of the era. Exploring the full cultural context in which city touring became popular, Cocks ties together many themes in urban and cultural history for the first time, such as the relationships among class, gender, leisure, and the uses and perceptions of urban space. Offering especially lively reading, Doing the Town provides a memorable journey into the experience of the new urban tourist at the same time as it makes a sophisticated contribution to our understanding of the urban and cultural development of the United States.
Founded during the Gold Rush years, the Chinese community of San Francisco became the largest and most vibrant Chinatown in America. This is a detailed social and cultural history of the Chinese in San Francisco.
2023 Spur Award Winner * Historical Novel Society Editor's Pick "Appealing characters match satisfying puzzles. Historical fans will be delighted." —Publishers Weekly Sometimes you can't keep your gown out of the gutter... Inez Stannert has reinvented herself—again. Fleeing the comfort and wealth of her East Coast upbringing, she became a saloon owner and card sharp in the rough silver boomtown of Leadville, Colorado, always favoring the unconventional path—a difficult road for a woman in the late 1800s. Then the teenaged daughter of a local prostitute is orphaned by her mother's murder, and Inez steps up to raise the troubled girl as her own. Inez works hard to keep a respectable, loving home for Antonia, carefully crafting their new life in San Francisco. But risk is a seductive friend, difficult to resist. When a skeleton tumbles from the wall of her latest business investment, the police only seem interested in the bag of Civil War-era gold coins that fell out with it. With her trusty derringer tucked in the folds of her gown, Inez uses her street smarts and sheer will to unearth a secret that someone has already killed to keep buried. The more she digs, the muddier and more dangerous things become. She enlists the help of Walter de Brujin, a local private investigator with whom she shares some history. Though she wants to trust him, she fears that his knowledge of her past, along with her growing attraction to him, may well blow her veneer of respectability to bits—that is, if her dogged pursuit of the truth doesn't kill her first.