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Strange Stories from the Lodge of Leisures by Pu Songling, George Soulie (translator) We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Strange Stories from the Lodge of Leisures gathers twenty-five stories from Pu Songling's collection of more than four hundred short stories-exquisitely amusing miniatures that are regarded as the pinnacle of classical Chinese fiction. His work departed from the prevailing literary fashion that was dominated by more realistic stories written in the colloquial language. Pu instead wrote his stories in the classical idiom, freely adopting forms and themes from the old "marvel tales" of the Tang and Song dynasties. Although Pu lived and died as an obscure provincial schoolteacher, his work gained fame when it was first printed in 1766, some fifty years after his death, inspiring many imitations and creating a new vogue for classical stories. His tales have not only spawned translations, adaptations, and sequels, but have also inspired world-renowned writers such as Franz Kafka, Lafcadio Hearn, Jorge Luis Borges, and Mo Yan. Pu's tales are populated with ghosts, foxes, immortals, and demons, but he focused on the everyday life of commoners. He used the supernatural and the unexplainable to illustrate his ideas of society and government, to criticize the corruption and injustice in society, and sympathized with the poor. Pu is concerned with four main themes: the skewed feudal system, the corrupt examination system of his day, the love between poor scholars and powerless women, and reforming bad behavior. He embedded Confucian-styled moral standards and Taoist principles into parables but the enduring genius of his writing is that it never fails to entertain even as it aims to enlighten.
"Some of these stories, I am sure, will be read as long as the Chinese language exists."-Ha Jin
Animal Farm, George Orwell's satirical political fable, tells the story of a group of barnyard animals who overthrow their human masters in hopes of fashioning for themselves an egalitarian society. As their rebellion germinates and eventually fails in slow motion, Orwell draws deliberate parallels to events leading up to the Russian Revolution of 1917 and the Stalinist era of the former Soviet Union. Animal Farm is considered one of Orwell's finest works-a flawless novella full of wit, imagination, and stylistic verve. This Warbler Classics edition contains twenty vintage illustrations drawn from Brockhaus Konversations-Lexikon.
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Charlotte Perkins Gilman's short story "The Yellow Wallpaper" is one of the key texts in American women's fiction and also a rallying cry for feminism. Since its original printing in 1892, it has been routinely anthologized in collections of women's literature, American literature, and textbooks. This volume gathers nine other equally momentous stories by a diverse group of renowned American women authors who changed the world with their compelling tales. These ten stories testify to the power of the imagination to create personal transformation and political change. Charlotte Perkins Gilman (1860-1935) was an American author of novels, short stories, poetry, and nonfiction. She was also a utopian feminist who gained fame and developed a social circle of like-minded activists and writers of the feminist movement as she lectured widely for social reform. She is most known today for her semi-autobiographical short story "The Yellow Wallpaper."Ulrich Baer earned a B.A. from Harvard and a Ph.D. from Yale. A widely published author, he is University Professor at New York University, and has been awarded Guggenheim, Getty, and Alexander von Humboldt fellowships. He has written numerous books on poetry, photography and cultural politics, and edited and translated Rainer Maria Rilke's The Dark Interval, Letters on Life, and Letters to a Young Poet. He hosts leading writers and artists on the "Think About It" podcast. In the Warbler Press Contemplations series, he has published: Nietzsche, Rilke, Dickinson, Wilde, and Shakespeare on Love.
Strange Tales from Make-Do Studio is a famous collection of about 500 short stories by Pu Songling (1640 - 1715), a writer of the Qing Dynasty. Fifty-one stories are selected for this English edition. These stories cover a wide range of subjects, such as werefoxes and fish spirits and ghosts and monsters that are personified. Like human beings, they have feelings of good and evil, beauty and ugliness, love and hatred as well as happiness and discontent. These mystical stories reflect the social life of the time in which they were written. Living under a feudal monarchy, the writer had to criticize the unfairness of the feudal system and express his indignation by writing of fox spirits and monsters. Although most of these stories are progressive and written with a critical slant, some of them still have ideas of feudal superstition and fatalism. The stories in Strange Tales from Make-Do Studio are written in simple and straightforward language, but they are highly structured with complicated plots that often employ the technique of combining illusion with reality. Some of these stories are based on popular folk legends and thus have a plain, folksy style. The ideological and artistic achievements of Strange Tales from Make-Do Studio have greatly influenced later novels and operas.
Winner of the International Lannan Literary Award for Nonfiction Animal tracks, word magic, the speech of stones, the power of letters, and the taste of the wind all figure prominently in this intellectual tour de force that returns us to our senses and to the sensuous terrain that sustains us. This major work of ecological philosophy startles the senses out of habitual ways of perception. For a thousand generations, human beings viewed themselves as part of the wider community of nature, and they carried on active relationships not only with other people with other animals, plants, and natural objects (including mountains, rivers, winds, and weather patters) that we have only lately come to think of as "inanimate." How, then, did humans come to sever their ancient reciprocity with the natural world? What will it take for us to recover a sustaining relation with the breathing earth? In The Spell of the Sensuous David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand of magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with a passion, a precision, and an intellectual daring that recall such writers as Loren Eisleley, Annie Dillard, and Barry Lopez.