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A comics & magazine of strangely mysterious stories. From the downright chilling, to scary and the weird, this collection of REAL ghost stories is ideal for a Halloween thrill or an insight into a unique haunted history.
A massive collection of never-before-collected pre-Comics Code horror comics of the 1950s. Of the myriad genres comic books ventured into during its golden age, none was as controversial as or came at a greater cost than horror; the public outrage it incited almost destroyed the entire industry. Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951–54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust volume.
Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.
scary stories with monsters and sexy women! Thrilling tales of horror, intrigue, adventure and romance! Published by Avon. This was the only Eerie Comic published until 1951 when Avon published another Eerie #1, cover dated May/June 1951. It then continued a run of seventeen issues. This January 1947 issue of Eerie Comics is the first out-and-out horror comic book and is credited with establishing the genre of horror comics. You can enjoy again - or for the first time -Eerie Comics #1complete stories . . . "The Eyes Of The Tiger" "Dead Mans Tale" "The Man-Eating Lizards!" "Goofy Ghost" "Proof! (illustrated Verse)" "Mystery Of Murder Manor" "The Strange Case Of Henpecked Harry" The comic reprints from Escamilla Comics are reproduced from actual classic comics, and sometimes reflect the imperfection of books that are decades old. These books are constantly updated with the best version available.
Strange Terrors was a pre-comic code horror comic series. Popular but short lived, this series was published by St. John publications who at one time was a giant of the comic book industry. St. John Publications was an American publisher of magazines and comic books. During its short existence (1947-58), St. John's comic books established several industry firsts. Founded by Archer St. John (1904-55), the firm was located in Manhattan at 545 Fifth Avenue. After the St. John comic books came to an end in 1958, the company continued to publish its magazine line into the next decade. This book has been image enhanced to give the reader a comic as it was, freshly published more then fifty years ago and contains stories from two complete issues.
Marvel's creepiest characters put the "super" into supernatural in this titanic tome of terror! A veritable who's who of horror, this Omnibus collects the complete 1970s adventures of the Zombie, Brother Voodoo, the Living Mummy, It the Living Colossus, the Golem, Gabriel: Devil Hunter, the Scarecrow and Modred the Mystic - including hair-raising encounters with Werewolf by Night, Doctor Strange, the Hulk, the Thing, the Avengers and more! Read it if you dare! COLLECTING: STRANGE TALES (1951) 169-174, 176-177; SUPERNATURAL THRILLERS 5, 7-15; ASTONISHING TALES (1970) 21-24; DEAD OF NIGHT 11; MARVEL SPOTLIGHT (1971) 26; MARVEL CHILLERS 1-2; MARVEL TEAM-UP (1972) 24; WEREWOLF BY NIGHT (1972) 39-41; MARVEL TWO-INONE (1974) 11, 18, 33, 41, 95; DOCTOR STRANGE (1974) 48; INCREDIBLE HULK (1968) 244; FANTASTIC FOUR (1961) 222-223; AVENGERS (1963) 185-187; MATERIAL FROM ZOMBIE (1973) 1-10; HAUNT OF HORROR (1974) 2-5; MONSTERS UNLEASHED (1973) 11; BIZARRE ADVENTURES 33; MENACE 5; MOON KNIGHT (1980) 21; TALES OF SUSPENSE (1959) 14, 20; STRANGE TALES (1951) 74, 89
Short-listed for the 2007 CBA Libris Awards for Book Design of the Year What do Superman, Prince Valiant, Cerebus the Aardvark, and Spawn have in common? Their creators Joe Shuster, Harold Foster, Dave Sim, and Todd McFarlane are Canadians. And while many of the cutting-edge talents of contemporary comix and graphic novels are also from Canada artists such as Chester Brown, Seth, Dave Cooper, and Julie Doucet far too few Canadians realize their country had a remarkable involvement with the "funnies" long before. Invaders from the North profiles past and present comic geniuses, sheds light on unjustly neglected chapters in Canadas pop history, and demonstrates how this nation has vaulted to the forefront of international comic art, successfully challenging the long-established boundaries between high and low culture. Generously illustrated with black-and-white and colour comic covers and panels, Invaders from the North serves up a cheeky, brash cavalcade of flamboyant and outrageous personalities and characters that graphically attest to Canadas verve and invention in the world of visual storytelling.
This is a critical overview of monster magazines from the 1950s through the 1970s. "Monster magazine" is a blanket term to describe both magazines that focus primarily on popular horror movies and magazines that contain stories featuring monsters, both of which are illustrated in comic book style and printed in black and white. The book describes the rise and fall of these magazines, examining the contributions of Marvel Comics and several other well-known companies, as well as evaluating the effect of the Comics Code Authority on both present and future efforts in the field. It identifies several sub-genres, including monster movies, zombies, vampires, sword-and-sorcery, and pulp-style fiction. The work includes several indexes and technical credits.
Horror comics were among the first comic books published--ghastly tales that soon developed an avid young readership, along with a bad reputation. Parent groups, psychologists, even the United States government joined in a crusade to wipe out the horror comics industry--and they almost succeeded. Yet the genre survived and flourished, from the 1950s to today. This history covers the tribulations endured by horror comics creators and the broader impact on the comics industry. The genre's ultimate success helped launch the careers of many of the biggest names in comics. Their stories and the stories of other key players are included, along with a few surprises.
From the Golden Age of the 1940s, through the Silver Age of the '60s, up until the early '80s--the end of the Bronze Age. Included are the earliest series, like American Comics Group's Adventures into the Unknown and Prize Comics' Frankenstein, and the controversial and gory comics of the '40s, such as EC's infamous and influential Tales from the Crypt. The resurgence of monster-horror titles during the '60s is explored, along with the return of horror anthologies like Dell Comics' Ghost Stories and Charlton's Ghostly Tales from the Haunted House. The explosion of horror titles following the relaxation of the comics code in the '70s is fully documented with chapters on Marvel's prodigious output--The Tomb of Dracula, Werewolf by Night and others--DC's anthologies--Witching Hour and Ghosts--and titles such as Swamp Thing, as well as the notable contributions of firms like Gold Key and Atlas. This book examines how horror comics exploited everyday terrors, and often reflected societal attitudes toward women and people who were different.