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Fin-de-siecle Vienna was a special place at a special time, a city in which the decadent abandon of the era commingled with dark forebodings of the coming century. The artistic and intellectual ferment of the Austrian capital was extraordinary: Sigmund Freud, Gustav Mahler, Arthur Schnitzler, Theodor Herzl, Gustave Klimt, and Ludwig Wittgenstein were but a few of the figures who lived and worked there. And, in September 1897, into the very midst of this heady milieu, came America's most famous citizen, Mark Twain. Although most of Twain's biographers have mentioned his Viennese sojourn (occasioned by his daughter Clara's musical studies), it has remained an unexplored hiatus in his career. Partly because of impressions created by Twain himself, the twenty months he spent in Vienna are often dismissed as uneventful and unproductive. In "Our Famous Guest" Carl Dolmetsch shows the truth to be otherwise. Upon his arrival Twain found all the doors of the celebrity-mad city, from its literary cafe's to its aristocratic salons, flung wide open to him. The aging writer imbibed freely of Vienna's atmosphere, and the result was a final, astonishing surge of creativity. Among the thirty works that came, either whole or in part, from Twain's Austrian visit were the Socratic dialogue What Is Man?, the "Early Days" section of his Autobiography, Book I of Christian Science, the classic short story "The Man That Corrupted Hadleyburg," the polemical essay "Concerning the Jews," and, most important, a major portion of the manuscript cluster known as The Mysterious Stranger. As Dolmetsch notes, conventional wisdom about Twain attributes the "bitter pessimism" of these late writings to such factors as his personal bereavements and financial reversals. Rejecting this view as grossly oversimplified, Dolmetsch argues that the transformation in Twain's outlook and writing style owe much to the cultural currents he encountered abroad, above all in Vienna. He suggests that Twain was especially responsive to a peculiarly Viennese blend of nihilism and hedonism and to the "impressionistic" style favored by its writers. In locating these influences, Dolmetsch portrays a Mark Twain far more cosmopolitan and urbane than previous biographical studies have allowed. Through meticulous research in Viennese newspaper reports as well as in Twain's own journals and writings, Dolmetsch reconstructs the writer's visit in breathtaking detail. The narrative sparkles with accounts of Twain's shrewd manipulation of the Viennese press, his involvements in the city's musical and theatrical life, the attacks he endured from anti-Semitic journalists, and even his futile attempts to obtain marketing rights to two inventions by a Polish engineer. In one particularly intriguing chapter Dolmetsch ponders the riddle of Twain's association with Freud (who was then virtually unknown outside of Vienna) and their congruent fascination with the relationship between dreams and "reality." An invaluable addition to Twain scholarship, "Our Famous Guest" is equally compelling for the glimpse it offers of a vanished world.
Stranger In My Heart is about the search for understanding oneself, answering the question “Who am I?” by seeking to understand the currents that sweep down the generations, eddy through one’s own persona and continue on – palpable but often unrecognised. My father fought at the Battle of Hong Kong in December 1941, was taken prisoner by the Japanese and then escaped in February 1942, making his way across 1200 miles of inhospitable country to reach China’s wartime capital at Chongqing. Seventy years later I retraced his steps in an effort to understand a man who had died when I was 18, leaving a lot of unanswered questions behind. My book is the quest that I undertook to explore my father’s life, in the context of the Pacific War and our relationship with China. A picture of a man of the greatest generation slowly unfolds, a leader, a 20th Century Great, but a distant father. As I delve into his story and research the unfamiliar territory of China in the Second World War, the mission to get to know the stranger I called ‘Dad’ resolves into a mission to understand how my own character was formed. As I travel across China, the traits I received from my father gradually emerge from their camouflage. The strands of the story are woven together in a flowing triple helix, with biography, travelogue and memoir punctuated with musings on context and meaning.
Assessing the impact of fin-de-siècle Jewish culture on subsequent developments in literature and culture, this book is the first to consider the historical trajectory of Austrian-Jewish writing across the 20th century. It examines how Vienna, the city that stood at the center of Jewish life in the Austrian Empire and later the Austrian nation, assumed a special significance in the imaginations of Jewish writers as a space and an idea. The author focuses on the special relationship between Austrian-Jewish writers and the city to reveal a century-long pattern of living in tension with the city, experiencing simultaneously acceptance and exclusion, feeling "unheimlich heimisch" (eerily at home) in Vienna.
First full-length study of Loos's texts available in English Based on original research and makes extensive use of primary sources Offers a genuinely inter-disciplinary approach
The revelatory look at Hitler's formative years in Vienna provides startling insights into the future Furher.
A memoir of family history, personal identity, and WWII Vienna—a “well-researched, intimate, evocative look at some of the 20th century’s foulest days” (Kirkus). In autumn 1942, Anna Goldenberg’s great-grandparents and one of their sons are deported to the Theresienstadt concentration camp. Hans, their elder son, survives by hiding in an apartment in the middle of Nazi-controlled Vienna. But this is no Anne Frank-like existence; teenage Hans passes time in the municipal library and buys standing room tickets to the Vienna State Opera. He never sees his family again. Goldenberg reconstructs this unique story in magnificent reportage. She also portrays Vienna’s undying allure. Although they tried living in the United States after World War Two, both grandparents eventually returned to the Austrian capital. The author, too, has returned to her native Vienna after living in New York herself, and her fierce attachment to her birthplace enlivens her engrossing biographical history. I Belong to Vienna is a probing tale of heroism and resilience marked by a surprising freshness as a new generation comes to terms with history’s darkest era.
THE SUNDAY TIMES BESTSELLERVienna, 1913. Lysander Rief, a young English actor, sits in the waiting room of the city's preeminent psychiatrist as he anxiously ponders the particularly intimate nature of his neurosis. When the enigmatic, intensely beautiful Hettie Bull walks in, Lysander is immediately drawn to her, unaware of how destructive the consequences of their subsequent affair will be. One year later, home in London, Lysander finds himself entangled in the dangerous web of wartime intelligence - a world of sex, scandal and spies that is slowly, steadily, permeating every corner of his life...